Suppression of Individuality in Radiohead's, Fake Plastic Trees

Interpret (tell me why you think the poet wants to use such images)As such, a sense of gloom permeates the writing.

As she passes the ruins she recreates the pleasant things that had been there. Despite the reasonable arguments that her goods belonged to God and whatever God does is just, there is in the poem an undercurrent of regret that the loss is not fully compensated for by the hope of the treasure that lies above. (84)

People are afraid of change it will change their perspective in life. They are really scared of change, it might change the way they think about others, they’re so used to the other life they feel like there is no need to change at

Steven Herrick’s verse novel “By the River” is very successful in conveying the significant ideas about human nature. He uses key themes such as grief, environmental influence and coming of age to explore these ideas. To convey the themes Herrick uses multiple techniques such as imagery, repetition, personification and positive and negative influence throughout his text.

The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that “Water limpid as the solitudes that flee

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

These material items have become physical representations of the memories Bradstreet created with them so the loss is a tragic psychological event. This quote also represents the struggles that the author had with the non-materialistic Puritan lifestyle. She has put so much emphases on her material possession that she has lost sight of what is truly important, which is God. The content expressed in this poem mirrors the materialistic struggles most Puritans felt with their faith at one point or another.

The poem describes the weather and its effect on cotton flower by pointing out the dying branches and vanishing cotton. The image of insufficiency, struggle and death parallel the oppression of African American race. The beginning of the poem illustrates the struggle and suffering of the cotton flower; which represent the misery of African Americans and also gives an idea that there is no hope for them. But at the end the speaker says “brown eyes that loves without a trace of fear/ Beauty so sudden for that time of year” (lines 13-14). This shows the rise of the African American race, and their fight against racism. The author used mood, tone and

This song implies that individual’s are violating the norms and values of society. They start the song with a verse that expresses

Disgusted, the speaker sees how society has morally degraded itself in exchange for wealth and greed. The frustrated tone of the poem becomes further elevated when the speaker exclaims, "We have given our hearts away, a sordid boon!" (4). Blinded by the daily drudgeries of life, people have become impervious to nature, despite some of the grand displays that one can behold. The speaker describes beautiful images of nature such as the sea, howling winds, and flowers that no longer create an emotional response in people. Since the world has become so out of touch with nature, mankind is no longer able to appreciate the drama that takes place between the wind and the moon. Additionally, the speaker claims that society has become so indifferent to nature that, "Little we see in Nature that is ours;" (3).

The last issue Heron is speaking about in the poem is the people. How the people have become complacent through television culture. How people are controled and manipulated by the images they are fed by the media. The revolution will not give your mouth sex appeal. The revolution will not get rid of the nubs. The revolution will not make you look five pounds. it seems to suggest that the revolution will not get at the substance or core of the problems that the media manufacture in us, like the striving toward sex appeal and thinness. refering to the texture of African-American hair, and how many African-Americans have used different products over the years to straighten their hair so they can look white. The revolution will not give your mouth sex appeal could be applying to the Ultra brite toothpaste advertising commercial in the 70’s. The capitalist corporations used television adds to successfully manipulate people into buying their products and doing as they say. We can learn from this poem is not be manipulated by images and

A popular characteristic in many of Blake’s poems is the inclusion of biblical allusions to convey meaning. In his poem “A Poison Tree”, Blake uses anaphora, diction, and symbol to allow biblical allusions that depicts the evil that man is capable to come into being. Anaphora is the usage of the same word or phrase at the beginning of every consecutive line. In stanza one, the word ‘I’ begins every line, and later on the word ‘and’ is used seven times to signify the start of some of the lines. The poem is organized in a way that immediately starts off using anaphora and since anaphora is mainly

This strong metaphor compares the narrator to the elephant who feels their fate is death. The third part of line 4 is the fine timbers that directly relate to the house previously mentioned. The purpose of the house fortifies the idea that what’s inside is of value. The house is nothing without its fine timbers and it is merely for protection and shelter. Just like a pregnant woman is for her unborn child. The fifth line represents the rising loaf like a child growing inside a womb. It is a pun on a familiar saying to pregnancy of a bun in the oven. “Money’s new minted in this fat purse” plays with the idea that the purse has no great value in itself but contains valuable things inside. Line 7 explores the narrator’s feelings towards having a child. She feels like “a means”, as if she is just a way for the baby to be born. As a mother she is just “a stage” and a platform but not a performance. She is “a cow in calf,” where many cows are separated from their offspring and have little to do with their mum. The final lines seem to break away from the rest of the poem and have a tone of darkness. After eating “a bag of green apples” one might feel sick especially since green apples are considered sour. The fruit is also unripe, signifying that the narrator is not ready to have a baby. Another point that can be found is that it is easy to see the resemblance of this line and Eve from the Bible. Eve was tempted to eat an apple and was cursed with the

“That oppresses, like the Heft of Cathedral Tunes--.” It has a very heavy feeling derived from the word Heft as well as Cathedral Tunes. The Cathedral is considered sacred yet it is such as somber sound that it could easily affect a person’s mood. The use of paradoxes in the poem creates a sense of confusion about the true feelings about the revelation. “Heavenly Hurt” is both wonderful and horrible and suggests that the pain comes from the heavens. This suggestion is support in various situations throughout the poem. “Cathedral Tunes” and “Sent us of the Air” are the prime examples. It shows that this new realization may have been from a divine being therefore the reader is confused on it’s significance because it perhaps a type of gift. “Landscapes Listen Shadows—hold their breathe” is the personification used in the poem. This personification in the work shows that a divine being has arranged for this revelation to occur therefore, all of nature will halt to the being who has been selected to find this new piece of themselves. She also uses a bit of irony as well as parallel structure to set the scene in the poem. The revelation is brought out in the light of an wintery afternoon, this is the parallel yet it oppressive and dark which is ironic because the light brought with it such darkness.

Judith Wright extensively uses the structure of her poems to convey many ideas and themes. The structure of a poem is crucial to delivering its key message as it determines both the tone and how the poem is read. She shows the reader throughout the poem how the dust, which is symbolic of the barren emptiness that has “overtaken… dreams” of beauty and comfort as well as financial dependence, will consume the earth if the current environment is not conserved and protected. Wright’s use of title emphasizes this point in the clearest way she can and re-enforces her major concept to the audience. Another example of how structure is used in this poem is juxtaposition. The first and second stanzas are strategically placed next to each other because of their greatly opposing descriptions. In stanza one, the new world of dust and wind, many negative adjectives are used, such as “harsh”, “grief” and “steel-shocked”. Stanza two, which talks about the past, contains a wide range of positive adjectives such as “good”, “kinder” and “beautiful”.