Swamp Rebel Machine Analysis

The beginning sounded similar to a salsa type of music due to the drum’s rhythm on the crash cymbal. Each musician had a solo within each piece. The rhythm section (double bass and drums) did a phenomenal job at maintaining as well as driving the tempo when it felt dragging. Moreover, they displayed great control and maturity of their sound throughout their solos. The dexterity and mastery within their instrument of some of the soloist in this group is inspiring because it truly shows their years and years of practice and

Their first release is a “self-titled” EP with five songs on it–with all them being sort of different, but cohesive; and so there might be something for every indie-lover. My personal favorite is track 3 “Fishes”. Something about that opening guitar line takes me back to the days when I would pull obscure albums

The album begins with a cover of Big Bill Broonzy’s “Key to the Highway” which gives the listeners a taste of a new sound that Myles sprinkles in throughout the remainder of the record, which is the use of the wah pedal. Myles’ incorporation of the wah was to get an Earl Hooker

It's around that time of year where some of us music enthusiasts ponder what albums we're most thankful for.

Roy Wood$, a young rising Toronto artist discovered by OVO Sound Beats was recently signed to Drake’s record label and made his official debut by coming out with his first album Exis. The fresh, underrated OVO member made a resilient first impression; Exis serves as a strong introduction to the beginning of Wood$’s career. The album is laced with only 6 tracks, but still feels appropriate to the whole debut project. As the latest artist to be coming out of Canada, Roy is able to set himself apart from the rest, through his individual artistry and flair, innovative perspective, and exceptional voice. Not only is he able to bring a different genre of PBRnB style to us, his vocal expression is emotionally rich and soft while remaining powerful making it addictingly sweet.

Regardless of what the title advocates, Strickland actually creates something new by mixing all these diversified influences with a confessed passion for beat making. The 14-track album, produced by electric bassist Meshell Ndegeocello, begins with “Tic Toc”, which sounds and feels like a work song, displaying free-flowing saxophone phrasings and vehement words. This somewhat eloquent ritual tags along with “The Chant”, delivered at a frantic Brazilian rhythm and impeccably adorned with the resolute in/out approach of the bandleader.

With synths so invitingly encompassing, a bass line this fat and charming acapella-esque vocal arrangements via Alexander Giannascoli ((Sandy) Alex G) and Maine, The House strikes the precise, tone-setting chord for what is phenomenal listen through and

It's unique, I know it's one of their songs as soon as any of these tracks start, and it's only a matter of time before they perfect this style and start to blow us all away. When it comes to improving, I think Nikolai should keep working on making more consistent hooks as they lacked in quality at some points, and to continue to stay true to himself and keep working on making this dark rap sound that much better as he grows and continues to improve musically. For a young, independent artist who recently just put together a sold out show in Denton, Texas of over 500 people from the ground up... I think this guy know's what he's doing, and he's doing it

Rarely does one find four individuals, all coming from various backgrounds able to gel together creating a harmonious group. Together; Domino has mastered this by honing their harmonies to near perfection, which explains the melded cohesive sound projected on their new EP “Ghost”. Having redefined their brand and sound so unique; one might say it could be comparable to a Fleetwood Mac embellished with country music.

This trio of unlimited talent gathered on Cornelia’s stage to play standards in such a way that I felt I could stay there all night listening to them.

The songs they have on this album go really well together. They all basically have the same point. The main point is that Jesus is always there for you. The songs have different ways of saying that message. One of my favorite songs on this album is Broken Together. It talks about how when you come

It was released on May 21, 2013, by Coke Boys, Bad Boy Records, Maybach Music Group, and distributed by Interscope Records. The album features guest appearances from Diddy, Nicki Minaj, Drake, Ace Hood, Lil Wayne, Birdman, The Weeknd, Rick Ross, 2 Chainz, Max B, Ne-Yo, Machine Gun Kelly, Raekwon, Scarface and Snoop Dogg, among

Shawn Mcadory is a young man whose love for music made him make a name for himself. Growing up, he learned how to DJ and how to play a variety of instruments, at merely just age 9. In addition, he's a sports enthusiast! Over the years, his passion in music lead him to make many remixes of popular hits, as well as original ones. Moreover, how his tracks made it’s way on the highly sophisticated “Monstercat Podcast”.

This song features James Taylor on the acoustic guitar, and the sound is so intimate and again honest. Aside from the piano and the guitar you also have Russ Kunkel on drums and Charles Larkey on

This was created after a great deal of drug use, which gave the group more experiences and perspectives to write from. The band added even more elements by experimenting with a full orchestra on some of their songs. Overall, the album gave me further perspective in to the history of the Beatles’, and I enjoyed listening to it all the way