Symbolism In Exit West

In the novel “Inside out & Back Again” written by Thanhha Lai , The main character Ha flees her home due to war. Her and her family were looking for a new home trying to start a new life. Although it wasn’t easy for her to start a new life she had to learn to overcome many challenges. In the novel Ha reveals that her life is related to the refugee life even though it was unexpected. When refugees flee their home, it affects them when they leave and find a new home, it also involves affecting them when their life is turned inside out,and it demonstrates why they relate to the refugee experience.

Imagine not having a safe spot. A place where you don't feel protected. A place where you're not frightened. A place where you're not scared of dying if you don't leave immediately. In Refugee by Alan Gratz three characters are refugees in different times, going through the same experience of fleeing the life they knew. The 1930’s: Josef, a Jewish boy living through the Holocaust, must flee Germany on a ship headed to Cuba. 1994: Isabel, a Cuban girl living through riots and protests, flees Cuba on a makeshift boat after the Soviet Union collapsed. 2015: Mahmoud, a Syrian boy living through the Syrian Civil War, must leave Syria with his family after his home is bombed. All three of these realistic characters are experiencing the same journey,

Opportunity’s life shattered as soon as the first gunshot went off. All because of the other student’s actions that built up, until Opportunity couldn’t stand the pressure anymore.

As a further means of separating the population into distinct groups, religion acts as a divisionary force between characters and cultures. There are two primary conflicting cultures represented in the novel that are the cause of religious differences: Sunnis versus Shi’ites and secularism versus religious fundamentalism. Similar to the discrimination based on ethnicity, the conflict based on religion is primarily exemplified through Assef and Hassan, who are Sunni and Shi’ite, respectively. As such, any justification for inclusion and exclusion of people not based solely on ethnicity could just be rationalized through differences of religion. With this prevalent culture present, the importance is in the author’s depiction of the “bleak hypocrisies of the Taliban period--the disgusting cruelties performed in the name of righteousness” as stated by David Denby in “Hard Life.” Through the

Completely by different circumstances are the members of the middle generation shaped – Amir, Hassan and Assef. Their childhood covers the transitional part of Afghanistan’s 20-th century history. Of course, the boys are really different in nature, but Soviet occupation is what caused such different roads to be chosen by the three characters. And that huge change in their lives determined who they are going to grow into as adults.

Refugees are common everyday people, that are forced to flee their home because they are trying to get away from the political problems, war, religious persecution, and for many other reasons. While fleeing home refugees are turned “inside out” because they leave love one’s behind, jobs, memories, and even their culture. When refugees turn “back again” they start their lives all over and learn a new language, do different jobs, and live in different environments. In the novel “Inside Out and Back Again” by Thanhha Lai, Ha is a 10 year-old girl, that her life has turned “inside out” like many refugees, while she is fleeing home because she left behind her culture and lifestyle. However, after Ha got to Alabama she starts to learn a new

Hassan is a victim of discrimination, bigotry, and class structure in Afghan society. Hassan and Ali are members of the Hazaras, a minority group of Afghanis. Amir and his father are Pashtuns, the majority, who believes they are a better class than the Hazara. Religion was all that separated Amir and Hassan, as did tribe and class. Amir learned from his father that the Harara tribe to which Ali and Hassan belonged, were inferior people. Because of this bigotry and basic class structure, Hazaras are often victims of physical, emotional and psychological abuse. Thus when a crisis comes and Hassan is being attack, Amir not only doesn't come to Hassan's aid, but also allows him to be brutally abused. Morality lacks because of this class structure, which allows people to be treated as second-class citizens. Considerations towards morality and religion helps the reader to broaden there understanding of the novel and it would be impossible to appreciated the book lacking them.

“The Arrival,” by Shaun Tan, is a wordless novel that depicts the experience immigrants go through when vacating their home countries to start new in a different country. Readers can see that on the first page there is a collage of headshots from multiple people of different ethnicity and religion. The first image page of the wordless novel helps viewers get a clearer image of what the novel is about. In “The Arrival,” Shaun Tan depicts the hardships and enjoyment that immigrants experience when moving to a new country, since the piece was written in 2006, there seems to be more hardships than enjoyment when coming to the United States, which means the idea of the United States being a melting pot is flawed.

This essay is about the universal refugee experience and the hardships that they have to go through on their journey. Ha from Inside Out and Back Again and other refugees from the article “Children of War” all struggle with the unsettling feeling of being inside out because they no longer own the things that mean the most to them. Ha and the other refugees all encounter similar curiosities of overcoming the finding of that back again peaceful consciousness in the “new world” that they are living in .

As they reach America at last, Amir’s wife introduces herself to Sohrab sweetly, but he just, “shift[s] on his feet and look[s] away” (358). Sohrab does not say much, do much, or move much at all. Imagery presented in this stage of the journey is quite gloomy, what with Sohrab’s blandly colored clothes, sallow face, and plain room. Amir and his wife seem gloomy as well, as they are always whispering, crying, or wondering what went wrong. The saving grace and the real transformation happens at the celebration of the Afghan’s New Year’s Day. After a day of muteness that has become regular, Amir and Sohrab finally connect through the kite flying contest. This is something to which Amir and Hassan dedicated their lives when they were children. Amir is overwhelmed with joy to see that, “one corner of his mouth had curled up just so. A smile” (370). It seems like nothing, but this truly is a breakthrough with this child. If it were not for Hosseini’s descriptive words that lend to pure joy and elation, the reader would not even realize what a momentous occasion this is. Hope may seem lost when traveling a guilt filled path, but if one’s intentions are honest and efforts are useful, forgiveness will find its way

terminal illness."(1) He explains that this 'crisis' is a direct result of Western interference in the Middle East and North Africa and that refugees are escaping their war-ravaged homelands in the pursuit of a dream,

Home is a complex term that can be thought of in many different ways. Hamid breaks down the definition of home and broadens it significantly in his novel, Exit West. Throughout the beginning of the last chapter of Hamid’s Exit West, the third person narrative voice makes it clear that Nadia no longer has a connection to her birthplace. A certain distance is present as she walks through the town; a town that is “familiar but also unfamiliar,” and has lost many of its recognizable characteristics to war and fire (Hamid 229). This theme of the last chapter connects to the overall lack of place in the novel. Hamid refuses to name the place of Nadia and Saeed’s birth and he rejects the notion of home for the whole of the novel. The

“They knew there was a possibility the agent had sold them out to the militants, and so they knew there was a possibility this was the final afternoon of their lives”(Hamid 102); leaving your country might be the hardest decision that someone has to make. In Mohsin Hamid’s novel Exit West he puts his main characters in a dangerous situation of trusting a total stranger to get them into another county with a chance of them being sold out and killed. This decision to migrate includes leaving your family and friends, starting your life over, and possibly endangering the lives of your family along with yourself. Hamid follows a young couple migrating out of their home town for safety and a better life. The challenges presented in the novel can be applied to real life migration. Hamid represents the difficulties of traveling from country to country through his magical doors, includes learning how to find your way in new places, and presents the idea of countries not wanting migrants. Exit West reveals the migration issues in today's world to prove that migrants deserve the same basic liberties as everyone else, because it effects everyone else and takes a lot of will power to travel to an unfamiliar place.

Social conditions are what shape a country. Over the years, people, not only in Afghanistan, but around the world create norms that define people’s roles in life, their future, and how they should be treated based on their gender and beliefs. Khaled Hosseini’s first novel, The Kite Runner, comments on the social conditions of Afghanistan through telling a story about the lives of two Muslim boys; a privileged Sunni Pashtun, Amir, and his long-time friend and servant, Hassan, a loyal but disadvantaged Shia Hazara. Hosseini expresses Amir’s uncertain feelings toward Hassan which form the decisions he makes throughout the book. These choices result in Amir destroying his relationship with Hassan. The Kite Runner, by Khaled Hosseini is a commentary on the social conditions in Afghanistan as shown through the roles of women and men in society and the ideals of Afghan culture. Unfortunately, these problems are still active in most of Afghanistan.