Symbolic Connections In The Colosseum, By Edith Wharton

In the novel, ‘Jane Eyre’ by Charlotte Bronte, setting is used throughout the novel to illustrate the development in the character. The novel is revolved around five separate locations, ; the Reed family's home at Gateshead, the wretched Lowood School, Rochester's manor, Thornfield, the Rivers family's home at Moor House, and Rochester's rural retreat at Ferndean, these settings all play a very important part in Jane’s life as they all represent the development of Jane’s character and the different period’s of her eventful life.

Everyone needs hope in their lives for the good times and the bad. Hope is an essential part of human life, which is sometimes symbolized into objects. Legend by Marie Lu is a dystopian story about Day, a slum sector teen criminal, and June, a wealthy military prodigy. Marie Lu uses Day’s pendant to symbolize the hope and freedom Day and June yearn for.

In “Debasing Exchange: Edith Wharton’s The House of Mirth,” author Wai-Chee Dimock argues that the society portrayed in the novel, which is a reflection of 19th century upper class New York, revolves around the idea that the business ethics of the economic “marketplace” determines all aspects of the culture. More specifically, this causes all forms of social interactions to be viewed as “currency,” with the precise value of a certain act or relationship determined by whoever possesses the most power. As Dimock herself puts it, “as a controlling logic, a mode of human conduct and human association, the marketplace is everywhere and nowhere, ubiquitous and invisible” (375). While some might wonder whether the marketplace really is the ultimate guiding structure for this particular fictionalized society, Dimock contends nevertheless that this interpretation is a viable one, due to the marketplace’s “ability to reproduce itself,” and thus “assimilate everything… into its domain” (375). I myself find Dimock’s argument both interesting and useful in interpreting The House of Mirth because of the clarity with which she presents the often complicated, critical lens of Marxism.

Throughout Jane Eyre, as Jane herself moves from one physical location to another, the settings in which she finds herself vary considerably. Bronte makes the most of this necessity by carefully arranging those settings to match the differing circumstances Jane finds herself in at each. As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly attuned to her state of mind, but her circumstances are always defined by the walls, real and figurative, around her.

“The smaller and paler one shook her head” (Wharton 116). “The other lady, who was fuller and higher in color…” (Wharton 116). These two sentences show us that Mrs. Ansley and Mrs. Slade are very different from each other. Mrs. Grace Ansley is a quiet, reserved, pale, small woman (Wharton 116). In turn, Mrs. Alida Slade is a loud, outgoing, large, articulate woman (Wharton 116). The two women seem to be complete opposites of each other in

The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.

In Edith Wharton’s novel, Ethan Frome, one major critical theory revolves around the psychological criticism. The novel revolves around this critical theory because Wharton wanted the reader to observe how the setting becomes dependent on the emotional state of the character and vice versa. Throughout the novel, Wharton makes changes to the environment to represent Ethan’s fondness for certain characters. On the contrary, Wharton displays how the setting directly influences Ethan’s mental state. As the reader perceives this influence that each character has on Ethan Frome, they can develop an understanding of the relationships established in the novel. This critical theory will be expressed throughout the literary analysis paper, specifically in the Novel Summary section and Literary Criticism sections. The following text will analyze the drastic changes in the environment and compare it to Ethan’s mental state.

Throughout the novel, Jane Eyre by Charlotte Bronte, Jane had lived in many places that have helped define the person she has become. Not only did these places guide her and help her realize who she was, but they also helped shape her into someone who she was proud to be. Many of these places might have had horrible conditions and cruel people, but in the end Jane would not be the strong, independent, and mature person she was if it weren’t for them. Gateshead and Thornfield were not the only places Jane has lived in, but they were the most significant. From not being loved or belonging in Gateshead to being so loved in Thornfield, she felt as if she would lose a sense of self; they both played a pivotal role in Jane’s development and journey

Wharton portrays Grace and Alida having certain peculiar comparisons. Mrs. Ansley and Mrs. Slade appear to reach the realization after remaining friends for several years now, they scarcely

In the novel Jane Eyre by Charlotte Brontë, the title character’s journey is full of challenges that shape her development. These are constructed of times spent as four main places; Gateshead, Lowood, Thornfield, and Ferndean. At Gateshead Jane is too quick-tempered but only to lose her lively spirit at Lowood. At Thornfield she become overly passionate and guided by her emotions but balance is achieved at Ferndean. Jane Eyre becomes as complete character as she learns to find the balance between the intellect and the passions. In doing so, she touches the life of Edward Rochester and in fulling herself helps Rochester humble himself and achieve a perfect balance by example.

Deceit runs rampant in the lives of these two women leaving behind a path of destruction, just as Roman fever did though Rome. Frightened she was going to lose her fiancé, Mrs. Slade took vengeance on Mrs. Ansley constructing a plan that would expose Mrs. Ansley to night of cold that sickens her, therefore, separating her from Delphin. In this plan, Mrs. Slade writes a letter to entice Mrs. Ansley to go to the Colosseum to meet Delphin thinking he would not know of the letter and never show up. Even after constructing this deceitful arrangement and causing Mrs. Ansley to get sick, Mrs. Slade still pretended to be her friend for the next twenty-five years. In the end, after all her plotting and deceit it appeared her happiness with Delphin only came from her social status due to his Fame, not from love. Consequently, Mrs. Slade became irrationally jealous as she allowed the hurt to simmer for decades causing her to envy the lifestyle of Mrs. Ansley. Mrs. Slade even devolves deep feelings of resent towards Mrs. Ansley’s daughter, Barbara, because she

The setting of the story was in a Roman restaurant, where down you can see the “glories of the Palatine and the Forum” (Wharton 1). Wharton’s placement of the setting enhances the readers understanding that in the short story the two women are living in a “patriarchal civilization” where women are being forced to compete for their social statuses (Rankine 1). The two protagonists envy and jealousy begin over one man. Mrs. Slade feared that Mrs. Ansley would steal Delphin from her because “I was afraid; afraid of you, of your quiet ways, your sweetness…your…well, I wanted you out of the way” (Wharton 9). She then developed an idea to eliminate the competition, which shows how jealous of Mrs. Ansley she was. Mrs. Slade uses a similar method that Mrs. Ansley’s great aunt, Harriet, used on her sister to get her out of the way, because “they were in love with the same man---“. Harriet confessed before she

Indeed, our heroine is seemingly destined to remain in some sort of ‘no-man 's land’ between the upper- and servant classes and Mrs. Reed’s cruelty exacerbates the protagonist 's increasing isolation, “she really must exclude me from privileges intended only for contented, happy, little

The plot of Edith Wharton’s novella “Roman Fever” is straightforward with a consciously casual setting. Words in Wharton’s work are careful and calculated, each paragraph requires an in-depth scrutiny of content from their original context. In ways “Roman Fever” encourages readers to dig through the advanced syntax in search of the conveyed messages. Hence, the story focuses mainly on Mrs. Ansley's knitting and its significance in the novella. When the author addresses Mrs. Ansley's "twist of crimson silk"(69), the descriptive imagery is intentional in the sense that knitting symbolizes Mrs. Ansley and Mrs. Slade’s relationship and foreshadows the dramatic revelations later in the story. The use of frame story to structure the narrative of their ill-matched friendship illustrates the author’s intent to invoke thought and ideas in the reader's naïve minds. Thus, although knitting is an unconscious habit of Mrs. Ansley, it is actually significant because it is an attempt to weave back the disrupted relationship between the two friends. Hence, knitting as a “crimson” alludes to the intensely passionate love and closure that blinds the two from truly understanding each other and gives a glimpse of the unstable nature within the upper middle class in society.

Septimus’s is viewed in society as a man who suffers from trauma from the war versus Clarissa, who is described and an elegant woman that loves lavish parties and hanging around her friends. Having both of the characters, Clarissa Dalloway and Septimus Smith, Virginia Wolfe presents how two different sides of society, the upper class and the middle class, can have and face very similar pressures. Each scene describing their outlooks from within Virginia’s eyes show a very similar effect on the people who dwell within themselves.