Essay on Swot analysis of the english national opera

5. Smart, Mary Ann. Mimomania : music and gesture in nineteenth-century opera. Berkeley : University of California Press, 2004.

In any musical drama, be it opera, oratorio, or even musical theatre, it is possible for a composer to convey the personality of their characters through compositional and musical techniques. Doing so heightens the audience’s understanding of the characters, their motivations, and the relationships between them. Monteverdi, as a pioneer of opera, was one of the first to capitalize on this opportunity to heighten the audience’s understanding of the characters. This is highly apparent in his last opera, L’Incoronazione di Poppea. The music for two of the characters, Poppea and Nerone, is especially well composed to demonstrate personality, and this is no more apparent than in the dialogue which introduces the audience to them, Signor, deh

“All the world’s a stage, and all the men and women merely players.” William Shakespeare may have written these words in As You Like It in 1600, but Erving Goffman truly defined the phrase with his dramaturgical theory. Dramaturgical analysis is the study of social interaction in terms of theatrical performance. Unlike actors though, who use a script telling them how to behave in every scene, real life human interactions change depending upon the social situation they are in. We may have an idea of how we want to be perceived, and may have the foundation to make that happen. But we cannot be sure of every interaction we will have throughout the day, having to ebb and flow with the conversations and situations as they happen.

This article discusses the world’s need for classical music and why it will always be relevant. The author explores what makes certain things “art” and why certain other things are simply entertainment. He claims that classical music can never die because it is fundamentally different from many other types of popular music. It defines what makes art different from entertainment and answers the age old question of who gets to judge between them. In an age that dooms classical music to inevitable failure, this article offers a refreshing different perspective in a much more hopeful light.

By making a contrast between the psychological situations before and after Coss begins to sing, the author suggests that artistic expression is a cure for stresses and fears. The opera changes the tone of this hostage situation from distant and stressful to loving and caring. Listening to the beautiful music has become the path to hope, or a way to escape from the reality. People become gradually unaware of the terrible

This statement is pointing at the increased disconnect between the likes and preferences of the youth population or rather the younger entrepreneurs and the ideas that are increasingly propagated by the orchestra players. It should be noted that a large number of individual donors and institutional funders are questioning the continued investment in orchestras, yet the musicians continue to build their hopes on the efficiency of renewed fundraising efforts without considering the change or dynamic nature of the feelings of younger generations regarding this type of music. In essence, the orchestra musicians simply want to ignore their current need for gratification and instead pay attention to ideas that are alien to them. This should point to what is already wrong with the orchestra world of music. Of course, there are people who are attracted to it simply because it sets them apart from the masses who would not feel at ease paying excessively for a type of music that does not offer gratification to their immediate needs. However, a vast majority would only feel comfortable paying for music that appeals to their souls. Essentially, it should be clear that the financial problems that are attributable to the

Today, classical music by many can be seen as a dying genre of music. Not often do people attend concerts to be moved emotionally, for entertainment, or as a means of socializing. Though groups such as 2Cellos, Piano Guys, and the YouTube Symphony Orchestra have recently driven people back to concert halls and have them watching classical performances online. The YouTube Symphony Orchestra has made a significant movement to this genre of music by live streaming their performances (one in 2009 and the other in 2011).

Music has become such an important part of people’s lives today. One cannot walk down the street without seeing earbuds in a person’s ears or hearing the bass to a radio in someone’s car. But how did music become such an important and constant part of the lives of so many? What do artists have to go through to reach their audience? At the beginning of musical development from the medieval Georgian chant to the arias of Mozart and fugues of Beethoven, people could only listen to music in a live setting. This is how most performers would make their money. According

One of the things that astonished me was the venue’s details and layouts. Before attending the performance I believed that the Granada Theater would be an old dilapidated building where few lackluster performances occurred. However, upon arrival I was proved wrong. Granada Theatre is a sizeable building that has an elegant style. The theatre reminded me of something you would see in cinema, with its red seats, luminous lighting, and multi-story balcony sections.The

The voice is considered as the most important element in the Italian Opera. On top of the polyphonic accompaniment for the orchestra, melody

Orfeo ed Euridice by Gluck, was written in 1762 and The Marriage of Figaro by Mozart was written in 1786. It is interesting to analyse the changes and developments from opera seria to these two examples.

On Friday November 3rd I had the pleasure of attending an evening of Opera titled Love Through the Ages with Maria Fortuna and Nancy Townsend at the Sean O’Sullivan Theatre. Having never been to an Opera performance I had no idea of what to expect and was looking forward to this new experience. Fortuna was accompanied by multi-faceted pianist Nancy Townsend. These two musicians showed tremendous expertise and were able to keep my attention through the extent of the program.

The classical music period extends from 1740 to 1810, which includes the music of Haydn, Mozart, and the first period of Beethoven. The classical period of music combined harmony, melody, rhythm, and orchestration more effectively than earlier periods of music. With the natural evolution of music slowly changing with the culture, the baroque era had ended. That era had left a structure, articulation and periodic phrasing of music which would shape classical music.

Donald Grout defines opera in his text, A Short History of Opera, as “a drama in music: a dramatic action, exhibited on stage with scenery by actors in costume, the words conveyed entirely or for the most part by singing, and the whole sustained and amplified by orchestral music” (4). A literal translation of the word opera is simply work, and although the term opera was not coined until 1634, one of the first known operas was performed in 1597 (Grout 1). Grout explains that there are two types of opera. The first type is when the main emphasis is on the music (Grout 6). Examples of this type of opera can be seen in the works of Lully and Wagner (Grout 7). The second type of opera is characterized by the music and other factors being of

Prague State Opera’s March 12th performance of Verdi’s Rigoletto was one of great power and emotion. Though the opera was sung in Italian and subtitles were only available in Czech, the language barrier did not hinder enjoyment of the performance in any way. Throughout the entire opera, the emotions were portrayed brilliantly and could be felt by the audience. The opera begins with a short prelude that continues as a main theme throughout the entire opera.