Kimbell

Cole has no restrain in describing the beauty of all the elements found in the American scenery. He talks about the mountains, the sky, the streams, the sunset, waterfalls, all of which are overflowing in richness, full of magnificence, and unsurpassed by any other. For Cole the scenery and nature are subjects which must be present in the souls of every American. While he considers himself and even others underserving of “such a birthright”, he is thankful for the beauties given to us by nature. Cole suggests to his audience that the reason behind him painting natural scenes relates to the experiencing of a particular emotional response while doing so. This is a response which can only be compared to a “calm religious tone”, full of “tranquility and peace.” Witnessing the beauties of the American scenery, anywhere one goes, makes one realize how “the sublime and beautiful are bound together in an indissoluble chain. In gazing on it we feel as though a great void had been filled in our minds.” Cole places great emphasis on the importance for all members of society to learn how to cultivate “a taste for scenery.” This can be achieved by appreciating the physical beauty of nature and the ability of said beauty to provide mankind with a different perspective about life and with

of these things are a very big part of how we construct our buildings and cities.

Towards the end of the Middle Ages and into the duration of the Renaissance, the Medieval Church’s social and political power dwindled. Centuries prior the Catholic Church gained a surplus of control, largely due to the stability it maintained during the chaotic breakdown of the Western Roman Empire . Yet toward the end of the Middle Ages the Church set in motion factors that would ultimately lead to its downfall as the definitive figure of authority. However, despite political and social controversy surrounding the church, the institutions it established cleared a path for a new way of thinking, shaping society in an enduring way.

B: Document 3). A: They would have such a good appeal on people because do to that they wanted as in paying taxes to the church. They believed they would get an everlasting life, and that happiness after their lives were short and hard. Churches had a hold on everybody who wanted things from above and letting their newborn child into a life of God , and God’s Church. Document 4).

14. Explain Francis’ metaphor: “My wife is the very brick and mortar of the church.”

In addition, evidence from the text supports Heyrman’s claim that “religious beliefs and commercial activities coexisted throughout the seventeenth century.” Though Anglican and Congregational churches were conspicuous, the text highlights eight more church which resided in

Think about how you have used technology in science and other classes in the past. Describe 5 ways you have used technology in classes (2 must be from science). From your experiences and research, does educational technology improve teaching and learning in the classroom? Support your answer with at least 2 resources

Kitchen counter has homework laying everywhere. The stove has pancakes being cooked and ingredients are lying next to the cooking pancakes.

I am analyzing the form and content of a stylized painting entitled The Palisades by John William Hill. This was found in the collection section of themetmusuem.org which was painted during the pre Raphaelite movement; when artist emphasized meticulous detail in what was observed rather than imagined nature. This artwork shows the aesthetics of nature, depicting a peaceful scenery with spacious green acres during the year of the 1870s. During the late 18th centuries, natural resources weren’t highly industrialized and that in itself shows how nature was essential for all human species. I argue that this painting shows how everything in nature connects and communicates with one another.

This idea, became a way for the church to intrigue young people and to attract new members. It made the idea of Christianity seem more relaxed and welcoming. The growth that came from implementing

The final part of the book is based on the response of the church to various forms of

• The focal point of the painting is the sun-drenched valley and river. The emphasis comes from the diagonal of the tree to the left that directs the view of the scene down the valley toward the farmland.

Around England, there were crosses that functioned as pulpits where preacher would address laity. Such a move proved beneficial, for there was more room outside than inside. Soon after, and for the same reasons, preaching took place in the church’s yard.

Joseph Muregi marks pieces of wooden frames cutting them into different shapes ready for making coffins at Sunset Ready Made coffins workshop at Molo trading center. Using his hands, Muregi confirms the pieces’ correct measurements and then uses an improvised tape measure bearing halls at an interval of six inches. Then, holding a sand paper in his hands, the carpenter smoothens the fitted pieces as other employees apply paint and later, he fixes handles set for transportation by waiting clients while others book for coffins.

Gonzalez, Justo L. The Story of Christianity, Volume I: The Early Church to the Dawn of the Reformation. Second Edi. New York, NY: HarperCollins, 2010.