Supernaturalism In The Vampire Academy Essay

I have enjoyed many vampire movies over the years, long before they became the popular pop-culture genre they have become due to the success of The Twilight Saga films. One movie I have enjoyed viewing many times since its debut in 1994 is Interview with the Vampire. This film is an adaptation of the book Interview with the Vampire written by Anne Rice in 1973 and published in 1976. The movie was directed by Neil Jordan who also co-wrote the script with Anne Rice.

Who would’ve guessed that the modern tale of vampirism is nothing more than an exaggerated representation of many of the people in our current society? One of the best metaphors for drug addiction is the blood lust of a vampire. Consistently throughout literature and television, vampires are portrayed as impulse-reacting monsters that lack self control. “Each of the vampire’s victims are momentary meals and the vampires are drawn to them through the needs of their subconscious” (Ramsland 5). Vampires directly represent drug addicts because the two are both drawn to something that they will eventually feel guilty for, but neither of them can turn down the opportunity to indulge. What is addiction? According to Pawel Jedras, author of “The Role of Anticipation in Drug Addiction and Reward,” “addiction [is] the craving [or need] for something that is not actually needed or necessary for survival” (Jedras). “Vampires in the Lemon Grove” by Karen Russell is a story consisting of vampires and the idea of addiction. The story’s main characters are two married vampires named Clyde and Magreb. Clyde is a recovering blood addict and Magreb is his supportive wife. The story focuses on Clyde and the problems that his addiction causes in his life. “Vampires in the Lemon Grove” by Karen Russell, represents a person’s struggle with drug addiction, seclusion from others, and the pushing away of loved ones because Clyde does all of these

In John Polidori’s short story “The Vampyre”, a strong emphasis is placed on its depictions of pastoral countrysides and old aristocracy. We see these depictions in the travels of Aubrey through the pre-industrial states Italy and Greece and in his occasional partner Lord Ruthven. Through these depictions, the story appears to be responding to the times it was published in, times of immense social and technological change which Romantics such as Polidori tackled through their writings. The drivers of this disruptive change during Polidori’s time are two revolutions, that is, the Industrial and French -- both of which brought the Romantics much cause for lamentation or celebration. As such, a couple questions appear when considering these depictions, that is, what is Polidori doing with these depictions, is he lamenting the changes that are to come throughout these quaint countrysides? Is he criticizing old aristocracy through his depiction of the licentious vampire Lord Ruthven?

Have you ever thought to yourself, what has influenced vampire literature today? Well, neither have I, but it wouldn’t hurt to touch on the subject. Dracula introduces the idea of lust and death within vampirism. Also, there are many connections that I make throughout this essay between Dracula and I am Legend, proving that Dracula was an influence on the book. The opposition of Dracula has had great influences on vampire literature.We see that these two pieces of literature are so much similar than one would think. Both authors even use similar words to describe the similar things, which I hadn’t even noticed until I made further inspection. .The book Dracula, written by

The vampire is not by any means a new manifestation of the fears of a society. Their presence in human culture can be traced back for centuries in human folklore. The first Anglicized representations of the creature in literature date back to the English poetry of the early 1700s, and were then followed in the fiction genre by such works as John William Polidori’s The Vampyre, Sheridan Le Fanu’s Carmilla, and of course, Bram Stoker’s Dracula. For the audiences of the 18th century, vampires embodied many of the following common fears shared between the people: of illness, both mental and epidemic, of an embraced sexuality, particularly that of women’s and homosexuals’, and of foreigners. As the archetypical vampire evolved throughout the

The vampire is the popular character in folklore from early civilization to modern life. The vampire appears in people mind with the passion of immortality, fear, love and mystery. People are attracted with vampire because the superstition of the vampire has done for centuries. Are they real? What are they? Where they come from? There are a few of thousand questions about the beliefs of vampire during many centuries. People don’t stop their curiosity with vampire- the legend that emulates the world cultures and religions. One of the most important reason that made vampire still popular until today is the great transformation. During the time, with the creative of human, vampire reforms to fit with modern age. According to the “Jung and the Jungians on Myth”, Steven Walke implies myth is a metaphor and come from the collective of human psyche. People use vampire as the tools to explain human thinking. Therefore, the charging in the thinking of people in different period of time will effect to the symbol of vampire. The research will explain the transformation of vampire by diving to three main topics: the vampire in the historical and religion thinking; the charging of vampire in literature and movie; the symbol of vampire in modern people thinking. Although three main topics seem separately, these connect and develop other idea like cause and effect. Depend on the information of history, the image of vampire in novel become reality. From the idea of vampire in novel, modern

In William Shakespeare’s Macbeth, the supernatural and the role they play in motivating characters is apparent throughout the duration of the play. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the future conflict by motivating Macbeth to kill Duncan so he could become king of Scotland. Through temptation, the supernatural motivates characters to think arrogantly and for their own benefit. The supernatural in Macbeth presents prophecies which tempt Macbeth and Banquo with the idea of power. This leads Macbeth to contradict his loyal and courageous personality by planning a treacherous murder on Duncan with the

Different depictions of vampires are commonly exhibited in vampire folklore in past and present literature and film. The diversity of different variations of vampire legends are prominently seen in most literature, but the main ideas and attributes are generally the same. This is not that case when focusing on specific novels discussed in class. The novels I Am Legend by Richard Matheson and Fledgling by Octavia Butler are two contrasting works of vampire folklore. The novels are about different societies of vampires. They both emerged in different ways, the survive and feed in contrasting ways, and they both represent completely different forms of vampires. This essay will examine the characterizations of the contrasting the vampire species in both I Am Legend and Fledgling, as well as, investigating how these different species of vampires relate to human species.

which has the upper body of a woman and the lower body of a winged

The Gothic genre does suppress vulnerable women. They are exploited in order to please the tyrannical male and feed his desires. When the women is no longer of use, she is then discarded. The Gothic genre is described as ‘formulaic” and one of the key features is a tyrannical male who abuses his power to assert his dominance over a perceived futile women. Bram Stoker’s ‘Dracula’ was written in time where women started to want more equal rights and opportunities. For example, in the same year Dracula was published (1897), Millicent Fawcett founded ‘The National Union of Women’s Suffrage’. Bram Stoker feared the decline of the patriarchal figure and could have created ‘Dracula’ as an attempt to scaremonger the public into thinking what would

We have been living in the era of vampires and any other kinds of monsters for a while now. Vampires have always been relatable creatures, which allows fans to connect with vampire characters. They represent the attraction towards being a vampire and having eternal life and are presented to popular culture in a way that is attractive and relatable to the evolution of vampires (Del Toro and Hogan 37). Over the past years, vampires have jumped in popularity and pop culture appeal, taking over our television sets, the movie theaters and box offices and books from around the world. Around 2010, Hollywood released four vampire films along with a bunch of vampire DVD’s, and the immensely popular television series like the vampire diaries and true blood continued to air due to how popular those shows are. One monster I’d like to put as an example would be vampires “Blood Thirsty: Why are Vampires Ruling Pop Culture?" by Lindsay Bradshaw. They are the latest trends to appear on pop-culture`s radar, but this is not the first time its caught the publics eye. Vampires have been a constant presence in the literature and film world since the 1897`s publication of Bram Stoker`s “Dracula”, arguably the best vampire text of all time. The idea that vampires exist across the globe has been a subject of folk tale, superstition, and myth throughout the history of man. Even before the famous Dracula, the word vampires was originated in eastern European Folklore, terrorizing small communities in

There are four essentials of a Vampire story. The first one is an older person who is corrupt and usually a male. The second aspect is a young person who is usually a virginal female. Third, the young individual has her youth, energy, and innocence taken away from her, while the older individual continuous to have a prosperous life. Lastly, the young individual dies or destructs.

One of the oldest and well known mythological monsters throughout history are blood sucking immortals known as vampires. They transgress the boundaries that humans are always trying to establish. Vampire lore has reflected the values and social structures of the culture it has existed in, but over the past century the values have transformed. From the classic story of Stoker’s Dracula where he is presented as sinister and non-human, the vampire aspect of literature has evolved drastically to a more heroic immortal.

Vampire is "a bloodsucking ghost that come back from dead person believed to come from the place where a body is buried and wander about by night sucking the blood of people asleep and causing their death." Before vampires were seen as evil monsters and creatures humans must fear. However, now, vampires have become an "famous popular culture and fascination among teens around the world"  This art has increased vampire large groups of fans this way resulting to the creation of many fan clubs and social organizations, whether online or not.

Vampires have fell under a certain stereotype ever since the early nineteenth Century, and even up until today. Movies, novels and people in general have depicted vampires as bloodsucking demons who turn into bats, and I am sure everyone is familiar with any vampires need to seduce women almost daily. Vampires are said to be " an alien nocturnal species," as Nina Auerbach's book-"Our vampires, ourselves" states; but all vampires are not the coffin lying, shadow loitering monsters that the media perceives them to be. First of all, vampires are neither inhuman nor nonhuman, " they are simply more alive than they should be." What does this statement infer? Does this perception imply that vampires are actually ghosts? No,