Surrealism And Gabriele Munter's Unrealism, And Helen Frankenthaler

1. Frida Kahlo is one not only Mexico's most iconic artists, but one of the world's most iconic artists as well. She was born on July 6, 1907 in Coyocoan Mexico City, Mexico. Her father was of German descent and migrated to Mexico where he met her mother, who was half Spanish and half AmerIndian. She also had three sisters. Frida was always very close to her father, and was very proud of her Mexican heritage. During her childhood, she contracted a disease called Polio. She was very ill and had to stay in bed for a whole 9 months. The disease caused her right leg to become much skinnier and weaker than the left one. She had a permanent limp because of it and always wore long skirts to hide it. She met her future husband, Diego Rivera, when she was in preparatory school. One day in 1922, she was on a Bus and got in a horrific accident. She was severely injured, as a steel rail impaled her through the hip. During her period of recovery is when she began to paint her famous self-portraits. Frida and Diego reconnected in 1928 and them married in 1929. Their marriage, however, wasn't a healthy one. Diego cheated on Frida many times and they lived in separate houses. Frida, given her condition was always very depressed. She sadly passed away in 1954. Her death was reported to be caused by a pulmonary embolism, but many suspect her death may not have been accidental.

A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.

Modernity and the Spaces of Femininity was written by Griselda Pollock in 1988, and later published in The Expanding Disclosure in 1992. Griselda Pollock is an art historian, and writes this article for fellow art historians. This is an article written to show the different approaches to femininity in the late 19th century, mainly dealing with the field of art. This article shows how during this time period there were women artists, but due to the gendered ruled ideas attached to art history, these women are largely ignored by art historians. Pollock thought that these women artists are primarily overlooked due to the fact that they are judged by the same standards that are affixed to the work of their male counterparts. But she argues

(Millhouse, 2011) In the 1980’s Pollock’s Feminism “critiqued the essential myths of individualism, the artist, and the social constructions of femininity and masculinity that define bourgeois culture”. While the 70’s feminism movement aim was to stand next to the existing masculine dominated culture. “Feminism's encounter with the canon has been complexed and many-leveled: political ,ideology,mythological,methodological and psycho-symbolic” (Pollock, 1999). The 1970’s movement was followed by the immediate task which was “the need to rectify the gaps in historical knowledge created by the consistent omission of women of all cultures from the history of art” (Pollock, 1999). The only art that was put on display was significantly male dominated work, if you wanted to see work created by women, you would have to view them “in a basement or storeroom of a national gallery” (Pollock, 1999). Female artists are only known in their own category of female artists while male artists don’t require a separate category . Art that is created by females have been historically dismissed from the art historical canon as craft, as opposed to fine art. The evident of

Frida Kahlo was a half-mexican, half-hungarian painter of the 20th century born Magdalena Carmen Frida Kahlo y Calderón in Coyoacán, Mexico City on July 6, 1907. During her short lived life, she had many accomplishments. She was a surrealist artist whos paintings reflected her thoughts and feelings. Her creative style was always amazing but confusing. Unfortunately, she lived most of her artistic life in the shadow of her husband, Diego Rivera, and her work was not truly recognized until after her death.

“Why Have There Been No Great Women Artists?” was written with a passion both intense and familiar. Reading Nochlin’s words, I found myself thinking, several times, “I’d always wondered the same thing,” or “I feel the same way.” I even formulated some of my own thoughts on the subject, responding to the title question with another, asking, “What makes an artist an artist?” Upsettingly, it would seem it is not by her own choice or talent. It is decided by the world around her, including the men and “social institutions.” However, it would also appear that hope is always in reach for those who will wake up and grab it. Nochlin left us with this stirring advice:

Frida Khalo was born in Mexico City, has a young woman she was in a bus accident causing her to have life long injuries and pain. The time spent bedridden recovering, allowed her to develop her painting skill. Khalo had deep connection to her culture and heritage using symbols within her work. In 1928 Khalo married Diego Rivera a fellow artist their relationship was turbulent. Diego cheated on her with many other women that effect Khalo and her Art. Due to her injuries, Khalo could never carry a child to full term, this was

People may refer to Frida Kahlo as the lady with the unibrow, but others refer to her as one the greatest Mexican painters. She was born on July 6, 1907 in Coyocoan Mexico. When she was about 6 she was diagnosed with polio which is a highly contagious viral infection that can lead to paralysis, breathing problems, or even death. (Crosta 1) Due to polio she was bedridden for 9 months. Frida attended the National Preparatory School where she first noticed Diego Rivera who is a famous muralist. At this time she fell in love with another man Alejandro Gomez Arias. She and Alejandro were on a trip when a monumental moment happened which will change her life forever…. (Frida Kahlo Biography 1)

One of my most favorite artists is the Mexican painter, Frida Kahlo. She was born Magdalena Carmen Frida Kahlo y Calderon in Coyoacan, Mexico, July 6, 1907 and died July 13, 1954. She was one of four daughters born to a Hungarian-Jewish father and a mother of Spanish and Mexican Indian descent. Frida Kahlo is the most famous Mexican woman artist on the contemporary art scene. In 1922, Kahlo hung out with a group of politically and intellectually like-minded students. The Mexican mural movement begins. Frida first learns of Diego Rivera, who is painting his mural "Creation" at the school 's lecture hall. Kahlo becoming a painter, was not a part of Frida 's career goals. Her goal in life was to become a doctor but a tragic accident at age 18 left her mentally and physically scared for life. It changed the course of her life forever. It was during her months of convalescence that Frida began to take painting seriously…"to combat the boredom and pain". she said. "I felt I still had enough energy to do something other than studying to become a doctor. Without giving it any particular thought, I started painting." It was the beginning of a life-long career for Frida.

Frida Kahlo born in Coyoacan Mexico, Magdalena Carmen Frida Kahlo y Calderon was born July 6 1907 although she stated she was born year 1910 to reflect Mexican revolution, considering herself a “true daughter of the Mexican revolution.” Kahlo was always described as a unique girl, one of four girls growing up she was the one who stood out most. She wrestled, boxed enjoyed swimming, and even at times enjoyed dressing in boys clothing which of course at those time were very unlikely for girls to do such things. Kahlo experienced growing up during the Mexican Revolution she remembered times when her and her sister hid while her mom fed the Zapatistas. Kahlo was the first female student in a prep school in Mexico where she was in a little gang of boys and the debated and argued about ideas of Marx, religion and other things.

Frida Kahlo's full name was Magdalena Carmen Frida Kahlo y Calderón de Rivera. She was born in Mexico on July 6, 1907. Kahlo’s work was mainly centered on creating self portraits, but she did on occasions paint her family and friends. She married world famous Mexican muralist Diego Rivera, he frequently visited the United States

“At the end of the day, we can endure much more than we think we can.” This quote is very true to Frida Kahlo, a well-known and widely esteemed Mexican artist in the mid 1900s, because it didn’t seem to matter what life threw at her since she was always able to pick herself up and keep moving forward. Kahlo was born on July 6, 1907 in Coyoacan, Mexico City, Mexico, and grew up in a very tight knit family with her mom, dad and sisters. She had an extremely action-packed life that was a constant roller coaster of positive and negative events. Although many people in America don’t know Frida Kahlo, she is greatly admired in Mexico for overcoming childhood struggles, for her artwork, for persevering through setbacks, and for her long lasting legacy.

Throughout history many artistic works have been deemed "great" and many individuals have been labeled "masters" of the discipline. The question of who creates art and how is it to be classified as great or greater than another has commonly been addressed by scholars and historians. The last quarter of the 20th century has reexamined these questions based on the assertions that no women artists have ever created or been appreciated to the level of "greatness" that perpetually befalls their male counterparts. The position that society has institutionalized on women as unable to be anything but subordinate and unexpressive is a major contributor to this claim. Giving a brief history of gender discrimination in the art

In the today’s society, it may appear that women’s rights have been propelled forward by equal opportunity sanctions. However, taking a more concise look at different spectrums, such as the art world, it appears that many women are still being snubbed despite their artistic abilities. In

Feminist art sought to elicit a response from its audience in order to get people to acknowledge and discuss feminist issues so that society as a whole could move toward change. By challenging the norms of patriarchal structure – not only within the art community but in everyday life as well – feminist art worked in parallel with the core objectives of feminism. A key component of feminism is confronting the oppression of women, and feminist artists addressed this in many forms, one of which was bringing light to violence perpetrated against women. This theme in feminist art helped to foster a dialogue that forced viewers to talk about violence against women and inspire involvement towards a less complicit society. Feminist art is particularly powerful because it worked to educate its viewers on the extent of this problem, as well as empower and heal victims.