Supernatural In Jane Eyre

While tutoring, Eyre begins to overhear strange, guttural peals of laughter coming from upstairs. When she inquires about it she is told that it is the servant Grace Poole. Eyre suspects the staff is hiding something but does not investigate further and soon she forgets all about it. A few months later when Eyre and Rochester about to wed a clergyman comes to inform them that he cannot marry them. A search of the marriage records reveals that Rochester has a wife that is still living. A witness confirms seeing her at Thornfield Hall. Rochester reveals that he indeed married to a Bertha Mason. He explains that he married her unaware that “she came from a mad family; idiots and maniacs through three generations.” They all ride to Thornfield Hall to show the clergyman his wife. Locked in an upstairs room, Bertha Mason resembles a “strange wild animal…[with a] bloated…purple face.” Upon seeing Rochester, she rushes at him, attempting to throttle him. But Rochester manages to restrain her and binds her to a chair.

So, Rochester showed the brother (Richard), the priest, and Jane his wife. He explained how Bertha had lit his bed on fire, stabbed Richard, and destroyed Jane’s wedding veil's; she was more a monster than a wife. Heartbroken by learning of this marriage, Jane fled to her room where she stayed for hours upon hours. "Jane Eyre, who had been an ardent expectant woman - almost a bride - was a cold, solitary girl again: her life was pale; her prospects were desolate (341)." When she finally emerged, Rochester tried to convince her to stay with him. “I have for the first time found what I can truly love–I have found you. You are my sympathy–my better self–my good angel–I am bound to you with a strong attachment (363).” This was not something she could not do; as Rochester said, "...[It would] strip you of honour and rob you of self-respect (346)..." The next morning, Jane left Thornfield Hall with some money and few possessions. She did not say goodbye to

When Jane awakens, she asks herself what she should do and receives the answer “Leave Thornfield at once” (343). She describes this as the answer her mind gives her,

In this dilemma, Mr. Rochester decides to keep Bertha a secret and continue to marry Jane as if Bertha didn’t exist, only for the fact to be made known on his wedding day. Once knowing this, Jane, feeling betrayed, leaves Thornfield and Mr. Rochester. Mr. Rochester’s actions brought him only hardship, and almost cost him the person he loved most.

Throughout the novel of ‘Jane Eyre’ a colonialism and isolation are reflected throughout the novel, mainly through the treatment of Bertha Mason in Jane Eyre as she is cruelly locked in the attic due to her husband, Mr Rochester deeming her as insane. Bertha is described in a demon like manner whereas Jane represents a rebellious young woman who can be closely linked to a modern woman with the values and independence the contemporary readers possess. Jane does not represent any of the desired values by Victorians as Jane stands up to Rochester and acts as his equal rather than his lesser half. The presentation of Bertha being demonic was also highlighted by Solomon as she ‘represent[s] the flames of hell fire’¹ showing the devilish manner Bertha is presented in and the mistreatment of her as an individual, however, it also shows the historical views towards the mentally ill as Bertha isn’t seen to have a sickness but rather she is possessed. Fire is also associated with heat like Bertha as she is aligned with the ‘hot’ West Indies. Bertha is seen as villain as she constantly jeopardises Jane and Rochester’s future, however she can be seem to catalyse Janes personal development and self-awareness due to the positions Jane is left in due to Berthas presence.

This tells us that Jane had the ability to differentiate between dreams and reality thus proving her to be intellectual person who cannot be swayed by fake dreams.

Brontë utilizes the motif of the supernatural through Jane’s inner monologue in order to create suspense. While being led around Thornfield, Jane’s inner monologue discusses the demonic laugh attributed by Mrs. Fairfax to Grace Poole, arriving at the conclusion that had she not been accompanied or had it not been daytime, she would “have been superstitiously afraid.” Despite Mrs. Fairfax having provided a reasonable explanation for the sound, Jane continues to internally discuss the supernatural elements of the situation, adding suspense to the setting that had previously been established as unsettling. Jane’s inner monologue continuously forces supernatural meanings on relatively normal situations, as seen with the immediate recollection of

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

Although Bertha’s seclusion is a result of her insanity and unacceptable behaviour, Jane’s isolation seems to be the cause of some mental illness, throwing her into a panic attack in the red room where she believes her Uncle Reed’s ghost dwells. It must be noted, though, that Jane is a child at this point in the novel, with an active imagination. Bronte may be making a point then, that children should not be shunned for their inventiveness and imagination, as was so common in her day. However, there is a fine line, and socially acceptable age, that separates a healthy imagination from madness. There is a clear lack of this knowledge in Bertha, whom does not appear to have a firm grip on reality. Madness, however, does not merely deal with concepts of reality in “Jane Eyre.” Jane has bouts of uncontrollable speech, in which she must say what comes to her mind. Jane first loses control of her tongue in chapter IV, in which she accuses Mrs. Reed of wishing her dead, and later exclaims “I am not deceitful: if I were, I should say I loved you; but I declare, I do not love you: I dislike you the worst of anybody in the world except John Reed,” and goes on to evaluate the terrible treatment Mrs. Reed has given her, and the lack of love and compassion she has been shown while at Gateshead. In this instance, madness works in Jane’s favour. This temporary bout of mania allows Jane to finally express the

Jane is filled with passion, however, and her willful disobedience is often her attempt to explain her feelings.  We see her passion find its fulfillment and understanding in Rochester.  When they meet, we see Jane's all-consuming passion and not much less of a fire in Rochester, "'I saw it in your eyes when I first beheld you: their expression and smile did not (again he stopped) did not (he proceeded hastily) strike delight to my very inmost heart for nothing...My cherished preserver, good night'.  Strange energy was in his voice, strange fire in his look" (Bronte 133).

and so are sympathies; and so are signs; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives asserting, notwithstanding their alienation, the unity of the source to which each traces his origin) whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of Nature with man.” (Charlotte Bronte, Jane Eyre, Chapter 21, pg. 222) Foreshadowing’s an odd thing too, as is symbolism, also are little hints from the author about supernatural tricks she’ll use later to bring the protagonists back together when they’re dozens of miles apart. Erm, what’s that called? Yeah, a deux ex machina. This passage is noteworthy because it’s one of the only moments that Jane actually claims to the reader that she believes in some kind of supernatural foreknowledge and, a psychic connection between people. Still, Jane proposes that these seemingly supernatural connections may have natural explanations that we just aren’t aware

Perhaps as a result of her upbringing, which was full of cruelty and abuse, Jane developed a strong sense of what was right and what was wrong. As a child, these traits translated to insolence as she disobeyed and spoke out against the wrongdoing of adults that were so used to children being seen and not heard, resulting in Mr Brocklehurst warning her that “wicked” children go to hell . However, her moral compass develops and as an adult Jane begins to relish her own freedom and independence. She has been under other people’s care for so long – for example Mrs Reed, Miss Abbot and Mr Brocklehurst – that when she is able to start anew at Thornfield she values her ability to control her own life and does not wish to become a possession of Mr Rochester. This can be seen when Mr Rochester takes her to Millcote to buy new dresses following their engagement and her cheek “burned with a sense of annoyance and degradation” as she “never [could] bear being dressed like a doll by Mr Rochester” , and would value the money from her uncle in Madeira as it would give her a sense of independence from Mr Rochester. Her desire for independence and freedom is further stressed when she leaves Thornfield following the

Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss

In Charlotte Bronte’s Jane Eyre, the character Bertha Mason is a manifestation of the feelings that Jane cannot express, and thus acts as an alter ego. Every time Bertha acts, it is predicated by a strong emotion or what should have been a strong emotion on Jane’s part. In the Victorian Era, women were expected to follow strict rules and isolate themselves from the outside world. In order to be the “angel in the house,” women were expected to obey and not question their fathers and husbands. Societal expectations dictate that Jane cannot show the full extent of her emotions, particularly when Mr. Rochester is involved. As a result, she does not do so, and they come out in the form of Bertha Mason. Throughout the novel, some sort of action by Bertha closely follows Jane’s musings on her frustrations, her discontent, or her anger. When Jane recognizes her emotions, Bertha’s expression is mild. However, Jane fails to recognize fully her emotions in multiple cases and Bertha responds violently. Because Bertha represents emotions that Jane possesses but represses in order to meet societal expectations, Bertha and these emotions must be removed before she can marry Mr. Rochester. Therefore, Bertha is a key character because she represents an important aspect of Jane and prevents Jane from fulfilling societal expectations.

At the start of the novel the reader knows nothing about Bertha mason. She does not make an appearance till Jane becomes aware of a “strong smell of burning” coming from Rochester’s room. Although she suspects Grace to have caused it, we find that Bertha set fire to his room. Rochester simply tries to hide her existence because he wants nobody to know of her, but cannot get rid of her. But that appears at this time it seems because Jane is troubled, a sort of doubling image. Bertha is constantly seen as an obstacle standing in Jane and Rochester's way of happiness and marriage. Her instability is illustrated in an extremely animalistic manner. Bertha threatens to “drain [Mason’s] heart”, similar to an evil being or vampire (ch.20). Again, Bertha is described as the polar opposite of Jane, as someone who acts out against typical norms and does how she pleases. So