Justice is often defined as the treatment of someone or something with due fairness, but the fairness of a situation is often seen differently, depending upon the viewer. In Susan Glaspell’s, A Jury of Her Peers, the idea of who is capable to fairly judge a person, and therefore serve justice, is examined through the arrest of Mrs. Minnie Wright for the murder of her husband. As the sheriff and others go to the Wrights’ house, the suggestion is made that those empowered by law to cast judgement and those with an understanding of fairness are not always the same, and thus justice may not be served. Using symbolism, along with the title of the story, the characters and their actions, Glaspell expresses that someone who has experienced a similar situation is more likely to understand and justly judge the case before them.
The terms “law” and “justice” are not necessarily synonymous with one another. The men in the story only seek evidence to “convince twelve good men” that Mrs. Wright did indeed murder her husband. The female characters, Mrs. Hale and Mrs. Peters, having shared similar lives to Minnie’s, gradually turn to their emotional side to seek justice for a woman that they believe has suffered in silence for years at the hands of her husband; not unlike all women of that age had suffered under the rule of a patriarchal society.
To understand Glaspell’s portrayal of law and justice, it is first important to make clear the difference between the concepts. Although
In Susan Glaspell’s “A Jury of Her Peers,” Minnie Foster is accused of killing her husband. This accusation forces Mrs. Peters to choose between the law and her inner feelings. Her husband is the sheriff of Dickenson County, Iowa. It has always been a small, quiet town where nothing really happens. Mrs. Peters is faced with an internal struggle. On one side, she is married to the law and on the other side she understands what Minnie has been through. Her husband used to mentally abuse her to the point where she is now basically secluded from everyone and everything in the world. Mr. Hale even makes the comment, “Though I said at the same time that I didn’t know as what his wife wanted made much difference to John” (260). The
Twentieth century society places few stereotypical roles on men and women. The men are not the sole breadwinners, as they once were, and the women are no longer the sole homemakers. The roles are often reversed, or, in the case of both parents working, the old roles are totally inconsequential. Many works of literature deal with gendered roles and their effect on society as a whole or on an individual as a person. "A Jury Of Her Peers" and Trifles, both written by Susan Glaspell, are works of literature that deal with socially gendered roles during the early nineteenth century. The two works are almost exactly alike in that the dialogue from "A Jury Of Her
“You’re Convinced there was nothing important here…Nothing that would—point to any motive?” (Glaspell, pg. 5, 1908). In 1916, Glaspell worked for Des Moines daily news as a reporter where she later met her husband George Cook who was a play director. Together they wrote and produced plays, two of which are Trifles and Jury of Her Peers which are based off a crime scene she encountered while being a reporter. Glaspell’s plays are on the feminist side focusing on the roles women are forced to play in society and their relationships with men. Motive is the overall theme found in both versions of Glaspell’s story and is evidenced through the Wright’s relationship, the anger portrayed in various ways, and finally, regret found in Mrs. Wright.
Although “A Jury of Her Peers” and “Trifles” are similar in plot, Mustazza’s article, “Generic Translation and Thematic Shift in Susan Glaspell’s ‘Trifles’ and ‘A Jury of Her Peers’” highlights the differences and similarities between the two. Mustazza’s article may help aid readers to understand the differences between Glaspell’s two works and provide understanding as to why Glaspell may have changed the genre and form of the plot. “Trifles” is a dramatic play whereas “A Jury of Her Peers” is prose fiction. While some differences may be seen on the surface, other differences will need to be inspected closely. Mustazza’s article may help one to understand Glaspell’s works by providing analysis and additional perspectives on both “A Jury of her Peers” and “Trifles”.
In Susan Glaspell’s, “A Jury of her Peers”, it is the women who take center stage and captivate the reader’s emotions. Throughout the feministic short story, which was written in 1917, several repeating patterns and symbols help the audience to gain a deeper understanding of the difficulty of prairie life for women and of the bond that women share. The incredible cunning the women in the story demonstrate provides insight into the innate independence that women had even during days of deep sexual discrimination. In “A Jury of her Peers”, the hardships women of the early twentieth century must endure and the sisterhood that they can still manage to maintain are manifested as a mysterious, small-town murder unfolds.
When searching for a life-long companion, every woman has their version of “Mr. Right.” For some, that perfect man may possess tall, dark, and handsome qualities. For others, he may only require a stable job and a head between his shoulders. In “A Jury of Her Peers” by Susan Glaspell, a version of “Mr. and Mrs. Wright” is ironically developed through two main characters, Martha Hale and Mrs. Peters. Throughout the literary work, Mrs. Hale overcomes her many burdens to protect a presumed murder that she once referred to as a friend.
People tend to grow up and change personalities. Sometimes, it will not be as notable, but other times people will change completely. It helps people grow as humans. Growing up does not just change a person’s physical features, but their internal features as well. When reading a story, the reader can see the character change and grow.
Susan Glaspell's short story, A Jury of Her Peers, was written long before the modern women's movement began, yet her story reveals, through Glaspell's use of symbolism, the role that women are expected to play in society. Glaspell illustrates how this highly stereotypical role can create oppression for women and also bring harm to men as well.
In the short story "A Jury of Her Peers" a woman named Minnie Wright is accused of the murder of her husband. Minnie Wright is a farmer's wife and is also isolated from the out side world. There is an investigation that takes place in the home of the murder. There are three men that are involved on the case and two women accompany, but are not there to really help solve the murder. These two women will
From beginning to end, Susan Glaspell’s 1917 short story “A Jury of Her Peers,” has several repetitive patterns and symbols that help the reader gain a profound understanding of how hard life is for women at the turn-of-the-century, as well as the bonds women share. In the story two women go with their husbands and county attorney to a remote house where Mr. Wright has been killed in his bed with a rope and he suspect is Minnie, his wife. Early in the story, Mrs. Hale sympathizes with Minnie and objects to the way the male investigators are “snoopin’ round and criticizin’ ” her kitchen. In contrast, Mrs. Peters, the Sheriffs wife, shows respect for the law, saying that the men are doing “no more than their duty”. However, by the end of the story Mrs. Peters unites with Mrs. Hale in a conspiracy of silence and concealing evidence. What causes this dramatic transformation?
The woman view the interior of objects or situations and seek the evidence for its meaning, whereas men look for the evidence at the surface. In addition, Sheriff Peters, County Attorney George Henderson, and Lewis Hale remained cold hearted and prejudice towards Minnie, while Mrs.Hale and Mrs.Peters accepted Minnie’s crime, felt sympathy and determination for her. No matter if Mrs.Wright is innocent or guilty, both women protect Minnie in any circumstance. From redoing the quilt to covering up the reason of the bird cage to hiding the dead bird, both wives want Minnie to look innocent so she could experience the freedom she missed during the last twenty years. Although, the men were right to question her involvement with the murder and suspect Minnie to be the killer. In fact, their suspicions were correct being the Wright’s are the only two people living in their home, clarifying Minnie the killer. I could get a good understanding of why Mrs.Hale and Mrs.Peters withhold evidence against the jury, but I do not approve of their decision. I feel as if the women shouldn’t have gotten involved. No justice saved Minnie Wright from going to jail; withholding evidence and committing crimes, serves a prison sentence. As stated previously, if I was in Mrs.Hale’s or Mrs.Peters's shoes, I would not destroy any evidence being the damage
As in the case of most, if not all, good allegorical stories, the primary impact of the tale is strongly influenced by the author’s detailed characterization of the setting, as well as the characters’ feelings and passions. Certainly such is the case in Susan Glaspell’s story “A Jury of Her Peers”. Here the reader sees a richness of characterization and setting that is elusive at first reading, but becomes clearer as the story evolves. In the final analysis, it becomes clear just who the jury is and the outcome of their collective verdict. It is by the use of allegorical and metaphorical rhetoric that the tension of the story is maintained so very well.
“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.
In “A Jury of Her Peers” by Susan Glaspell, Minnie Foster Wright is the main character, even though the reader never sees Mrs. Wright. The story begins as Mrs. Hale joins the county attorney, Mr. Henderson; the sheriff, Mr. Peters; Mrs. Peters; and her husband in a “big two-seated buggy” (188). The team men are headed the Wright house to investigate Mr. Wright’s murder. Mrs. Peters is going along to gather some belongings for Mrs. Wright, who is currently being held in jail, and Mrs. Hale has been asked to accompany Mrs. Peters. As the investigation is conducted throughout the story, the reader is given a sense of how women were treated during this time and insight into why the women ultimately keep evidence from the men.
Glaspell’s attempt to rationalize the murder is evident in the title, “A Jury of Her Peers.” The point she is trying to make is that under the early twentith century judiciary system, it is her opinion that a woman could not get a fair trial. She is of course referring to the standard of the day that a jury be composed of only males. In fact, a jury composed of women, she conjects, would quite possibly acquit a murderess wife of all charges, given favorable circumstances, as the two women unofficially did in the story. After all, according to Glaspell, they are like her, of her, and can understand her plight.