Supernatural, Supernatural And Supernatural

In the play Macbeth by WIlliam Shakespeare, the supernatural is an ever present force, seen in the witches, the ghost of banquo, and maybe some other places. The way Shakespeare portrays the supernatural, and especially the witches, add a great deal s to the play, and also contribute in key ways to the themes, structure, tone. Mood, and literary devices in ways that are designed to affect the audience of the play. The most important contribution in my opinion, was that they made the play scary, and created a feeling of uncertainty or unease, which felt like an important aspect of the play.

The term supernatural was first used in 1520-30 AD. The definition of supernatural is “that which is not subject to the laws of physics, or more figuratively, that which is said to exist above and beyond nature” (“Supernatural”). The term supernatural, or unnatural, refers to paranormal, religions, and magic. Macbeth was written in 1606 and contains many of the unnatural elements listed above. In Macbeth, the supernatural plays a huge part in the play. The play is more focused on the unnatural element than the natural element. The element of unnatural is shown through the three weird sister witches, the deaths that occur in the play, and Banquo's ghost.

Gothic stories contain supernatural occurrences to incite an imminent feeling of darkness, and mystery. Using supernatural themes helps the reader become entrapped in the story, causing the reader to crave more of the story. For example, in Edgar Allen Poe’s The Black Cat in the short story Poe integrates the theme of supernatural by creating a dark and ominous

The meaning of supernatural is that it is attributed to force beyond scientific understanding or the laws in nature. In this story i think there was supernatural causes and that the girls in that were in the forest were telling the truth. They just didn’t want the truth out, that is what i think.

The supernatural is an ally that helps the hero along his journey examples them from Dory in Finding Nemo Timon and Pumbaa in the Lion King Haggard to Harry in Harry Potter. Mushu to Mulan and the movie Mulan you to Milan and Milan. The supernatural is there for the hero throughout the entire journey in most cases the hero is not even aware that this person or being is actually there a supernatural aid. This is especially the case in the movie Finding Nemo. Dora gets on Marlon's nerves the whole movie but without her he would not have made it

The supernatural was a popular element in many of the plays written in Shakespeare's time (including Hamlet) and everyone of Shakespeare's time found the supernatural fascinating. Even King James I took a special interest in supernatural and written a book, Daemonologie, on witchcraft. It must be remembered that, in Shakespeare's day, supernatural referred to things that were "above Nature"; things which existed, but not part of the normal human life and unexplainable. The play Macbeth involves many supernatural actions that act as a catalyst for suspense and thrill, insight into character, foreshadowing of future events as well as making connections with the theme.

The supernatural is unique compared to reality. The supernatural is a world of unusual, weird, funny, and entertaining things. The three sisters (witches) are weird, not in reality, and mystifying. The supernatural does not occur very often, and when it does, it usually has a purpose. When the dagger was floating and Macbeth saw it, the meaning

Pieces of literature often show relationships involving the supernatural. In Macbeth (1606), the supernatural plays an extremely important part in the structure of the plot. It provides a substructure for action, a deeper look into Macbeth’s character and it affects the impact of numerous scenes. In contrast, in Susan Hill’s novel, The Woman in Black (1983), Susan shows how the supernatural can be used in an attempt to make the reader frightened, she attempts to do this through the ghost of Jennet Humfryes who is trying to seek revenge and solace for the injustice that was done to her in her past life and to her son. Once again, the supernatural plays an integral part throughout the story with the ghost of Jennet Humfryes and what occurs at Eel Marsh house. While over three hundred and seventy years separate the two pieces of literature, both explore how the supernatural affects the protagonist’s sanity and both pieces of literature feature the supposed involvement of ghosts which are widely used in plays or novels that feature the supernatural. However, whereas Shakespeare illustrates the destructive effects the supernatural can have on a protagonist’s (Macbeth’s) decision making and how an honourable and well respected man can turn into a dishonourable and largely hated man whom people generally despise. Susan Hill demonstrates the effect of when the supernatural affects a lawyer who doesn’t end up resorting to doing anything dishonourable and who doesn’t deserve the

The supernatural model states that people believed and explained abnormal behaviours in terms of supernatural forces. In other words, abnormal behaviours are caused by demonic and evil

Supernatural elements is something that cannot be explained by the laws of nature. These elements, such as religious figures and activities, ghosts, witches and anthropomorphized animals have been used to develop themes throughout literature. These supernatural elements are often used to outline the conflict within the plot and creates an atmosphere of mystery and suspense throughout the text, which establishes the gothic. Supernatural components leave us to question what is real and what is our imagination.

Richard III is a play based upon the dramatisation of history. The supernatural is an event that depends upon the superseding of the laws of nature, an event which cannot occur naturally in our world under any circumstances with or without the assistance of any natural being. Only God, or the Devil, has the power to cause supernatural events to occur. Richard III deals with supernatural elements such as curses, devils, dreams and witchcraft.

The purpose of the supernatural in Literary Works The purpose of the supernatural in literature can vary in function from story to story. The supernatural can be used to create a certain mood in writing or to enhance the dramatic effect of a story. The supernatural can also be used as the reasoning behind a story and act as the theme it centers on, creating a paranormal effect and a mystical experience for the reader.

The supernatural in Macbeth is an integral part of the structure of the plot. It provides a catalyst for action, an insight to characters and enhances the impact of many key scenes. The supernatural appears in many varied forms; the ghost of Banquo, floating dagger, witches and prophetic apparitions. The witches were a symbol of evil, they were meant to give the play a haunting and an eerie atmosphere, they give the impression of supernatural because they can foretell the future and everything they say sounds like they are chanting a magic spell “Round about the cauldron go...charmed pot”– Act 4 scene 1. Another magical element is the floating dagger

In Dr Faustus, the supernatural suffuses the story with a gloomy and serious atmosphere. There is stillness to Dr Faustus, unlike the tempestuousness of Shakespeare’s play; as in The Tempest, however, the supernatural invades every corner of Dr Faustus, and Mephastophilis tells Faustus: “Why, this is hell, nor am I out of it” (I.iii.80). Where it is not Heaven, it is Hell. Depression settles on Faustus and even on the devils when they realize that Hell is everywhere. As Mephastophilis says, “Solamen miseris socios habuisse doloris”(I.v.42). The devils aim to recruit more lost souls to accompany them in Hell and to expand Lucifer’s dominion, but they are never joyful even when they are successful. There is but dread and suspense when the clock strikes midnight in scene viii – one can see Faustus’ expressions of fear and disbelief, but the supernatural beings do not reveal any emotion. The supernatural only spread a sense of miasmal doom in Dr Faustus. In The Tempest, the supernatural seems to be all-seeing. When Caliban curses Prospero in the opening of II.ii, there is a roar of thunder, as though Prospero’s supernatural servants are warning Caliban to not overstep his boundaries.

the paranormal with as much respect and analysis as physics or the chaos theory."13 The