Symbolism In Edgar Allan Poe

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

Edgar Allan Poe’s short story “The Cask of Amontillado” is told through the eyes of a wine enthusiast, called Montresor. The author chooses to write the story through Montresor’s point of view, because it makes the reader really think, and shows them how a murderer thinks. It also adds suspense, leading up to the immolation of Fortunato. In the story Montresor talks about how he is in a toxic friendship, with a man named Fortunato. Montresor apparently suffered many injuries due to Fortunato, but when Fortunato insults him, Montresor can not tolerate it any more. He swears revenge; however, he takes it to the next level. Throughout the story, information is exposed about Montresor's personality. He paints Fortunato out to be a terrible

The first thing that I found ironic in Poe’s story is its title, “The Cask of Amontillado”. Without reading this story, it was difficult for me to understand why Poe used this

Many authors often use symbolism to express a deeper meaning. They use the symbols to connect an unrelated thought or feeling into their literary work they are writing. Edgar Allan Poe frequently uses this literary device in his works. Symbols are many times seen in his poems and in his short stories. Many symbols are evident in Poe’s works “The Raven,” “The Tell-Tale Heart,” and “The Black Cat.” Because Poe’s works are typically dark, his use of symbols is in a dark way. Although there are many types of symbols manifested in these stories, Poe’s works generally include a symbol that eludes death or the end of something and many include references of sight and vision.

It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.

It’s merely a costume that he chooses to wear during “the supreme madness of the carnival season.” (Poe 101) The costume shows that the joke was essentially played on Fortunado in exacting Montressor’s revenge. “Amontillado! You have been imposed upon.” (Poe 102) The Amontillado or the wine mentioned in the title and throughout the story is a symbol for Fortunado’s death. “The Amontillado!” (Poe 104) The Amontillado never existed and was the means by which Montressor lured Fortunado to his less fortunate demise. The “Cask” mentioned in the title is a euphemism for the final resting place or coffin for Fortunado. Montressor even jokes with Fortunado about being a member of the freemasons by “producing from beneath the folds of my roquelaire a trowel.” (Poe 103) Montressor is using the word mason to describe a craftsman who uses brick and mortar and is a precursor to the methods by which he would kill Fortunado. Ultimately, irony is a useful tool used by Poe to help convey Montressor’s intentions of revenge.

In “The Cask of Amontillado,” Edgar Allen Poe uses many examples of imagery, such as the descriptions of the carnival, characters, the walk through the catacombs, and much more throughout the story to build suspense and intrigue for the readers and add to the mystery of Montresor’s underlining actions of the revenge and deception of the foolish Fortunado.

Symbolism is a type of figurative language that many authors use to portray their theme and keep the reader engaged throughout the story. Edgar Allen Poe is known for often putting hidden meanings in his works and he does not disappoint with his short story, “The Masque of the Red Death” with his use of figurative language. Poe uses his writing to get his point across to the audience, all the while entertaining them with an amazing story. In “The Masque of the Red Death” Edgar Allen Poe uses the symbolism of different colors, seven rooms, and the location of the rooms to convey that death is inevitable.

Amontillado is a classically known amber-colored, medium-dry sherry wine, and in the case of Poe’s The Cask of Amontillado, it is the taste for Amontillado that results in the unfortunate and rather untimely death of Fortunato at the hands of the maniacal Montresor. Revenge is something that no one should have to experience; however, sadly sometimes, it is an inevitability that cannot be avoided. The Cask of Amontillado exposes Poe’s dark side and cruelty towards society and the world. In this short story, Poe tells about a rich drunk man, Fortunato, picking on a not-so rich friend, Montresor, but things quickly take a turn when Montresor decides to take out his revenge against his “pal.” Poe uses ethos, logos, and pathos deeply throughout his storyline to enhance the story and better the imagination of the characters, the deep meaning behind the setting, and the Amontillado’s secret.

Edgar Allan Poe’s The Cask of Amontillado is thought to be one of his most popular vengeful short novels. The two main characters, Montresor and Fortunato are re-acquainted friends who meet each other at The Carnival. Montresor has intentionally planned to lure Fortunato to his own death by deceiving him to believe that Fortunato is coming to Montresor's family catacombs to taste a fine wine “Amontillado”. After Montresor leads Fortunato into the crypts, Montresor eventually chains Fortunato up in a secluded section and mortars him behind a brick wall while he is still alive. The story ends with Montresor throwing a flaming torch into the small opening while he continues to put the last brick in place, essentially burning Fortunato alive. Edgar Allan Poe creates conflict between characters Montresor and Fortunato which primarily creates the major theme of revenge in this story. Edgar Allan Poe depicts setting in this novel by portraying death by illustrating human bones, within a cold and damp crypt to contribute to the eerie theme of revenge. Montresor's characterization is expressed through the betrayal of his friend, which adds another element to the theme of revenge in this story. In Edgar Allan Poe’s The Cask of Amontillado, Edgar Allan Poe utilizes conflict, setting, and characterization to create a theme of revenge.

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.

In the popular television show, “One Tree Hill”, Lucas Scott once stated, “Some people believe that ravens guide travelers to their destinations. Others believe that the sight of a solitary raven is considered good luck or more than one raven together predicts trouble ahead.” People have many different opinions about what ravens signify. In Poe’s “The Raven” it becomes clear that the raven symbolizes emotional suffering and also portrays a vivid understanding of reality.

In Michael Lewis’ explanation of the cask of Amontillado he explains or believes that Poe was comparing Fortunato to the wine Amontillado. He thinks that Poe used how the wine Amontillado is made to kill Fortunato. Amontillado is made by creating a flor or protective covering of yeast which forms inside the cask of wine. To make the flor grow you leave some space at the top of the cask. The flow later becomes a fino which then turns into Amontillado. Amontillado can only be made if one neglects to replenish a developing flor or by adding alcohol which will ensure the flor’s eventual deterioration. Lewis suggests that you can see many links between the “figurative and literal” Amontillado. To make Amontillado, or kill Fortunato, you need a cask or casket that exceeds its contents. There is also the possibility that each, the wine and Fortunato, may become a fino but neither does. Lewis states that Fortunato becomes a “nonfino” someone who is buried

Among Poe’s work, I will typically illustrate these three works “The Black Cat”, “A Tell Tales Heart” , “The Fall of the House of Usher” , and “The Facts in the Case of M. Valdemar” to dedicate the use of symbolism. Other works will be briefly mentioned.

The dictionary states that a symbol is to be defined as “something that represents something else by association, resemblance, or convention, especially a material object used to represent something invisible” (Morris). Symbolism increases the meaning of the story, as well as captivates the reader’s attention to a deeper degree. It encourages the reader to think and attempt to find the hidden meaning within the narrative itself. As a poet Edgar Allen Poe occupied his narratives with literary elements. Symbols become one of the most predominant elements in his works of literature. Consequently, in his concise poem “The Raven,” the literary element most noted by the reader is symbolism. Characters, places, and objects all have a deeper meaning within this poem. In “The Raven” the most noted of the symbols are the bust, Lenore, the time, and the raven.