Sybil Vane Analysis

It is interesting to note that he doesn't ask for it to show his sins, only take on his aging. The painting gets progressively more horrible throughout the story, but it is not just aging it shows, it seems to portray an awful decay. Dorian uses a mirror to compare himself to the painting (one that Lord Henry gave him) and seems to take pleasure in his corruption: "...looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamored of his own beauty, more and more interested in the corruption of his own soul ... wondering sometimes which were the more horrible, the signs of sin or the signs of age" (Wilde 106). The use of the mirror further points out his narcissism. This is also the same mirror that he crushes under his feet the night he tries to "kill" the painting.

Obsession in Wilde’s The Picture of Dorian Gray Wilde’s development and use of a metaphoric painting allow multiple characters to interact with various principles of the aesthetic movement. First, I will evaluate Dorian Gray’s obsession with his portrait and its supernatural tendencies. Then, I will examine Dorian Grey’s mild obsession with Lord Henry’s aesthetic

Lord Henry’s influence over Dorian is quite evident to the reader just from their first interaction. During their initial conversation, Lord Henry explains his philosophy of how, “the aim of life is self-development. To realize one’s nature perfectly,—that is what each of us is here for,” (Wilde 15). Dorian takes this quite literally and later states that, “when one loses one’s good

In The Picture of Dorian Gray the main character Dorian gray was first an innocent man and role model to artist Basil Howard who represented humanity. Overtime influences, interactions, and beauty got the best of him. In The Picture of Dorian Gray Basil says “He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would be bad” this shows how even at the very beginning Basil knew how Lord Henry would influence him in a negative way. As we read on we can see how lord Henry teaches him to only care about beauty which causes Dorian to believe beauty is the only thing that matters in life. Lord Henry was the main cause of the corruption of Dorian's soul. In the novel another quote Lord Henry says is Oh, she is better than good – she is beautiful,". This demonstrates how from the very get go he told Dorian that beauty is better than goodness. The poisonous book was another way Dorian was overtaken by the evil. In the novel it says “It was a poisonous book. The heavy odor of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows.” This quote proves how the evil has already taken over him and now the book is taking over his soul. A clear piece of evidence that shows readers how the evil has really won in The Picture of Dorian Gray is the

As a whole, this opening confrontation between Lord Henry and Dorian’s initial character proves several points: one, Dorian does have his own passions and soul before meeting Lord Henry, and two, Lord Henry’s teachings initially echo Dorian’s own feelings, which are what draw him to Lord Henry over the two-dimensional Basil Hallward. Later, ironically, it is Lord Henry’s own teachings which leads to Dorian’s struggle to repress his "true self" and ultimately bring about his downfall.

Dorian comes to terms with the fact that his portrait will carry his burdens (both mental and physical), and only cares that he will be forever youthful: “Beneath its purple pall, the face painted on the canvas could grow bestial, sodden, and unclean. What did it matter? No one could see it. He himself would not see it. Why should he watch the hideous corruption of his soul? He kept his youth, —that was enough. And, besides, might not his nature grow finer, after all? There was no reason that the future should be so full of shame” (153). He gains eternal youth in exchange for the goodness and innocence in his soul. Where Dorian’s face never looks older than twenty years of age, his soul and the portrait are both worn down and destroyed over time. Youth and good looks fade as people age, and Dorian is getting in the way of destiny by not aging. Dorian’s regret is what kills him in the end. He is disgusted at who he has become and the life he led; if he had aged normally, his life could have been full of wonderful

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

The representation of all things good and evil. Sibyl Vane represented the untouched purity of art, innocent, beautiful and graceful in her acting. Sibyl’s purity was destroyed by Dorian’s evil and cruelty that is represented by his portrait. To Dorian, art is an escape from his sins and a pleasure in life. His love for Sibyl was purely about her being able to act so Dorian respects art, “I loved you because you were marvelous, because you have genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art” (94). To Basil, art is his not only his life but his escape from life. He lives his dreams in art. Basil usually painted mythical scenes with exception to Dorian’s portrait. Ironically, art is his life and art was the end of his life. Lord Henry does not seem to discuss art very much however he likes books. Henry only seems to like art that applies to him. A good example of this is the yellow book that he gives Dorian. It fits Henry’s

When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize

It becomes very apparent he is breaking up with Sibyl. However, once Sibyl realises, she is overcome with desperateness, “...‘I love you more than anything in the world... oh don’t leave me, don’t leave me.’ ” (Wilde 79) This demonstrates how clingy Sibyl is during her breakup with Dorian.

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

The book Dorian Gray portrays that your sins always come back to a person, you shouldn’t live your life only for self-pleasure, and beauty always reigns. In the book Dorian realizes that whatever bad thing or sins he has done over the years doesn’t happen to him, it ends up on the picture painted by his friend Basil Howard, who is an artist and friend of Lord Henry Wotton. While Dorian is having a conversation with Lord Henry, a noble man and friend of Basil Howard, Lord Henry says “Hat does it profit a man if he gain the whole world and lose his soul.” (The Picture of Dorian Gray, Wilde), and Dorian responds that there is such thing as a soul, hinting that his soul is in the painting, and because his soul is in the painting the more his soul is corrupted it shows on the painting.

In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.

      Sibyl falls head over heels in love with Dorian Gray, willing to commit her life to him after only two weeks. Lady Henry hardly knows her husband, to whom she has been married for some time. Because neither woman is in a stable and comfortable situation, both eventually take drastic measures to move on. Therefore, in The Picture of Dorian Gray, both Sibyl Vane and Lady Henry are weak, flighty, and naive.

Sibyl Vane plays a symbolic role in The Picture of Dorian Gray; moreover, she plays a symbolic role in Dorian Gray’s life. This essay will explore how Sybil’s character initially influences Dorian in a positive way, giving him the motive to turn away from decadence but subsequently brings about his downfall. Recurring themes will be discussed such as the aesthetic and references will be given to show examples of Sybil’s symbolic role in his life. A summary will follow, giving a brief synopsis concluding the essays arguments.