Surrealism Of The Temptation Of Saint Anthony Essay

This is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. Artists sought to channel the unconscious to unlock the power of the imagination. They believed the rational mind repressed the power of the imagination. Artist’s images were outlandish and perplexing. It is meant to jolt the viewer out of their comforting imagery. Nature was a frequent imagery. Salvador Dali’s works often included ants or eggs. The Accommodations of Desire in 1929 was an important piece of art. It is a prime example of his ability to portray his vivid bizarre dreams. He developed a paranoid-critical method that involved irrational thought and self-induced paranoia to access his unconscious. It combined his usual hyper-realistic painting style with more experimental collage techniques.

Salvador Dali was a pioneer. Few pages are not enough to tell the story of an eccentric, hardworking, disturbed and misunderstood master. Born in Figueras, Spain on May 11, 1904 near France into a middle class family. Childhood was turbulent, difficult, and abusive. Raised full of indulgences by his mother that resulted in the known eccentricities he had. (Dali, Secret Life, 115). Bright, extreme intelligent and fast learner child that created highly sophisticated drawings by age 6. In 1916 went to study drawing at College de Hermanos in Figueres, starting to show eccentric behavior for the first time.

Salvador Dali is one of the best know controversial artists in the 20th century and he is a surrealist artist, he was born with a high sense of humor. Dali was

To begin, we will look at the ideals and influences that led to the formation of surrealist ideals,

World War I was a war that shocked the world and brought about new emotions that created a large wave of “-isms” as well as the “lost generation” of writers. Modern art was catalyzed by World War I and without a thorough study of the various forms of art that resulted from it, modern art and the tremendous effect that World War I had on the people of the world cannot be fully understood. This historical investigation will cover a few aspects of the art that resulted from World War I so that a general idea of the emotions shared by the people of the world can be known. A few paintings that represent specific movements will be studied to understand the artistic movement. A number of museum exhibitions will be studied along with government websites, databases, and museum websites, especially from the Museum of Modern Art.

After World War I ended in 1919, many artists began to turn to Abstract Expressionism, while others turned to the Surrealist aspect of art. Salvador Dali became the "high priest" of Surrealism and created the disturbing world where the intangible became tangible (Spielvogel). Giorgio de Chirico, an Italian painter was another artist who used Surrealism in his work. Man Ray, an American Surrealist, was experimenting with a different kind of Surrealism. Instead of a paintbrush she used an airbrush. Functionalism was used in architecture, meaning that these buildings were made with a specific purpose in mind. Dadaism also became prevalent. These artists tried to create expression by creating an anti-art (Spielvogel). Not only was art changing, but sports and music were experiencing a transition as well. Following World War I, sports became one of the most popular activities for fun. Baseball stadiums were enjoying record ticket sales and attendance while ticket prices doubled, tripled, or even quadrupled. The rise of tennis and golf also occurred during

Dali uses light and shadows to evoke a dreamlike state of perception. In the background we see two tiny rocks, one in the shadows and one in the light while everything in the foreground is engulfed in shadow. The only other things that are in the light are the ocean and the craggy rock structure. Clearly, a majority of the painting is engulfed in shadow. This dichotomy between light and shadow represents the difference between conscious and unconscious perception, between certainty and uncertainty. Since a majority of the painting is consumed by shadow, Dali is implying that humans can barely be certain about their conscious perception. Alternatively, Dali could be using the light as a symbol of hope and certainty that is largely overwhelmed by the uncertainty created when humans attempt to fully understand and control their surroundings.

Surrealism was one of the most influential artistic movements of the 20th Century. André Breton consolidated Surrealism as a movement in the early 1920s, trying to achieve the “total liberation of the mind and of all that resembles it[1]” through innovative and varied ideas. Surrealism deeply influenced the world in the era between the two world wars and played a big role in the diffusion and adoption of psychology worldwide. Surrealism faded after World War II, but its revolutionary genius has influenced every artistic movement ever since.

Both sides of the painting contains different colors, which creates different emotions. The abstract feelings conveyed in this painting have caused me to think that maybe both sides describes small portions of what the man feels; the gorgeous valleys indicate his state of calmness and as he gets more and more unhappy the scenery changes to coldness and grey colors. When his mind is continuously and increasingly being tormented his thoughts start to diminish, causing the man to feel like he is progressively getting crazier. He clearly does not like this since the man in the painting is running away from the madness occurring in hell, which can also be portrayed as him running away from his vicious and unholy thoughts. The emotions Giovanni Savoldo is conveying through the colors and craziness causes me to assume that he was trying to infer that Saint Anthony was slightly emotionally unstable and was experiencing all of the emotions depicted in the painting. As I studied the painting more and more, I discovered that the man is running away from the demons, holding his hands in prayer to remind himself that he cannot be defined by the things that haunt him.

Salvador Dalí is best known as the flamboyant and eccentric poster-boy of the Surrealist Movement. Born in 1904, Dalí spent the majority of his life working on various forms of his art, making him one of the most versatile artists of the twentieth century. While he is notorious for his paintings, he worked with many different mediums, which included sculpting, fashion, photography, and film. He began to show an incredible skill in art from very early on in his life, a skill that was nurtured by both of his parents. He began his formal training at age ten, which he continued until he was twenty two. Dalí was enrolled in the Royal Academy of Fine Arts of San Fernando until he was expelled from the academy for confidently claiming that “none of

Dali’s painting appears to be representative of mainly the subconscious mind because many of the elements in the painting express objects or ideas that are highly characteristic of memories, dreams, or even socially unacceptable elements. More importantly, The Museum of Modern Art explains that a year before this painting was made Dali began to undergo his “paranoiac-critical method” which stimulated

Each artist of the Dada era had a new way of expressing Freud?s ideas. They also felt that art was a powerful means of self-revelation, and that the images came from ones subconscious mind had a truth of its own. As Marcel Duchamp mocked the Mona Lisa by drawing a Padilla 3 mustache on her, stated that the painting was a lewd message set by the conventional way of thinking. Since the Dada artist did not believe in western culture this made sense, because people only want believe what is told to them, instead of what is true. The Dada movement marked a meeting of people to have ?noise concerts? where they recited poems in a free association verse. In these poetry readings the artist perceived how they felt about the world. As World War I began the Dadaist perceived it as a world gone mad. Not only did they express their work in unconventional ways; they used the subconscious as a way of making their views true. Although the Dada era was short lived it influenced and questioned the traditional concepts of the western world. These techniques set an agenda for a new trial by error art form of this same era. The spirit of Freud in the Dadaist era never really died, it is shown today as ?Pop art? or sometimes known as neo-Dada art forms. Also this revolution of thinking and art paved the way for the Surrealist movement. The Surrealist movement of the 1920?s through 1930?s captivated the world with its bizarre way of thinking. Just as the Dadaist used

Rene Magritte was an enigmatic and strange man who painted surrealism paintings. Little is known about his childhood except that his mother, Regine Magritte took her own life by drowning herself in the Sambre river. Young Magritte is thought to have discovered her body floating with her night garment covering her face. There is speculation that this trauma was an influence on many of Magritte’s works. When Rene Magritte took up his brushes, he created beautiful visual riddles that delight and bewilder the viewer. His clean lines and highly detailed finishes made his brush strokes nearly invisible; his paintings look as if they came from a printing press. Magritte referred to his paintings as “his labors.” He did labor over the paintings

As Dali moved into his Surrealist years he became more interested in psychology and exploring his own fears and fantasies. Dali’s Surrealist period last from 1929-1940, in which years he joined the Surrealist Movement, and shortly after became a leader in this movement. In order to bring images from his “subconscious mind”, Dali began to use a method to find inspiration for his art; he would induce hallucinatory states in himself. As his work matured, and his fame grew

The surrealist movement holds emotional authenticity and social activism as the highest ideals. Influenced by the work of Freud and Jung, the arts are viewed as psychic manifestations that go deeper than external reality. Spontaneous techniques, like psychic automatism (i.e. automatic writing and drawing), generate images from the unconscious and result in content similar to dream experiences and contemplating these images provides a new experience of reality (McNiff, 2009).