Sylvia Plath's Lady Lazarus

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

Sylvia Plath is known as a profound writer, depicted by her lasting works of literature and her suicide which put her poems and novel of debilitating depression into a new perspective. In her poem “Lady Lazarus,” written in 1962, her mental illness is portrayed in a means to convey to her readers the everyday struggle of depression, and how it affects her view of her world, herself, and even those who attempt to tackle her battle with her. This poem, among other poetry pieces and her novel The Bell Jar, identify her multiple suicide attempts, and how the art of dying is something she has become a master of. Plath’s “Lady Lazarus,” about her trap of depression and suicide attempts, is effective and thought provoking because of her allusions to WWII Nazi Germany and the feelings of oppression and Nazism that the recurring images evoke.

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

In her poem, “Lady Lazarus,” Sylvia Plath uses dark imagery, disturbing diction, and allusions to shameful historical happenings to create a unique and morbid tone that reflects the necessity of life and death. Although the imagery and diction and allusions are all dark and dreary, it seems that the speaker’s attitude towards death is positive. The speaker longs for death, and despises the fact the she is continually raised up out of it.

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

There are several ways to look at the poem, Lady Lazarus and one of those ways is that it could be looked at suicide and also about someone who is obviously emotionally troubled with this self-fulfilling satisfaction in killing herself. It’s like a prophecy that needs to be fulfilled and she does so every so often; at least every decade. Also, the poem could be said to be about someone with a severe mental disorder which explains the radical behavior of the suicidal attempts every now and then and she takes pleasure in doing so.

Sylvia Plath's poems evoke the worst of subjective fallacies. Probably some of our charged reactions are symptomatic of the times and the culture; but more of them seem to stem from the always-too-easy identification between troubled poet and what might be the tone of imagery and rhythm of the poem considered. Because Plath worked so intensively in archetypal imagery (water, air, fire as bases for image patterns, for example), many of her poems could be read as either "dark" wasteland kinds of expressions, or as the reverse, as death-by-water, salvation poems--destruction implied, but also survived, phoenix-like.

"Lady Lazarus," the last of the October poems, presents Plath as the victim with her aggression turned towards "her male victimizer (33)." Lady Lazarus arises from Herr Doktor's ovens as a new being, her own incarnation, "the victim taking on the powers of the victimizers and drumming herself into uses that are her own" (33). Linda Bundtzen also sees the poem as "an allegory

Sylvia Plath’s work is marked with her trademark style, one full of enigmatic analogies and ambiguous metaphors. Sadly though, the life of Sylvia Plath was indeed shorter than anyone expected. Nevertheless, in the thirty years Plath meandered through the world, she left an everlasting impact. Remembered as one of the most dynamic and admired poets of the twentieth century, Plath cultivated a literary community unlike any predecessor. Additionally, since a sizable portion of Plath’s work was read posthumously, her suicide brought the much needed attention to physiological illnesses. Unfortunately though, Sylvia Plath will never know the perennial impact she left from her distinguished works that have touched numerous lives.

Sylvia Plath was an American author and poet. Her death at the age of 30 by suicide was the end of her long struggle with mental illness throughout her life, chronicled in her most famous work, her fictional, but inspired by her life novel, The Bell Jar, cited for its feminist themes and exploration of mental illness. Plath is considered one of the greatest poets and novelists of the 20th century, whose works were influenced by her mental illnesses, and still have relevance today.

Eileen M. Aird analyzes and comments, “The danger of such criticism lies in its assumption that the poem is objectively ‘true’, that it bears a precise relationship to the facts of the poet’s life.” The direct criticism Plath puts upon her father is very crucial, yet evidently true if one was research her life. Sylvia Plath’s autobiographical poetry can be easily connected to her life and the answers to the many questions are easier to uncover than one may suspect. As her poetry developed, it became more autobiographical and although through her teenage years she possessed what seemed to be a rounded personality, the anguish and grief of her father’s death was easily linked with her mental instability that haunted her in the later years.

Plath’s strong use of sarcasm is present in Lady Lazarus from the very first lines of the poem; Plath writes: “I have done it again/One year in every ten/I manage it –“ (Plath, 1-3). This opening stanza is very tongue-in-cheek, and through the seemingly nondescript, nonchalant way she begins the poem, it sets up the first stanza as a foil for the next stanza, which begins: “A sort of walking miracle, my skin/Bright as a Nazi lampshade,” (4-5). The contrast between the content of the first and second stanzas gives the first stanza a very sarcastic tone. It sets up the concept that death is no big deal to Plath; she’s died every ten years. The opening line, “I have done

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a

Sylvia Plath’s disturbing, malevolent poem, ‘Lady Lazarus” is one which features a complex character that has began to abhor life. The poem takes the form of a dramatic monologue and describes an, obviously, disturbed woman’s failed suicide attempts and eventual success and resurrection. In addition, the poem focuses on Lady Lazarus’ suffering under female oppression and alienation from the rest of the world. The character is presented to be one that suffers from feelings of oppression, deep depression and mental instability. This aspect of characterisation is significant to the impact of the poem as it contributes to the dark, disturbing atmosphere made apparent in the first tercet and makes the reader feel Lazarus’ genuine heart felt emotion of anguish.

Sylvia Plath and Markus Zusak both challenge the idea that patriarchal standards within society influence the protagonist’s fate in their texts. Sylvia Plath’s ‘Lady Lazarus’ is a reaction to the oppressive nature of the patriarchy surrounding Plath during the early sixties. ‘Lady Lazarus’ reveals Plath’s feelings of resentment in this semi-autobiographical poem that grew from her feeling trapped in a cyclical and oppressive environment. Plath employs allusion to the biblical tale of Lazarus where she describes a, “grave cave” where she felt, “at home.” This captures Plath’s resentment towards the patriarchy as she feels that if she does not succumb to her desire to commit suicide and thus control her fate, she will have to conform to the patriarchal