Essay about Summary and Analysis on Practices of Looking

915 WordsMay 12, 20074 Pages
Looking is to actively make meaning of that world with a more involved sense of purpose and direction. From looking we interpret social interaction and meanings. Professors Marita Sturken and Lisa Cartwright explain all about these concepts in the pages of their book Practices of Looking. It is an interesting and appealing novel offers understanding visual culture. Filled with numerous illustrations, the book observes how images play a very significant role in our everyday lives. The concepts of reproduction and demonstration relative to the times past of visual technologies are scrutinized in chapter four of the book. From the development of perspective in art to inventive movements such as Realism and Cubism, the chapter draws out the…show more content…
In the chapter, it states, "While opposition to mass culture and its saturation of the world with images is one of the hallmarks of modernism, postmodernism emphasizes irony and a sense of one's own enmeshment in low or popular culture. The forms of low, mass, or commercial culture so disdained by modernists are understood, in the context of postmodernism, as the inescapable conditions in and through which we generate our critical texts" (pg. 221). In this chapter, postmodernism's appearance as a way of life is recognized from the examples from modern art, structural design, and film. These models help to explain postmodernism, which is a period that is marked by imagery. In chapter eight, the standards of looking at science and expression are acknowledged. This chapter develops ideas with scientific images from the early nineteenth century to modern day. It makes one realize that whether the ideas are correct or not, most people today take scientific information and images more seriously than any other. It explains how imagery is evident in areas we would never think to associate imagery from, such as law and medicine. Chapter nine considers some of the innermost aspects of changes of local and global culture in the twenty-first century. This chapter is titled "The Global Flow of Visual Culture" and deals with the globalization of media in the Western world, first and
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