Sweetheart Of The Song Tra Bong Analysis

By using syntax, repetition, and evidence, Tim O’Brien builds an argument to convey the reality that the soldiers in the Vietnam War had something to carry, both physically and emotionally. In “The Things They Carried”, O’Brien uses syntax to arrange his sentences in order to show the harsh correlation between the weight of real and mental possessions. For example, O’Brien first introduces the 30 pound PRC-scrambler radio, then immediately follows with the weight of memory. Appealing to emotion by displaying that, like the heavy radio, the weight of memory also was a burden, but something that they were forced to carry.

Life can bring unexpected events that individuals might not be prepared to confront. This was the case of O’Brien in the story, “On the Rainy River” from the book The Things They Carried. As an author and character O’Brien describes his experiences about the Vietnam War. In the story, he faces the conflict of whether he should or should not go to war after being drafted. He could not imagine how tough fighting must be, without knowing how to fight, and the reason for such a war. In addition, O’Brien is terrified of the idea of leaving his family, friends and everything he loves behind. He decides to run away from his responsibility with the society. However, a feeling of shame and embarrassment makes him go to war. O’Brien considers

Going back to the Vietnam War and its effect on Mary Anne. At this point, it can be seen that Mary Anne has completely crossed over. She has a necklace of human tongues, which is crazy weird. However, Mary Anne is still wearing her culottes and her pink sweater, the very pieces of clothing that made her appear so American at the beginning of the story. The reason for Mary Anne’s change is not because of the Vietnamese or even Vietnam, even though it appeared to be at the beginning. It's the war itself. The war is half-Vietnamese and half-American. A example that shows Mary Anne going through her change is in the quote, "Mary Anne made you think about those girls back home, how clean and innocent they all are, how they'll never

With this part of the story, O’Brien is able to inject the theme of shame motivating the characters in the book. This chapter is about how the author, who is also the narrator, is drafted for the war. He runs away to the border between Canada and the United States, he stays in a motel with an old man for about a week and finds that he should go to war for his country. In the beginning it was about shame, he didn’t want to look like a coward because in truth he was scared. He was afraid to face the pressures of war, the humiliation and the fact of losing “everything”. This man was an average person who lived an average life with no problems, until he got the notice about the war, which caused the shame and fear of being seen as a bad person to come out.

O’Brien uses imagery to enhance the story. Several examples of imagery are found in the chapter. One example is “To the north and west the country rose up in thick walls of wilderness, triple-canopied jungle, mountains unfolding into higher mountain…” (87). This quote gives the reader a vivid image of Vietnam and it’s natural beauty. Another example is “ The place was never mortared, never taken under fire…” (88) in which describes the military compound. O’Brien also uses imagery to describe looks and expressions of characters. An example of this is “Even with the cooling night air Fossie’s face was slick with sweat. He looked sick. His eyes were blood shot…” (103).

Furthermore, O’Brien himself admits he went to war not out of courage, but out of embarrassment and cowardice. In the chapter “On The Rainy River,” O’Brien received a draft letter for the Vietnam War. He was in shock, “I was too good for this war. Too smart, too compassionate, to everything. It couldn’t happen. I was above it. A mistake, maybe—a foul up in the paperwork. I was no soldier… I remember the rage in my stomach. Later it burned down to a smoldering self-pity, then to numbness” (41-42). Obviously, O’Brien did not want to go to war. However, he was

In the memoir The Things They Carried by Tim O’Brien, the chapter titled: On the Rainy River has a central idea of resentment, embarrassment and eventual acceptance to change. The author creates this central idea with the use of a regretful tone, man vs society conflict, and dreary imagery. The theme of this chapter contributes to O’Brien’s intentions for the book because it demonstrates the struggle, shame, and or confusion each man drafted into the war experienced.

The short story “On The Rainy River” is written through the perspective of O’Brien in present day and as a young faced with a draft notice for Vietnam War. In “On The Rainy River,” O’brien portrays the importance of bravery in an individual through the use of symbolism, powerful tone, and reflective point of view.

“If I truly believe the war is wrong, is it then also wrong to go off and kill people? If I do that, what will happen to my soul?” (pg 60). Tim O 'Brien is an American man who was drafted into the Vietnam War. O 'Brien is not a violent man and struggles because he believes that the war is wrong. He debates whether or not he should go to war or move to Canada to avoid the draft. Tim O 'Brien decides to join the army. O 'Brien uses his personal experiences as a foot soldier in the Vietnam War to convey his possible bias perspective that the Vietnam War was a waste of people 's lives and a shameful venture for the United States.

In a later discussion, O’Brien said the chapter “On The Rainy River” is not a true story. The chapter is a fictionalized account of what would’ve happened if he ran away to avoid the draft like he wanted to. This same strategy was applied when he wrote “The Sweetheart of the Song Tra Bong”. While O’Brien was in Vietnam, Someone likely joked about how easy it would be to bring a girl to their base. He takes the concept and makes uses it as a vehicle to discuss innocence. We are even told in the beginning to the chapter that the story comes from Rat Kiley who has a history of exaggeration and spicing up stories (Citation Needed for Paraphrase)

In the chapter “Rainy River” O’Brien addresses the theme of storytelling and memory. In “Rainy River” O’Brien is trying to decide whether to go to war or to go and escape to Canada. He chose to go to war but he feels as though he's choosing for his country and not for himself. He felt like he had no option, no choice and his future was already set. “I felt paralyzed. All around me the options seemed to be narrowing as if they were hurling down a huge black funnel, the world squeezing in tight” (O’Brien 41). He didn't agree with the reasons for the war, and he did not want to go. The choices between war and living his life were close. He tells the story to portray his feelings to the war, he knows he's not cut out for the war. He felt as though he would be letting his country down by not going. Looking back onto his decision through memories he knows how hard the decision wah but he's glad he made it because he felt like he helped the country in a big

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

O’Brien’s use of imagery allows him to paint a vivid depiction of the horrors experienced by the foot soldiers in Vietnam. These horrors perpetuate the physical and emotional

In addition, the narrator said, “It turned us into a platoon of believers. You don't dispute facts.” Hence, they are all superstitious about the magic power of stockings. In the beginning of the story, the narrator described Dobbins’ thoughts. Narrator wrote, “he believed firmly and absolutely in the protective power of the stockings. They were like body armor, he thought.” However, the tone has significantly changed after the narrator and other soldiers realized the mysterious power of stocking. The tone became more inclusive to all the soldiers. The narrator no longer describes Robbins’ thoughts, especially after Robbin’s girlfriend broke up with him, there is no internal thinking described. Overall, the tone changed from personal to general. The final line of the story is “It was a relief for all of us”. Soldiers believe that the stockings have the magic power to protect Dobbins and other soldiers. The tone and attitude do not match with that in the rest of the story. By using the expression “all of us”, instead of Dobbins, the main characters have changed from Dobbins to all the soldiers. Everyone included the narrator wanted to be protected by the magic power. Then they heard Dobbins ties the stockings back, soldiers know they will be survived from the

In this passage O’brien demonstrates his own character traits. As a writer, he has a strong ability to understand what others are feeling and sympathize. When he kills the young soldier, he creates a story around him, imaging the soldier as having similar struggles to his own. He deeply regrets the soldier's death because he feels that neither of them really wanted to be fighting in this war and relates his own life story to the fictional one he creates for the soldier.