Susan Glaspell 's ' Trifles '

Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.

Mrs. Wright eventually deteriorated just has her environment, her rocking chair, and the canary. In “Jury of Her Peers” Minnie Wright’s situation illustrates many women of the world. In the story and in our society many woman are stereotyped in the marriage to complete all home duties and take of care the children while consumed in pleasing their husband. While doing so we lose ourselves. While reading the store I also realized how blessed I am to be symbolized as a modern

Here the tone shifted from prideful to authoritative. Dee demanded to own the two quilts. Mama said the quilts had been made by her ancestors and she “hung up on them on the quilt frames on the front porch and made them (762).” The quilt frames symbolize the object which helps organize and keep the family's generations alive, and the front porch symbolizes the connection of the family with the world. Mama knew the quilts were what kept the generations together, regardless of what the people around thought or did.The quilts needed to be used in order to keep the family traditions alive. Soon after, the protagonist came up with an excuse and said the “lavender [pieces], [came] from old clothes” which had been “handed down (762).” The lavender symbolizes love and devotion. The old clothes symbolize the legacy of the family's heritage. Although Dee only wanted to the quilts, Mama felt her past family's love and devotion through the quilts. Dee wanted the quilts because to preserve them, not because of an emotional connection to them. In addition, the young woman continued to offend her mother to the point where Mama told her the quilts were for Maggie, the youngest sister, and Dee exclaimed how her sister could never “appreciate the quilts.” She continued and said “She'd probably be backward enough to put them to everyday use (762).” Everyday use represents the “everyday use” of customs and true purpose of the quilts. Although Dee thinks her sister will destroy the blankets through sex and daily use, Mama wanted her to understand how everything she wanted had a special purpose in their

Susan Glaspell’s one-act play “Trifles” was written in 1916. It was written based on real events. When Glaspell was a reporter, she covered a murder case in a small town in Iowa. Later, she wrote this short play which was inspired by her investigation and what she observed. Glaspell used irony, symbolism, and setting in her creation of the authentic American drama, “Trifles”, to express life for women in a male-dominated society in the early nineteen hundreds.

There can be great comfort in understanding one’s heritage especially when it involves the deep love and devotion of a strong mother. The poem combines family and love with the quilt to show the memories that she has shared threw the generations that have had the quilt. In the poem “my mother pieced quilts” by Teresa Paloma Acosta and the short story “ Everyday use” by Alice Walker, both author’s use imagery and figurative language to establish a quilt as a symbol for family, love and memories to illustrate their themes.

Mrs. Wright’s apron is also a symbol of oppression suffered by women. With dullness, she pleats it while giving details of her husband’s death. From the jail where it is obviously of no use to her, she requests that the apron be brought to her. The apron represents her identity of being a subservient housewife. The murder of her husband stripped her of this identity likewise, her marriage had taken her former identity of a choir girl. Being labeled a criminal is uncomfortable for her therefore, the want of her apron reflects that she has not yet accepted this new identity. Mrs. Peters seems to understand the need for her apron as she states, “I suppose

Mrs. Wright lived her entire marriage alone, confined to a tiny house in the outskirts of town, with her only true companion a bird who sung to her, she loved that bird like it was her child. Mrs. Wright blamed her husband for her loneliness because he wouldn’t allow her to sing in church, have friends over, or have a telephone to even call people occasionally. Mr. Wright made her feel as though she was in solitary confinement in a prison this was not a home. At least she had her canary to keep her company, well until he took that away from her too.

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

Wright so deeply that her whole view of right and wrong is distorted. Her decision to murder her husband in the name of her bird shows how corrupted her mind really is. Years and years of silent torture drove this woman to the brink of insanity. Her insanity symbolizes other women in that time that chose to stay in a loveless marriage rather than make a bold move like Nora did and go out into world on their own. Nora’s courageous choice empowered women to think for themselves, while Mrs. Wright’s choice revealed to them exactly how a loveless marriage can damage one’s mind to the point of no repair.

The theme of the story concentrates on women's suffrage. Mrs. Wright apparently has been pushed over the edge with the restrictions set on her life and one day she finally snaps. This implicit theme suggest

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

Mrs. Wright is referred to when Mrs. Hale speaks of her by using her maiden name, when saying ?I wish you?d seen Minnie Foster when she wore a white dress with blue ribbons and stood up there in the choir and sang.? The old rocking chair symbolizes Mrs. Wright as she has allowed herself to depreciate, just as the rocking chair has depreciated. ?The chair sagged to one side,? Mrs. Hale stated that the chair was not anything like she remembered, referring to the fact that Mrs. Wright has also changed since she

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

    Even so, the domestic system the men have set up for their wives and their disregard for them after the rules and boundaries have been laid down prove to be the men's downfall. The evidence that Mrs. Wright killed her husband is woven into Mrs. Hale's and Mrs. Peters's conversations about Mrs. Wright's sawing and her pet bird. The knots in her quilt match those in the rope used to strangle Mr. Wright, and the bird, the last symbol of Mrs. Wright's vitality to be taken by her husband, is found dead. Unable to play the role of subservient wife anymore, Mrs. Wright is foreign to herself and therefore lives a lie. As Mrs. Hale proclaims, "It looks as if she didn't know what she was about!" (1177).

Overall, Susan Glaspell’s “Trifles” is a must read play. Even though there are some key points in the play that can be interpreted differently and can distract from Glaspell’s theme, the strong symbolic use of the bird cage and bird is enough to tie a connection. Through its hidden symbolism it succeeds in conveying the message that women are