Sunset Song Monologue

be clouds like that and we'll be able to fly to them and touch them and lay on them, like a soft bed. In all seriousness, and with a slightly condescending look on her face as though I

The film techniques used in this film changes the entire landscape and changes the mood during the scene. The colour reflects on a charters feelings and the camera angles and

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately

The star-studded romantic comedy Midnight in Paris is one of Woody Allen’s most recent films which he did both, wrote and directed. It is a film about a man named Gil (Owen Wilson) who travels to Paris with his fiancée’s parents in order to expand his imagination and he ends up embarking on a journey to the 1920s while walking the streets of Paris at night. Not only is this film engaging and witty, but it also manages to provide both, overt and covert examples of postmodernism in film. By analyzing Woody Allen’s 2011film Midnight in Paris, we can identify the presence of many underlying motifs in both the narrative and the characterization of the film when using some of Frederic Jameson and Jean Baudrillard’s concepts on postmodernism.

The song, “Hotel California”, by the Eagles, is a very poetic song that uses imagery, and symbolism to bring out the theme in an indirect way of the speaker’s personal issues of life. The Eagles use imagery to set the mood and tone of the song. Along with many aspects of symbolism to input a lot of double meaning throughout the whole song. With both imagery and symbolism incorporated, many fans or people who have heard of this song would believe that the theme of this song is about a lonely traveler trying to break his own temptations.

David Bordwell wrote his article ‘The Art Cinema as a Mode of Film’ in an effort to convey the main idea that “art cinema” can be considered as a distinct mode of film practice, through its definite historical existence alongside other cinematic modes, set of formal conventions, and implicit viewing procedures. Rather than searching for the source of the art, or what drives the art in film, Bordwell compares art cinema to the classical narrative cinema, and highlights the differences in narrative structure. Bordwell makes the assumption that it defined itself against the classical narrative mode; especially with the way it deals with space, time, and the cause and effect link of events.

The director uses voice overs and cinematography perceptively to emphasise the challenges of family relationships. In the film before Chris and his sister Carnie go to the lunch with his parents he reads her a poem- “She’s the wrong woman, he's the wrong man. You are going to do bad things to children,

I’m just me. He is everything I’d imagine that “me” could be, if I stepped outside our box and found a plain to release these ideas of everything we’ve ever wanted to be. I’m solitary, mindful, a Garfield, a Seinfeld, least to say extraordinarily nothing special but not quite nothing special at all. I love the smooth sooth of Brazilian jazz music and cool days that paint pictures of fall. Handling thin brush tips that paint pix I could hang on my wall. He’s Los Angeles’s Sunset Blvd in the dark magic hours prior to dawn. Where the spot light rests upon the culprits of the moon randomly moving in unison. I quietly await the storms demise. Many moons have passed since we’ve viewed a frozen stretch of land called home. Where great bodies collide

Ruby Moon is set in Flamming tree grove, about a couple Ray and Sylvie who’s child Ruby goes missing. The worried parents continue to spend all their days and nights trying to piece together any information they can find about their missing daughter Ruby. As they review everything they know about the case the story turns into a detective inquest, they question all the eccentric characters on the street to try and seek clues as to what actually happened to their daughter Ruby. The characters include a Parrot-owning Christian, a wanna be clown, an ex-solider, a seductive temptress, a former babysitter and a mad scientist. Each one of these characters is a potential suspect in the murder or disappearance of Ruby Moon.

Lewis Grassic Gibbons Sunset Song contains two characters, Chris and Ewan, whose relationship deteriorates throughout the novel. The writer shows this deterioration through the various techniques that he employs. Choose a novel in which the relationship between two characters deteriorates. Explain the reasons for this and while assessing the part each character plays in the deterioration. Make it clear where your sympathies lie.

On average,in the United States, twenty people per minute are physically abused by their partner. Which if you make the math, that is more than ten million women and men. In the short story, “ It will look like a Sunset” by Kelly Sundberg, she effectively asserts her targeted audience which consists on couples and mainly young women in their late twenties who are in a relationship. Sundberg supports her assertions by appealing to ethical, emotional, and logical examples as well as using rhetorical strategies. The author's main purpose is to urge the readers to accept life is complicated and anyone who faces a similar situation should seek help because you may not be in the right state of mind to make the right decision.

She kept on thinking. I wonder how things will turn out? She felt nervous and anxious for school today, like she did everyday.

Luna I stand out from everyone else, but I think that is special So what my life has a little dishevel I was walking down the hall yesterday When I stumbled upon a boy who appeared very grey I brushed it off as just another stupid boy who doesn’t care I decided I’d wait for my Romeo elsewhere

The intention of this essay is to discuss the romantic notion of a film director who has etched their own cinematic vision into the body of their film work, and whether the theory and practice is dead and an infringement of the spectator’s imagination and is it the spectator who finds meaning in the film. I will be closely looking at critical material, primarily André Bazin and Roland Barthes and applying them to several case study films directed by Christopher Nolan including The Following (1998), The Prestige (2006) and Inception (2010), to examine whether Nolan possesses the qualities of an auteur and if so, does that imply an ideological view of what the auteur resembles or an artistic one.