Essay about Sylvia Plath

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

In Initiation by Sylvia Plath, the author suggests that conformity and having friends is a wonderful idea, yet the idea of having an individual identity and being an individual is stronger. In the excerpt, Millicent is slowly realizing that conforming and being a part of a sorority is not as exciting as it sounds, and being an individual offers more opportunities to become a unique person.

America stands as the most prominent nation of liberty and freedom for all, yet some people still feel the reins of America’s oppressive past. Those include young African Americans and women, who feel that society places unequal expectations on them, simply based on their gender or race. Two young, American writers, Sylvia Plath and Langston Hughes especially feel this way through their works, Sylvia Plath at Seventeen and Theme for English B. Plath and Hughes employ tone, tone shift, and parallelism throughout their works to convey their message that young adults must stand up to demoralizing social expectations.

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

In her poem, “Lady Lazarus,” Sylvia Plath uses dark imagery, disturbing diction, and allusions to shameful historical happenings to create a unique and morbid tone that reflects the necessity of life and death. Although the imagery and diction and allusions are all dark and dreary, it seems that the speaker’s attitude towards death is positive. The speaker longs for death, and despises the fact the she is continually raised up out of it.

Sylvia prided herself as an amazing poet while not receiving the acclaim she wanted. The Colossus was the only major collection of poems before her death. It didn’t receive too much praise until after her death. Most of her poems dealt with her personal life like those of Daddy and Ariel. She wrote most of these poems when she was depressed, so she coped with her depression the only way she knew: writing poems. She wrote about her father, where she claimed to hate her father due to him walking out on her when she was eight. He didn’t actually leave her on purpose, as he died of complications with his diabetes. However, it made for great writing as it was critically acclaimed for it being a magnificent poem. Ariel is also series of poems known for being known as her best work in terms of poetry. The Bell Jar is

After the affair Plath grew increasingly depressed and eventually committed suicide. He said that “Plaths death was inevitable, she had been on that track most of her life,” but he could not contend with the additional suicide of Wevill in 1969, which he said was “utterly within her power, and it was an outcome of her reaction to Sylvia’s action,” which led to Wevill’s suicide.” These past horrific experiences strongly affected Hughes future relationships and poetry.

mirror. Who are almost getting in the way so to speak of its life and

Plath met her lover, fellow poet, Ted Hughes, in 1965 in Cambridge while she was attending the university. As shown in the film adaptation of her life, their relationship can be described as love at first site. From the moment they locked eyes at the party they both attended, they felt the intense connection. Only moments later in the night, while Plath and Hughes were dancing together, Sylvia had already declared her love for Ted. The couple married in 1956 but their love wasn’t always in the highest place as it was the night they met; their relationship with a turbulent one. Two children later, the couple still hadn’t met a common ground and their relationship was falling apart. After the birth of their second child in 1962, Hughes left Plath for another woman, which led her to fall deeper into depression. Soon after, she committed suicide by inhaling gas from a kitchen oven. Plath’s tragic death at just 30 years old, led to Hughes releasing her collection of poems, Ariel, which is one of her greatest works to this day.

Sylvia Plath was influenced to write poems early on in her life. One of the biggest influences within her writing include her father, Otto Plath. Otto Plath had died from an illness caused by diabetes in 1940. After this traumatizing event, Plath had written very vivid poems explaining her problematic relationship with her father, and her feelings after he had died. She wrote a poem named Daddy (“Sylvia Plath” Poetry). Daddy is a poem including a characteristic person representing Plath’s father in real life. Her father in the poem is a dark person that Sylvia Plath has to “kill” (Ardagh, Emily). Plath was very upset about this sudden death of her father, so she thought the perfect idea was to write a poem about him. Another important person

Sylvia’s Plath’s “Metaphors” is about a woman feeling insignificant during the midst of her pregnancy. Striking imagery is used to explore the narrator’s attitudes about having a child. Plath uses metaphors in every line, including the title itself, making the poem a collection of clues. The reader is teasingly challenged to figure out these clues, realising that the metaphors have

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a