Sunset Blvd. Essay

Editing is an art of its own, and is the sole backbone of a film. Classical Hollywood Cinema and Neorealist Cinema depicted reality through their numerous films, however their approaches were very different from one another. Classical Hollywood Cinema leaned towards enhancing a shot with extravagant lighting, music, and very carefully thought out camera angles. Neorealist Cinema focused on the story itself and the way film replicates reality and projects it on screen. A film like Mildred Pierce is a prime example of Classical Hollywood Cinema, where the story is enhanced by the editing techniques. On the other hand, a film like Bicycle Thieves follows the editing techniques of Neorealist Cinema, where the focus is not on the editing, but rather on the replication of reality and how raw the setting of

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood

Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately

Oakland fell into the Alternative Education Law program. Students worked at their own pace and speed to complete school. Oakland High School generally graduated between 15-20 students a year. Several smaller programs existed within the school, such as Region 5, or ALC (Alternative Learning Center) program or Lincoln Tree Farm. Region 5 were for student who were in transition from just being released from either Echo Glenn or Green hill youth jail facilities. They worked with a JRA representatives and would complete school work and prepare to reenter the comprehensive high school setting. They would have no contact with the remainder of the building and programs. This program ended during the 2007-2008 school year.

The film industry operates in a continuous cycle, searching for the newest and best pieces to make their movies creative, interesting, and marketable. Historically, the film industry attempts to follow a set structure in an attempt towards success in such a volatile market, however, this approach creates a system much like that of Ford’s Model-T production line, invented in the 1910s, which involved each worker on the line doing a single job. Only a few years later, during the 1920s and 1940s, the film industry showed that they adopted a similar approach to their industry, with each person—actor, director, producer, writer, etc.—performing a distinct role. In the late 1920s, as Hollywood transitioned from silent films to “talkies”, actors and actresses were met with the challenge of adapting to a new role and many of them no longer fit the role required by the growing Hollywood machine. The film Sunset Boulevard (Billy Wilder, 1950) explores and critiques the landscape of the hierarchy and harsh realities of Hollywood. In the same vein as many films of the film noir style, the mood of pessimism and fatalism reflected in the form parallels the reality of many people in Hollywood during the 1900s.

In the novel Grand Avenue. Greg Sarris uses the theme thread of poison to connect all of his separate stories about the Toms’, a Pomo Indian family. He proves that the roots of a family are the basis which gives the family its structure, even if those roots are bad. In the Toms’ family they’re roots were poisoned from the very founding of the family starting with Sam Toms’. His poison was not the fact that he tried to steal a married woman away, but that he was filled with secrets, deceptions, and self hatred. His family was founded on these poisened roots and passes the poisen down generation after gerneration. The only way to stop the poison, or inner self hatred taken out in other forms, was to let go of past and

Hollywood cinema is primarily subjected to telling stories. The inclination of Hollywood narratives comes not just from good chronicles but from good story telling. The following essay will discuss Hollywood’s commercial aesthetic as applied to storytelling, expand on the characteristics of the “principles of classical film narration” and evaluate alternative modes of narration and other deviations from the classical mode.

As the audience knows well already since the very first scene, Sunset Boulevard does not have what one would call a “happy ending.” In this sense, the movie gives itself away as film noir considering the fact that all such works of cinema which fall in this style category are known to have dark themes predominantly sending a message of hopelessness and meaningless existence. With Joe’s lifeless body floating around in a swimming pool in mind throughout the entire movie, audiences of this motion picture are filled with a sense of pointlessness for Joe’s life, since his personal resolutions and growth as a

So how does the Santa Cruz EF appeal to the communities and their audiences? As stated above, the Santa Cruz EF host weekly meetings where people can learn or input their opinions on certain environmental injustice. Individuals can come together and tackle the issue as a community. Then, they will be able to provide a solution or target the main source of the problem. After figuring out the problem and when the individuals finished their plan of action, they will post flyers in downtown, post them on the University billboards, and use social networks to advertise the plan. In addition, the group does fundraisers and demonstration to explain their purpose and the fundamentals needed to comprehend the movement.1 After the public is educated

Have you ever wondered what it is like to live in Las Vegas, the entertainment capital of the world, a gambling mecca for millions every year? What could it possibly be like for a person to live in a city known as "Sin City," where the only thing hotter than the bright lights is the sun. According to lasvegasnevada.gov over 600,000 people live in Las Vegas now, which is triple what it was just twenty years ago. It is a city built as a railroad town that has turned into one of the most well known cities in the world. Las Vegas is not just a tourist destination, but a great place to live. With countless job opportunities, strong economy, beautiful weather and state of the art education, Las Vegas is

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

I think that western film from the 1950s and 1960s reject the modernism film making movement. It does this because instead of moving on with a new form

Los Angeles was the first product off the assembly line of American urban planning. Turned on in the late 19th century, the city-making machine was fueled by an immense immigration of people who sought to create a new type of city out of the previously quaint pueblo. They also strove to craft the first major city developed primarily by Americans and outside of European archetypes. As a result, Los Angles is not only incredibly diverse, but also nearly impossible to define. Since it is a product of the American machine, understanding the community of Los Angeles becomes vital to understanding the United States. But to fully comprehend the present Los Angeles, one must look at the process that created it. Specifically, Los Angeles was