Supernatural Transformation In The Short Story 'House Taken Over'

It was a cold Friday evening, i was walking home from school and i heard a scream coming from my neighbors house. i walked up the drive and knocked on the door, but nobody answered. i slowly opened the door and creeped in.the house looked empty. i looked around and noticed a blood trail leading to the upstairs hallway. in the hallway there was a kitchen knife on the little corner stand by the stairs. i grabbed the knife just incase i got attaked. i heard crying coming from the other side of one of the upstairs doors. when i opened the door the first thing that i saw was a body lying on the floor and a young girl was hovering over it crying.She looked lke she was either 3 or4. The girl said “ i had to or he would have killed me.” i examoned

A transformation is a thorough or dramatic change in form or appearance. This can relate to the mind or the actual physical appearance of something. Fear is an unpleasant emotion caused by the belief that someone or something is dangerous, likely to cause pain, or a threat. These two words can be closely related when it comes to being scared. In "Fall of the House of Usher," by Edgar Allen Poe, a reader becomes scared because the mind is transformed. In "House Taken Over," by Julio Cortázar, a simple house transforms into something mysterious. In "Where is Here?" by Joyce Carol Oates, the minds of family members transform and create a sense of terror. Transformation plays a role in stories meant to scare us by changing something in the story to create a suspenseful or mysterious outcome.

The allure of fear is interesting for some people for several reasons. These people have another perspective of how they react when they see something scary or read it. They don’t react the same way as other people that don’t like scary things. Other people like to be scared. Some people motivate others by saying to them they are not so scary and everything that is happening there is not real, since they use fiction elements, like characters, details and scenarios. These scary elements have real details but also have scenarios that are not real, this means it is magical realism. This thought of liking scary things is a physiological problem. Scientist make an article showing proof that there is a big pole of people that like scary scenarios.

Have you ever read a story that has a significant change in the plot suddenly? A lot of thrillers/horror stories, will use the method of transformation to create fear. Transformation plays a huge role in stories meant to scare us. It causes sudden change of mood or how you feel about a certain character quickly which can create a fearful aspect in the story. Examples of writers that use this method include; Ishmeal Reed and Edgar Allen Poe.

In human nature there exists a morbid desire to explore the darker realms of life. As sensitive beings we make every effort to deny our curiosity in the things that frighten us, and will calmly reassure our children that there aren't any creatures under their beds each night, but deep down we secretly thrive on that cool rush of fear. Despite our efforts to maintain a balance of respectable emotions, we are a society of people who slow down to look at traffic accidents and find excitement in the macabre. We turn off the lights when watching scary movies, and when it's time to go to bed, we secretly make sure the closet doors are shut. Fear keeps our hearts pumping and endorphins rushing, for it is an emotion that reminds us of our

Transformation plays a role in stories meant to scare us by playing with our imagination safety and mood of a story. Imagination appears in both Edgar Allan Poe’s, gothic fiction story “The Fall of the House of Usher,” by Usher’s isolated environment and in Joyce Carol Oates gothic literature story “Where is Here?,” by foreseeing who people are. Transformation also plays a role by it assists knowing our own selves are safe in a scary situation. This is shown in, “ Why do Some Brains Enjoy Fear?,” by Allegra Ringo and in “ House Taken Over,” by Julio Cortazar. Transformation plays with our imagination and our safety it also plays a role in the mood and setting. This appears in , “The Fall of the House of Usher,” and “The Dream Collector,”

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

The fear creeping up my skin as goosebumps begin to appear with the first steps into a haunted house filled with monsters, screams, and darkness. The weird smells and sounds and occasional air blasts lead to a rush or adrenaline, which create a dreadful sensation. The idea of having someone creep up behind me causes my spine to tingle and the hairs on my neck to rise. Fear is an inevitable emotion that comes in various forms whether it be monsters, Gothic elements, or transformations within stories. Through the three short stories, the readers are introduced to the effects that the transformations in the mood, characters, and setting have on the tension and build of fear in the readers.

Have you ever wondered why you enjoy being scared? In Allegra Ringo’s interview, “Why do some brains enjoy fear?”, with Dr. Kerr, a scare specialist, he states that many enjoy being scared because the brain triggers “a flood” of adrenaline, dopamine, and endorphins. To enjoy the feeling of being terrified, our brains have to process that we are in a safe space. Scary movies, stories, roller coasters, and haunted houses all create a breathtaking response to fear. These experiences we have with fear are said to create self-confidence, relieve stress, and even bring us together. Americans spend over 7.5 billion dollars on Halloween activities and costumes. Dr. Kerr states in the interview, that people love Halloween so much because it constructs a strong emotional response and build stronger memories. Dr. Kerr also says that when we are happy, or afraid we release hormones that help those moments “stick” in our brain. We all love a good scare! “The Raven”, by Edgar Allen Poe, and “Beware: do not read this poem”, by Ishmael Reed both analyze the allure of fear through symbolism and descriptive imagery, which is a part of gothic literature. Both Poe and Reed signifies their themes differently but both themes allude to the fascination of fear.

People develop multiple reasons to why they like to receive these odd and fear emotions, which now in society we call insanity. In the “Why We Crave Horror Movies” by Stephen King, whose main argument is that we watch horror movies to satisfy our curiosity. In the “How Tabloid Train Wrecks Reinventing Gothic Literature” by Carina Chocano, whose main argument is to prove how gothic literature is very similar to gossip; for example, gossiping makes people turn into ghosts, unnatural. It’s tempting to see Gothic tales as escapism, but these stories will sum up during times of trouble. Fascination with fear or Gothic stories satisfies some emotional need of individuals and of society by making people feed on their inner childhood that is inconstantly needed of satisfaction. People can do that by watching horror movies or reading tabloids and that is why they enjoy scaring themselves.

One way authors plant fear in your brain is by transforming something we already know and love into something frightening. One example of this is in the short story “Windigo” by Louise Erdrich. Over the course of the story, the windigo takes an innocent little kid and turns them into a monster. The author introduces an inculpable child, even calling them “little one”. She then takes the kid and transforms them into a monster, a windigo. Following that, she even goes so far as to bring the child home. Home. As a monster. To haunt her own village. It says, “...I carried you home,” and that is when the fear she planted at the beginning really starts to take root. This transformation is a great illustration of an author transforming something you know and love, in

What makes people seek for experiences that make them feel scared? Fear is the expectation or the anticipation of possible harm, so why do people like it? There is a hormone called dopamine, that is released during scary and thrilling activities, according to David Zald, some individuals may get more of a kick of this hormone than others. Lots of people enjoy scary experiences, because of the feeling that they have after these situations. As reported by ABC News, in “Spooky Business American Economy”, people spend about 7 million dollars in Halloween, looking for costumes, decoration objects, and also in haunted houses. People enjoy scary movies, roller coasters, and haunted houses. Similarly, people enjoy thrilling literature, as Edgar Allan Poe and Louise Erdrich poems, “The Raven” and “The windigo” respectively. Both of these authors write and explore death and the ambiguity of what will happen after death, by using concrete examples of imagery and symbols, structured paragraphs, and a certain type of diction.

People nowadays love being scared in any way, shape or form. Wether it would be ranged from going to an amusement park to a haunted house. In the article King states, “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie, we are daring the nightmare. To show that we can, that we are not afraid, that we can ride this roller coaster”. In the article King compares horror films to roller coasters, to show that they are similar. They both have their element of surprise, you never know what is coming till it happens. Everyone loves the adrenaline rush they get when they get scared. It leaves them wanting more of what they are getting. Today the most popular type of films are horror, there is always that hype over the new horror film that will be coming out. No matter what the circumstances are, these things are done to

“Monsters don’t sleep under the bed, they sleep inside your head.” When I was a child, I had a nightmare of being chased by the big bad wolf, and I was running trying to catch up with my parents who were driving away yelling at me to hurry up. Fear is a feeling that everyone has. Were all programmed with it. As kids get older they start to understand more and can tell the difference between real and pretend. When we experience fear, it can release adrenaline and dopamine which can make us excited and enjoy the thrill we feel when we experience scary things; which is why scary stories intrigue us. What role does transformation play in stories that are meant to scare us? Scary stories often involve transformation to elict fear.

In horror stories there is just enough mystery to make you want to know more, and enough danger to make you glad this is fiction. Scary stories can allow people to conquer their own adversities. We all have our demons, things we’re afraid of but don’t want to admit. Some horror novels play on common fears like IT by: Stephen King which uses clowns as the source for fear, Chucky which features menacing dolls and Contagion which portrays rampant pestilence. By vicariously facing your fears in a novel, you’re able to tame them in real life. Sometimes even watching a character deal with the monster uplifts you to face your own fears. The concept of gruesome entertainment is all in human psychology. In order for us to be entertained, we have to feel the story being told. Scary stories bring us the adrenaline rush, the exploration of the unknown, and even the upliftment we all crave. Luckily the monsters in these stories are all fiction and cannot harm us in real life. Until they show up the next night, waiting for you in the