Susan Glaspell's Play Trifles Essay

Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.

Wright’s motive. Mrs. Hale reminisces on a similar situation: “When I was a girl… my kitten—there was a boy took a hatchet, and before my eyes—before I could get there… If they hadn’t held me back I would have hurt him.” No one was holding Mrs. Wright back. Her husband killed her most treasured possession, and she took revenge in the same way: strangulation. Although the Wrights owned a gun, Mrs. Wright took a violent and personal approach. She wanted to force him to suffer instead of swiftly killing him. Mr. Wright, a cold man, broke open the bird cage and strangled Mrs. Wright’s beloved canary to death. She was infuriated, and in return, strangled her husband to

The third piece of evidence, the mutilated canary, shows the motive for Mrs. Wright to kill her husband. In the story the women find a beautiful box and in the box wrapped in silk was the dead bird which then by closer examination they found had its neck snapped. Based on the box and the silk we can infer that Mrs. Wright loved her bird and would not of broke its neck so that leaves Mr. Wright to do so. Silk is an expensive fabric and usually you put you most prized possessions in it, and the beautiful box also shows that Mrs. Wright loved her canary.

The men were still looking for evidence, but women are replaying the scene of murder in there minds. They conclude that Mrs. Wright was sewing in kitchen, when Mr. Wright came into the kitchen and saw the bird. This explains why Mrs. Wright was sewing nervously. I assumed that Mr. Wright didn’t like birds, because they are very noisy referring to conversation with Mr. Hale about the joining party phone line. Mr. Wright must have seen the birdcage with the bird. He must have broken the birdcage and broke the bird’s neck. This was enough of a motive need for Mrs. Wright to kill her husband. The

One of the women made the comment that Mrs. Wright used to be pretty and happy, when she was Minnie Foster not Minnie Wright. This is just the beginning of realizing that she was just pushed to far into depression and couldn't live up to John Wright's expectations anymore. The Wrights had no children and Mrs. Wright was alone in the house all day long. The women perceive John Wright to be a controlling husband who in fact probably wouldn't have children and this may have upset Mrs. Wright. They eventually find vacant bird cage and ponder upon what happened to the bird, realizing Mrs. Wright was lonely they figured she loved the bird and it kept her company. The women make reference to the fact that Mrs. Wright was kind of like a bird herself, and that she changed so much since she married John Wright. They begin looking for stuff to bring her and they find the bird dead and they realize someone had wrung its neck. This is when they realize Mrs. Wright was in fact pushed to far, John Wright had wrung her bird's neck and in return Minnie Wright wrung his.

When the two women come across the empty, broken bird-cage, they ponder the reason for the broken door and the fate of the canary who occupied it. Later they discover the dead bird wrapped in silk with its neck broken, presumably by the hands of Mr. Wright. The bird symbolizes Minnie Foster, the young choir girl. The dead bird symbolizes Minnie after marriage, when she loses her spirit, and the cage symbolizes her husband who mistreats and isolates her. While describing Mrs. Wright, Mrs. Hale compares her to the bird when she says to Mrs. Peters, " She used to sing real pretty herself”. ( 576) Literary critic Janet Stobbs Wright states," Only as a picture emerges of the way in which Minnie Foster has been changed by her marriage to John Wright, is a process of identification between the two women initiated".

The men, though, laugh at the women's wonderings about the quilt. To them it is of little importance. Likewise, the bird and its cage are easily dismissed. In fact, the men just as easily believe a lie about this bird and cage. When the cage is noticed, its broken door overlooked, the county attorney asks, "Has the bird flown?'" Mrs. Peters replies that the "'cat got it'" (360). There is actually no such cat, but the men do not know that and never question the existence of it. The bird, however, is vital to the case. Mr. Wright killed the bird, Minnie's bird, which may have provoked her to then kill him. In addition, the strangling of Mr. Wright, a form of murder which perplexes all when a gun was handy, is reminiscent of the strangling of that bird. It is another answer to the men's questions, but an answer they never find. The women, on the other hand, take note of all they see. They notice not only the bird, the cage, and the quilt but other things that the men call "trifles," like Minnie's frozen preserves and her request for her apron and shawl. These women are united; it seems, not only as country wives or as neighbors but on the basic level of womanhood. This is apparent from the start of the play. Mrs. Hale and Mrs. Peters "stand close together near the door," emotionally bonded throughout the play and, here, physically, in a way, too. Mrs. Hale and Mrs. Peters also have a kinship to Minnie, just as to each other. They respect her work as a homemaker. Mrs.

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

Wright so deeply that her whole view of right and wrong is distorted. Her decision to murder her husband in the name of her bird shows how corrupted her mind really is. Years and years of silent torture drove this woman to the brink of insanity. Her insanity symbolizes other women in that time that chose to stay in a loveless marriage rather than make a bold move like Nora did and go out into world on their own. Nora’s courageous choice empowered women to think for themselves, while Mrs. Wright’s choice revealed to them exactly how a loveless marriage can damage one’s mind to the point of no repair.

In Trifles by Susan Glaspell, the central character remains unseen for the entirety of the piece. “The central character - the person whose actions are to be understood - is absent, thus rendering her all the more a figurative blank space” (Keetley 342). The audience never sees or hears Minnie Wright throughout the piece, and therefor cannot develop an accurate opinion of the outcome of the play, as they are missing vital information about Minnie’s personality. The audience and characters instead make several assumptions about the truth that cannot be verified without closer inspection of Minnie’s personality and experiences. Glaspell’s use of an unseen central character in Trifles causes the story to develop based on assumptions made by

The women empower themselves through silence, particularly in the kitchen communicating and reflecting upon things around them in the limited space they were given. The men dismiss the kitchen finding nothing that is relevant to the murder case. The men keep crisscrossing through the kitchen, ignoring and not realizing they could find the vital evidence through trivial details. Even though they were having difficulty in finding clues that lead to the murder. While the women were alone looking through Minnie’s kitchen they found the most valuable evidence the “missing piece to men’s puzzle” (Holstein 283). Mrs. Hale found the dead bird strangled in the sewing box telling “Mrs. Peters-look at it! Its neck! Look at its neck!” (782). Mrs. Hale and Mrs. Peters recognize the bird was strangled brutally “their eyes meet. A look of growing comprehension, of horror” (Glaspell 782). Both of them realized the bird was killed the same way as Mr. Wright with the rope around their neck. The strangled bird represents Minnie Foster how her freedom and joy was strangled to death. When the men came in the kitchen, the county attorney noticed the bird cage, wondering if the bird flew away, but Mrs. Hale lied and said “we think the- cat got it” ( Glaspell 782). The county attorney seek only visible evidence for murder he was wasn’t thinking critically what it may mean. Mrs. Hale and Mrs. Peters covered the evidence keeping it between themselves for their own knowledge. They

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

I think the theme of any play, poem, or writing in general is a very important component to be able to understand and analyze fully. I think one of the main themes within this play is solitude. When first looking at this play by Susan Glaspell, one may not think of solitude being a major theme. After reading it through a few times, I found multiple ideas that point to the theme of solitude. For example, Glaspell mentions how Mrs. Wright was often alone. On page 1112, the County Attorney asked what Mrs. Wright was doing when Lewis Hale found her and he says “she was rockin’ back and forth. She had her apron in her hand and was kind of—pleating it” (Glaspell). After reading this section, we know that Mrs. Wright was found alone in her rocking chair and that points to the overall theme of solitude. Even before the death of her husband, she felt isolated from the world because of how controlling her husband was. As a reader, I felt bad for her because she felt isolated before her husband’s death and still feels isolated in the end because she is alone. I feel like she has to be happier without him around even though she is still alone. Just like Mrs. Wright, the bird in the story was found in solitude by

As the women were gathering some of Mrs. Wright's things they found a bird cage with a broken door and no bird in sight. They later find the bird in Mrs. Wright's sewing box neatly placed in silk with its neck broken. Mrs. Hale makes the relation of the bird to Mrs. Wright when she stated, "she was kind of like a bird herself-real sweet and pretty, but kind of timid and-fluttery," (Glaspell). The canary was a replacement for children and it displaced the silence of the house. Mrs. Wright understood her husband's action as a symbolic strangling of herself, his wife. It is not just because he killed the bird, but because she felt like a caged bird herself. When the women found the bird, they realized that Mrs. Wright killed her husband because he somewhat stopped her from communicating with others. In a sense, by killing the bird he killed his wife. The women related the bird with Mrs. Wright and, in a sense, felt that Mr. Wright was the murderer for what he did to his

    Even so, the domestic system the men have set up for their wives and their disregard for them after the rules and boundaries have been laid down prove to be the men's downfall. The evidence that Mrs. Wright killed her husband is woven into Mrs. Hale's and Mrs. Peters's conversations about Mrs. Wright's sawing and her pet bird. The knots in her quilt match those in the rope used to strangle Mr. Wright, and the bird, the last symbol of Mrs. Wright's vitality to be taken by her husband, is found dead. Unable to play the role of subservient wife anymore, Mrs. Wright is foreign to herself and therefore lives a lie. As Mrs. Hale proclaims, "It looks as if she didn't know what she was about!" (1177).