Sylvia Plath´s Life and Literature

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

“Let me live, love, and say it well in good sentences” (Plath). Sylvia Plath is a confessional poet who is often the subject of her poetry. Throughout the majority of her life Sylvia Plath simply wished to live an ordinary life. However, Plath endured many tragedies during her life that influenced her stylistic approach to poetry; often based off her emotions. In her poems, Plath acquires her central source of influence from her personal life and employs a variety of techniques to brand her message into her reader’s head, through intense language and controversial use of literary techniques.

Sylvia Plath and Gwen Harwood tell two very different stories of parental relationships, Mother Who Gave Me Life praising Harwood’s mother and speaking with love and affection, whereas Plath’s Daddy is full of hate for her father. These reflections on the poet’s parental relationships are made using imagery, symbolism and tone.

Sylvia Plath is known as a profound writer, depicted by her lasting works of literature and her suicide which put her poems and novel of debilitating depression into a new perspective. In her poem “Lady Lazarus,” written in 1962, her mental illness is portrayed in a means to convey to her readers the everyday struggle of depression, and how it affects her view of her world, herself, and even those who attempt to tackle her battle with her. This poem, among other poetry pieces and her novel The Bell Jar, identify her multiple suicide attempts, and how the art of dying is something she has become a master of. Plath’s “Lady Lazarus,” about her trap of depression and suicide attempts, is effective and thought provoking because of her allusions to WWII Nazi Germany and the feelings of oppression and Nazism that the recurring images evoke.

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

Sylvia Plath’s and Theodore Roethke’s brutal honesty in their writing plainly conveys their individual demons. Not only was each author dealing with their own emotional issues (Plath’s mental illness and Rotheke’s abusive father), they were both living out their lives during uncertain and tumultuous times (World War II and the Great Depression); the torment in their lives manifests in their writing. Sylvia Plath expresses her self-loathing in her poem “Metaphors” by describing her pregnant body in colorful, self-deprecating metaphors (234.) Her poem culminates with the line “Boarded the train there’s no getting off,” which can obviously refer to her pregnancy culminating in the birth of a child but may also refer to the endless pain of her

Sylvia Plath’s work is marked with her trademark style, one full of enigmatic analogies and ambiguous metaphors. Sadly though, the life of Sylvia Plath was indeed shorter than anyone expected. Nevertheless, in the thirty years Plath meandered through the world, she left an everlasting impact. Remembered as one of the most dynamic and admired poets of the twentieth century, Plath cultivated a literary community unlike any predecessor. Additionally, since a sizable portion of Plath’s work was read posthumously, her suicide brought the much needed attention to physiological illnesses. Unfortunately though, Sylvia Plath will never know the perennial impact she left from her distinguished works that have touched numerous lives.

In Sylvia Plath’s free verse poem, “Daddy,” she describes her hatred towards her deceased father. Plath uses tone, figures of speech, and symbols to illustrate her extreme anger and female protest towards the man that raised her. Sylvia Plath has a dark, bitter tone in “Daddy.” She recalls all the pain that her father has put her through, even after his death.

As one of the most multitalented writers of the twentieth century, Sylvia Plath was highly esteemed by fans and fellow writers alike. Sylvia Plath’s parents, Aurelia Schober and Otto Plath, had met when Aurelia became Otto’s student at Boston University. Otto was a biology professor with an infatuation with bees; he had even published a book titled Bumblebees and their ways. Otto and Aurelia married in January of 1932, and by October of the same year Aurelia gave birth in Jamaica Plain, Massachusetts to a daughter, Sylvia.

Poetry is often thought of as art meant for the most tortured souls. Sylvia Plath is no exception, as many of her poems express her emotional descent into depression and despair. In one particular poem titled “Daddy”, Plath allows readers into her life and family. She shows them how her father—a man meant to protect and love—actually caused much of her own personal difficulties. Within “Daddy”, Plath exposes for who he was in her eyes: a nazi, a swastika, and so on.

Elizabeth Winder’s Pain, Parties, Work: Sylvia Plath in New York, Summer 1953 illuminates different aspects of Sylvia Plath’s life. However, Winder depicts Plath not as the mythologized martyr of a collapsed marriage or the tragic woman poet with a debilitating illness but rather as a young girl wanting to immerse herself in the rich, material culture of her time. Winder’s biography gives insight to the life of an intelligent young woman amidst the gender constraints of mid-century America, a theme that is further explicated in Plath’s novel, The Bell Jar.

Plath was a famous American poet; often described as a feminist poet. She was born in Boston, October 27, 1932 and died on February 11, 1963. She had two children but disappeared on them at a young age as she closed the rooms between herself and her children, left them some bread and milk and trapped her head in the oven whilst the gas was turned on. She committed suicide at the age of 30. Sylvia used a wide variety of themes in her poems to express the thoughts that she constantly felt, to express her feelings that she felt no other person could, to tell stories which she went through and poured out all her emotions to let us know she could feel. I will be discussing death / depression as my first theme and victimization / patriarchy as my second: those being apart with her themes, along with her poems.

Sylvia Plath (1932-1963) and Anne Sexton (1928-1974) both explored similar themes such as tone, structure, and symbolism. Many of their poems were cries for help, which resulted into metal illness, depression, and suicide. In 1958, Anne Sexton and Sylvia Plath met, and much to their surprise had a few things in common. They both were fascinated with death and suicide. Both Sexton’s and Plath’s poetry are considered as confessional poetry in which they were very honest, depressed, and had suicidal or homicidal tendencies. Sylvia and Anne’s views on what happened in their life and on independence, are what nearly separates them from other confessional poets. Sexton and Plath’s poetry range over a variety of topics such as death, suicide, rage, and mourning. They both utilize a convincing use of symbolism, deep image, metaphors, and soul-searching. Plath’s “The Colossus”, “Full Fathom Five”, “Daddy”, and Sexton’s “And one for My Dame” and “All My Pretty Ones”, are very enraged and different feminist perspectives, giving different views on the relationships with a father and a husband.

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a