Summary: The Spirits That Lend Strength Are Invisible II

TXT- His unique style of using separate colored panels to create his subjects are similar to a Cubist painting, but he integrates several elements to construct this piece various colors and include text. Pg

Criticizing a painting has a process that contains only four steps to it. Describe, analyze, interpret, and judge are the four steps to evaluating any work of art. The painting that we will use this process on is called “The Ambassadors” by Hans Holbein II in the year 1533 which is an oil painting on a panel. We will apply this process to determine if his work of art is a success or a failure.

The pathway is dark grey. The lady’s clothes are purple; she’s also wearing pink shoes. In image B ( ‘Nighthawks’) there are Three customers sitting in a restaurant named Phillie’s with one server unlike image A , the figures are the subject matters , these figures are three males and one female siting on the beach in the cafe , the one of them the opposite directions to other two customers while the cafe worker serves them drinks. The cafe is an organic shaped, buildings are at the opposite side of the cafe. The name of the cafe is on top of the cafe’s building the letters are bold and delicate. There are chairs around the bench in the cafe. Image A & B have windows, doors in their paintings. Both of them also have secondary colours. Image B’s use of colours is different to image A’s , image B has neutral colours , because the painting is night time the artist used darker colours , on the left side of the painting , where a building is the colour dark red runs across the building , which pops out and

Another thing, he made the picture on a stretched canvas. It is well prepared with the several coats of the acrylic and each object is related to the other object. The image is taken from the Ellin and Gordon art gallery. He used the sharp color to

1. Select one of the following pair of artworks and describe the differences you observe between them. Each pair consists of art of the Early Renaissance (Chapter 21) and that of the High and Late Renaissance (Chapter 22). Examine the composition, technique, position of the figures, and facial expressions, as well as any relevant elements of art and principals of design (see handout from September or Google “art elements and design principals”).

He is walking towards the right with a stick in his hand and a bag tied at the top of the stick. He is the largest object in this art piece, therefore he is the most important. The sky is blue with a little brown color making it seem like the sun is setting or has set. Behind the man, there are mountains colors of purple-gray and orange. Growing below the mountains is greenish brown grass. In front of the mountains, there is what looks like a stream or a river that is blue with waves. Light uses black lines to show that there are trees, mountains, and river. Also, he uses black to outline the shirt, hat, and

The formal analysis of a work of art has to do with what the viewer sees through his or her own eyes, to attempt to describe it to their personal knowledge. One important element is the composition, which involves the order of colors, lines, and space, in an art piece that relate to the subject matter. To explain what the artist is communicating through visual aspects of his or her own artwork and to analyze every last detail. These specific terms are important tools to dissect forms of art from any artist and being able to distinguish the qualities that it has to offer. Also to differentiate visual features to figure out what’s going on in the subject’s mind or to determine the behavior in the composition. Being capable to comprehend what’s

The sizes of these canvases allow viewers to immerse into the painting and the color with no distractions from the outside world. The simplicity of no distinct lines between the orangey red and the brown created a serene feeling. The red draws the viewers’ eye straight to it because it stands out against the darkness of the rest of the painting. Each color has its own rectangle and own size that the imperfectness of the piece calms the viewer down. The visible brushstrokes add a texture to the piece that it shows that the painting itself is more than three rectangles on a

Though there are some circles and curves the majority of this painting is made of the rectangle overlapping and arranged to give different shapes and angles. There are at least six different sized rectangular objects including the one that makes up the harlequin’s body. Repetition is Continuation is also a way that unity is achieved in this painting. Red, green, and yellow with a black background are the only colors used. The red used in the argyle diamond of the clothing is seen to the right and to the left of the figure. The green in the outfit is seen directly behind the figure. There are two different yellows used one is the base color in the outfit and is scene in a rectangle that overlaps the figure and the other is scene is all the remaining rectangular shapes. Even the black in the canvas continues as an oddly shaped head with one eye the sticks out from the top of the

As previously stated, this piece is made of both digital media and fiber elements. The use of color and surreal imagery is equivalent to perspective, brush strokes, proportion and chiaroscuro in the typical sculpture and painting. On the stage portion of the piece the figures contain brightly colored feathers and clothing. All over the stage are colored dots and while not as saturated as the figures, still stick out harshly against the black of the room. The mosaics on the wall are mostly abstract, even when portraying the human body. This way of depicting the subject as well as the frames emitting light, also help this portion of the display stand out against the black walls.

When I first read the class assignments and saw that I was to attend a art exhibit and write a review, I was not very enthusiastic. I do not consider myself an artsy person and I was not looking forward to the assignment. However, after studying the different artistic styles this semester, I began to this assignment as a way for me to experience some of what I had learned throughout the semester and put that knowledge into practical application.

The work is a representation of the gestures of “Three Wise Monkeys” symbol from Japan as God’s advice to “see no evil, hear no evil, speak no evil” and usually come with “do no evil”. Four parts of the painting are centered on the subject with two-thirds in space, so there is a small amount of unused space on the top of each part for the background. Liz Volpi uses only black and white in her work with contrast between the subject and background. The color value changes from rectangle to rectangle. If the Gibbi is painted black, the background is lighter with grey or white and vice versa, which creates contrast and highlights the actions of the subject. The subject in top left and bottom right images is painted in darker value than the background and the subject in bottom left and top right is painted in lighter value than the background. Volpi uses broken thin lines to direct viewers’ eyes into the character. The broken lines are the skin’s type of Gibbi as description of a different kind of species.

The person’s arm is bigger than the rest of his body. The guy laying on the ground is the focal point. He is the focal point because he is the brightest color in the picture. There is shape to all of the people. The people are mass because they are taking up space. There is texture in the sky it looks soft and mellow. There is a texture to the people's hats they look like they are soft and warm to ware. There are different textures to the peoples face no one person looks like another. This painting is figurative-ground because he used the negative and positive space equally. There is light coming from behind the guy in the sky implying that he is a special piece to the picture. There are a lot of different colors in this picture. This picture is an open palette because he used multiply colors not just a selective few. He uses a mixture between primary and secondary color in this

The birds are blurred together in motion, and are truly only identifiable as birds by distinct shape of their wings. It is unclear whether Balla intended there to be just one bird that is flying back and forth across the painting, or a flock of many birds flying. The birds are very concentrated in this space, overlapping and drawing the viewer into the painting. Their wings are pointed upwards, which brings the viewer’s eye up and across the rest of the painting, creating a constant movement within the

Prohibits new converts to be spiritual leader, because it is very prone to penalties and the