Sylvia Taylor Biography

She found that she enjoyed painting natural and abstract ideas with charcoal, clay, and watercolour paints. While she was in school, she found that the art she created was far too unfulfilling and stopped making art for a few years. Once she started painting again, she became a commercial artist in Chicago until she moved to Texas to teach art classes. She continued to create art, experimenting with mixing natural and abstract ideas together, until an old classmate from college showed her art to a friend in New York, Alfred Stieglitz, whom owned an art gallery called “291”. He displayed her art in his gallery in 1916 without her knowledge. He offered to fund her to remain studying art if she continued to paint. She suffered from Macular Degeneration and lost her eyesight, painting her last unassisted oil painting in 1972. She wrote her own illustrated autobiography in 1976, that became a bestseller and received the Medal of Freedom from President Gerald Ford the following year. She completely lost her sight in 1977 and continued to make art despite this disability through her assistants. Even after she died, her art still grew in popularity, and was considered the foremother of feminist

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but

Pollock-Krasner Foundation, Artists Rights Society (ARS). (2017). Collection. Retrieved from MOMA Museum of Modern Art, US: Museum of Modern Art [US]/https://www.moma.org/collection/works/78699

Throughout one’s childhood, they will meet many people that will have an impact on how they live their everyday lives. For me, that individual is the Houston High School dance team coach, Jennifer Taylor. Jennifer Taylor came into practice each day ready to conquer anything. Even though she had a full-time job, she still put my dance team as one of her top priorities of her everyday life. Jennifer Taylor played a significant role in my life at Houston High School because she taught me numerous life lessons throughout my four years I will never forget.

Emily Carr is one of the most recognizable and celebrated Canadian artists. Her art embodies the fusion of modernist European techniques with a uniquely Canadian subject matter. Although troubled as a woman, Emily Carr became a progressive Canadian artist because of her unprecedented use of modernist styles in a Canadian setting. To explore her painting style first I will examine her role as a woman in the art world. Secondly, I will analyze her artistic inspiration from modernist movements. Thirdly, I will explore how her consistent subject matter of landscapes and indigenous culture. Together, these elements combine to make Emily Carr a distinctive painter in Canada.

Late on Wednesday night, my phone ringed. It was a text message from my friend Pedro, “Do you want to visit an art museum tomorrow”. Knowing I needed to go, I texted him back quickly, “pick me up after your class tomorrow and we can adventure to The Weatherspoon Art Museum at The University of North Carolina at Greensboro”. After Pedro’s class, we explored the museum observing multiple art works, and I was invoked by three, art pieces. All three were different and intriguing in their own way. For instance, the painting that is on top of the cover page with all the wavy hair was painted by Catherine Murphy and is known as the “Frosted”. This painting was very delightful because of its unique elements. Second, the sculpture in the middle of the cover page is an image of a wooded animal. This sculpture was crafted by Deborah Butterfield and is recognized as Lunalilo. Also, at the bottom of the cover page is a sculpture constructed by Dan Graham, the sculpture was known as Triangle Solid with

The painting of Prof. Felix Walter (Figure 1) made with watercolour on paper on stretcher by Charles Fraser Comfort stands out as an intriguing piece of artwork because of the visual choices C. F. Comfort has produced. I was able to appreciate this work as I had the privilege of attending the Nuit Blanche exhibit at the Winnipeg Art Gallery, Winnipeg on the first of October, 2016 where Prof. Felix Walter was in display at. I found this particular artistry stood out because of its placement in dominance from the other paintings, the use of contrasting styles using the same medium and the bold textures that divulge the prominence of the subject. The artist, C. F. Comfort is worth being aware of because of his exceptional work such as this painting. The composition fashioned by the art gallery should also be duly noted as it took part in making this particular piece stand out.

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

Chattanooga’s “In Town Gallery” was founded in 1974, and it is home to the workings of local artists. Upon visiting this gallery, I was able to have the unique advantage of conversing with one of the artists themselves, Janice Kindred. I was able to grasp an understanding of the different medias and techniques used in the paintings and other artworks. In addition, I was able to develop an appreciation of the artists’ works.

Guided by art curator, Todd Levin, Adam Sender began collecting art in the 1990’s. He had a shrewd eye for new, contemporary artists and the value of their work. Sender’s collection included pieces by such artists as John Baldessari, Urs Fischer, Dan Flavin, Martin Kippenberger, Mike Kelley, Barbara Kruger, Richard Prince, Raymond Pettibon, Elizabeth Peyton, Charles Ray, Ed Ruscha, Cindy Sherman and Rosemarie Trockel. Sender’s

Lee Bontecou is most famously known for her extraordinary sculptures and drawings. Almost all of her works remain untitled; she leaves that up to the audience to interpret. The sculpture that is displayed in the Museum of Modern Art (MoMA) is untitled and was created in the year nineteen sixty-one. Lee Bonteou’s medium is very specific. Her style is very industrial she is big on welding and using raw materials such as canvas, copper wire, rawhide, and soot. The Artist was born in nineteen thirty-one in Rhode Island and grew up in a time were there was a lot of tension and war. She was very aware of what was going on in the United Stares as well as other countries around the world. The year she

This past Friday, I attended an art exhibition at the Memphis College of Art where I saw great paintings from Meghann Riepenhoff, along with Tim Andrews. The show consisted of both their paintings in separate sections, they were the only two artist. Personally, I’d say the show combined did not have a theme, but as separate it did. When I first stepped in the building, I was welcomed by greeters, the event coordinator and Riepenhoff’s paintings. Her painting’s made me think the overall event theme was about the beach and waves, but that was not the case. While I continued walking and observing the painting’s I was greeted into Mr. Andrews’s exhibit, which consisted of self-portraits. Both artist having paintings placed in the same space didn’t take away from one another’s paintings.

On September 4, 2016, I visited the Matisse in His Time exhibit at the Oklahoma City Museum of Art. This exhibit is home to a plethora of pieces by many different European artists from the 19th and 20th centuries. While it is focused on Matisse and his extensive works, containing more than 50 of his pieces, there are many portraits and sculptures by other influential artists from that time period including Renoir, Picasso, and Georges Braque. Three of the most appealing works that I encountered in this exhibit are Maurice de Vlaminck’s Portrait of Père Bouju, Pablo Picasso’s Reclining Woman on a Blue Divan, and Henri Matisse’s sculpture series Henriette I, Henriette II, and Henriette III.

The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum