Suspense In Stranger Things

Stephen King, the author of Cujo, presents his book on a frightening level of suspense that Lewis Teague, the director of Cujo, a movie based on King’s novel, complements wonderfully. Lewis Teague stays true to Stephen’s book, occasionally adding his own twist to it.

In the story, the “The Right Kind Of House, the suspense is created through foreshadowing, characterization, the old woman’s insanity, and the theme revenge.

Suspense is when the author makes the reader, or audience excited or scared for what might happen in the story, or even what will happen to the character next in the story. Suspense might even be something you see or hear that will make you have questions about what will happen next. If there is a cliffhanger at the end of a story, it will leave you with questions wondering what will happen to the characters next. The mood, tone, setting, emotions of character, sound and sight might affect how the story is suspenseful. We all enjoy watching suspenseful movies and reading stories, because they are exciting. It leaves us with questions that the author won't have the answers to in the end, so the author gives us as the audience, the chance to make up their own ending to the story or movie. The author will give you clues throughout the story, to help you fill in questions you might have in the end. This makes it more exciting for the reader and the audience because we get to engage with the characters in the book or movie. The tv series, Stranger Things, is about 4 kids who have to fight off monsters in a little town in Indiana. This TV show is a great example of suspense, and it shows it effectively because, of Foreshadowing, Dilemma, and Dramatic Irony presented throughout the show. With just using those four examples, Stranger Things is a great example of suspense.

Have you ever read “The Tell Tale Heart” by Edgar Allan Poe? It is a short story about a man whose mental state deteriorates over time. The narrator loves the old man, however he has a deep hatred toward the old man’s vulture-like eye. This essay will be explaining the ways Poe keeps his readers in suspense. Edgar Allan Poe uses time, repetition, and descriptive language to set the pace, tone, and mood.

“For some time I sat in silence. Then a cold shudder ran down my spine.” That would be one example of how suspense is created throughout a horror story. There have been multiple authors which have made frightening stories and put a lot of work into them.Furthermore, as in the story, “August Heat” by W.F. Harvey, it is composed of suspense around the piece. A prime example would be the use of foreshadow, reversal, and being unpredictable. Therefore, combining the three makes the completion of a story with frightening scenes, along with the suspense.

Edgar Allan Poe uses irony to create suspense in "The Cask of Amontillado," to create a dark, dangerous short story. The protagonist, Montresor, plans to seek revenge on Fortunato, who insulted him, by killing him. Poe uses dramatic irony in the first paragraph by writing that Montresor is planning to kill Fortunato and get away with murdering him. The example of dramatic irony creates suspense, due to only the reader and Montresor knowing that Montresor is premeditating Fortunado's murder. Verbal irony is utilized to create suspense when Poe writes of Montresor and Fortunado making toasts, and Montresor saying, "And I to your long life" to Fortunado (Poe 347). Completely aware that he is going to murder Fortunado, yet Montresor toasts to Fortunado's

In the film an atmosphere of suspense is created using various film techniques such as lighting, music and through the plot itself. The film also takes on a Gothic tone using different characteristics and techniques such as the settings, symbolism, emotions such as fear and the different atmospheres in the film. The director explores the theme of good vs evil through different elements and characters in the film generally following normal good vs evil stereotypes with some exceptions.

Some individuals might disagree with the fact that these craft moves are meant to build suspense. It is possible to think that these techniques are supposed to stir empathy, support the theme, or even create a setting. However, this can not be true because there's no evidence in the book to prove this for every craft move. Not to mention there is clear and hard proof that those techniques are meant to create suspense. For emphasis in dialogue the author can show how desperate the characters are. Also, when the author converts the mood from the light to dark/heavy it usually mean he/she are trying to create anxiousness in the reader. Last but not least, when the author creates their story as a flashback it adds tension to the story because there's

Suspense is a crucial ingredient in the making of horror and thriller films. The significance of suspense in horror films is to bring out the “twist or unexpected moment of realization that makes someone scream and one's heart race. In the film industry, there are various types of genre, but as different as films may seem, they all have one element that links them all together. That element is known as Mise-en-scene. Mise-en-scene is a French phrase that means “putting into the scene.” Mise-en-scene includes elements such as setting, lighting, costume, and figure movement and expression (acting).

“‘Watch out!” screamed Maggie. Suddenly the road took a sharp turn, and a huge oak tree loomed in my headlights”(Shusterman 39). When Neal Shusterman uses suspense it’s usually in a way that would probably end badly. He loves to try and hook the reader with suspense, so then the readers would want to keep reading that same book. As evidence in Full Tilt by Neal Shusterman and “The Abandoned Farmhouse” by Ted Kooser, suspense can be effectively created through the use of imagery.

One way Stephen King increased the sense of horror and suspense in the excerpt is by adding a time limit and details. For example, when Cujo was about to jump into the open window next to Tad's seat and when Donna tried to close the window. This was an example of the time limit that I said earlier because Donna had to be fast when closing the window, if she was too slow then Cujo would've gotten into the car and they would die. This is shown in the text in paragraph 32 where it says, "...moving with such a hard muscular spasm that she cracked her fingers on the window crank. She turned it as fast as she could, panting, feeling Tad squirming beneath her." When Donna noticed Cujo moving toward Tad's window, she rushed toward the window and tried

Percy D’Aco claimed, “The word suspense is related to the word suspended. When a story keeps us in suspense, we feel almost as if we are suspended in midair.” Suspense is often used in horror films. Suspense allows we as viewers to feel connected and apart of the work, whether that is a book or a movie. W.F Harvey creates suspense by foreshadowing, using reversal, and by withholding information.

The building of apprehension in viewers’ mind helps put them in the character’s shoes and truly captures their attention. In the “Pilot” episode of the television series Stranger Things, the writers create suspense by applying the two main elements of media: music and setting. The element of music is creatively used to establish the mystery present in the show. For instance, when Will is on his way to his house the audience does not fully see the slithering horror he encounters. Instead, an appalling, liquid chittering is heard from the deep woods (Brothers, 2016).The choice of sounds that the writers use helps trigger the audience's mind and keeps the viewer curious about what will happen to Will Byers, and who the noise is coming from. Another

it is able to show why the doctor is helping the boy and why the child

Alfred Hitchcock’s thriller ‘Rear Window’ (Hitchcock, 1954) begins with the immediate use of mise-en-scène in order to establish a sense of atmosphere, equilibrium and the mundane, soon to be disrupted as the events of the film unfold and are observed through the eyes of the voyeuristic protagonist, Jeff. Setting, cinematography and various other expressive mise-en-scène techniques work together to influence the overall appearance of the film. Though, by taking a closer look, these techniques reveal the significance of the narrative and characters. In the opening sequence, Hitchcock’s original visual style provides signposts for the audience to recognize what will be significant in the future: instead of establishing what is only happening in the moment in time; mise-en-scène is used to suggest what is to come. This arrangement of the “Classical Hollywood” narrative - starting with the setting and characters in a state equilibrium - acts as a seemingly all-purpose, archetypal opening by establishing location and introducing character. Simultaneously we can see that this sequence is vastly different from the rest of the film: it is leading the viewer into a false sense of security – the calm before the storm – as Jeff soon happens to piece together information leading to the possibility that one of his neighbors murdered their wife. This sequence is one of the only moments in the film we see things the protagonist does not, thus this carefully constructed opening is preparing