Symbolism In Alice Walker's Everyday Use

Laced with a full array of colors, patterns traced on every corner, and hours of painstaking work to create a simple quilt, the creators and users take pride in their accomplishment. Alice Walker’s short story “Everyday Use,” is a direct reflection of her own rediscovery of herself. Walker took back her maiden name to honor her great-great-great grandmother to embrace the strength her grandmother had to provide the best life for her family. Walker’s short story displays an unusual family dynamic of a mother and her two daughters that she provides for to try to give them the best life possible. The short story and Walker’s own history are elucidated with elaborate and careful detail as that of a quilt. In “Everyday Use,” the quilts expose how the importances of protecting family heritage can be crucial to the understanding of one’s self when connecting to their history.

     Dee is portrayed as a light-skinned black person who feels as though she is better than everyone else because her waist is small, her skin is light, she has a nice grade of

Dee is a flat character, who is described as arrogant and selfish. Through the eyes of Dee, one can see her egotistical nature. Dee is portrayed as a light-skinned black person who feels as though she is better than everyone else because her waist is small, her skin is light, she has a nice grade of hair, and she is somewhat educated. Although she may be

Dee’s selfishness is also portrayed by her cultured verbal skills. Dee can talk her way through anything. Dee often manipulates others with her verbal skills. This is shown when she reads to her mother and sister “without pity; forcing words, lies, other folks’ habits, whole lives upon us, sitting trapped and ignorant underneath her voice” (Walker 289). This statement further demonstrates the fact that Dee’s family feels inferior to her. Mama describes the situation as if Dee has some kind of power over her family because she is scholarly and her family is not. Dee uses her education to make Mama and Maggie feel less important without, necessarily meaning to.

Alice Walkers “Everyday Use”, is a story about a family of African Americans that are faced with moral issues involving what true inheritance is and who deserves it. Two sisters and two hand stitched quilts become the center of focus for this short story. Walker paints for us the most vivid representation through a third person perspective of family values and how people from the same environment and upbringing can become different types of people.

Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).

The character of Mama in the short story “Everyday Use” by Alice Walker endures through intense times and takes advantage of what she has. She is a lady that tells things how they are, only plain truth. She can be entertaining now and again and intense at others. She is self-portrayed as “a large, huge boned, women with rough, man-working

The African heritage plays a major role in the story, “Everyday Use”. Alice Walker emphasizes the meaning of heritage by having Dee come visit her family and contradicting her heritage. As Dee go off to college, she meets new people and finds her a boyfriend, Asalamalakim. Alice Walker adds attention onto Dee’s new name, Wangero, because Dee changes her name, not understanding the true root of her original name. “No, mama,’ she says. ‘Not Dee, Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead…” (160). However, Dee truly believes that her heritage lies way back to Africa. The African clothes and name gives an understanding that Dee thinks that she is from Africa and that is where her heritage originally lies. In addition, Mama and Dee have different point of views on what heritage truly is. Mama tells Wangero (Dee) that her name comes from a line of ancestors, yet Wangero believes that her new name has more roots in it. “You know as well as me you were named after your aunt Dicie,’ I said. Dicie is my sister. She named Dee. We

Mama could be defined as a round character in the story because of the change she undergoes at the end. Mama?s goes through a dramatic change in the story when she gets up the nerve to tell her aggressive, non-hesitant daughter ?No?, and gives her other daughter Maggie, who has often been on the bad end of things, the household items for her marriage.

In “Everyday Use” by Alice Walker, this short story characterizes not only the symbolism of heritage but also shows a difference in human character. The story reveals an African American family who lives in a small home and struggles financially, while it consists of a mother and her two daughters that are treated very differently from their mom. One of the daughter’s name is Dee, a well-educated woman, who struggles to understand her family’s heritage and is embarrassed by her family’s background. Maggie is the other sister who is kind, obedient and manages to appreciate her family. To represent the appreciation she provided for her family, the quilt is described as a powerful symbol to them. The quilts play an important role in depicting symbolism of heritage because they signify mama family origins. For instance, Dee's significant family members all have pieces of their fabric gown on to the quilts as a remembrance of who they were and their importance in the family. However, Dee does not see the quilts her ancestors made as valuable, handmade quilts should be passed down and taken care to keep their history alive. As for Maggie, Dee believes she can’t appreciate the quilt in the same way she can. “Maggie can’t appreciate these quilts,” Dee responded. She thinks Maggie will use these quilts, so she can turn them into rags. Despite what Maggie concludes, the quilts for Maggie and mama are meaningful to them, because they were made by members of the Johnson family and have

Dee?s character in the story is a direct relation to any number of people in society that do not know or are confused about their heritage. She is struggling to create an identity for herself, and is confused as to what it encompasses. She grasps at African tradition and culture, yet fails to acknowledge her own African American culture. This happened all over America, particularly in the North, in the 1960?s, following the civil rights movement. Dee is misconstruing her heritage as material goods, as opposed to her ancestor?s habits and way of life. This may be due in part to her leaving her hometown and becoming an educated, sophisticated young woman. Dee?s direct heritage is that of African Americans.

As one of the vital characters in "Everyday Use," Dee characterizes what every young adult finding themselves can relate to. She is very comfortable in her skin as the story unfolds and is one that many cling to. Although very popular with others she does not exhibit this same quality with her family. Soon after graduating his school she leaves her family to "find herself." She soon return different in many ways starting with her new name. Soon we find that despite her many changes in life she still had a place in her that so desperately longs for the things of her past. In general in "Everyday Use," as a new found woman Dee is focused on growing into a new person, but still longs to connect with her heritage. Dee can be initially viewed as a complex character throughout the short story as she evolves to separate herself from but soon returns looking to claim the things of the past she so desperately sought to separate from.

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout

The `new' Dee that arrives at the doorstep presents many conflicts for Momma. She seems unsure what to make of her, as Dee has changed in many ways, including her name and her manner of dress. It appears that Dee has decided to embrace her African heritage and adopt the mannerisms of that cultural. " `What happened to Dee?' I wanted to know. `She's dead' Wangero said. `I could not bear it any longer, being named after the people who oppress me.' " Suddenly what Dee had loathed is now worthy of her attention. Dee takes many pictures of the family, making sure the house is in every one. This confuses momma, since Dee had once told her family that; "no matter where we "choose" to live, she will manage to come see us. But she will never bring her friends." An old butter churn and dasher become coveted items, not for

Alice Walker in an American novelist, short-story writer, and poet known for her famous novel The Color Purple. She has won both the Pulitzer Prize and National Book Award. Her writings focus on multi-generational periods and inter-connecting black women in the North and the South. Although she is widely known for his novels, her short stories are equally spectacular. Walker is known for incorporating symbolism, imagery, and tone in her writing.