Symbolism In Katherine Anne Porter's Short Stories

The story aids in convincing society of the negatives of the Bourgeoisie, as they are portrayed this way in the piece of literature through the sisters’ self-importance and sense of entitlement. Moreover, the hard working and virtuous Beauty embodies the positive aspects of the Proletariat in the text. Furthermore, the merchant’s wealth directly affects his importance in the story. This story is one of the many examples of an allegory used to promote an author's viewpoint as it is seen as a romantic story on the surface, but underneath, shows the importance of wealth and presence of class within society. This story can prove that readers must broaden their scope in order to examine all aspects of a text and analyze them in a way to draw true

The first instance that symbolism occurs is when the author uses Gaston, a bug that is found in a peach, who describes the father. “What’s he saying?” asks the daughter. The father replies “Well he’s a little confused. Now inside that house of his he had everything in order.” This excerpt from the story illustrates that Gaston is used to symbolize the father, and that he had his life all together, and now it has fallen apart. Another instance of symbolism occurs when the father explains “It’s where he [Gaston] used to live. Gaston is out in the world and on his own now.” The daughter then asks “He had everything, now what has he got?” The father answers with “Not very much I’m afraid.” These quotes symbolize the father is losing everything, like the bug, and does not have much money. The father takes into consideration of how he can relate to the bug. For example, he is on his own, with nobody close to him. The symbolism of the bug from the peach used in these quotes emphasizes that the father in this story does not have very much, and is lonely, yet he still can see the worthy in things. This description can relate to how he has an impact on his

In addition to characterization, al-Shaykh uses symbols in order to highlight the mother greediness and its repercussions. The Persian Carpet is a symbol of lies and betrayal of the mother, as the narrator discovers the truth about the carpet, which causes again deep confusion in the head of the young girl. “In confusion […] [she] gave [her] mother a long look (229), signifying the turning point, which opens her eyes to the lies of her mother and finally comprehends that Ilya has been used as a object in their separation. Furthermore, the Carpet is also used as a personification. The author attributes the Persian Carpet a feeling of anger and deception, due to what it signifies, as previously discussed. In addition, a situational irony is also attributed with this symbolic item. Before, for the protagonist, the carpet was associated with a feeling of

Often, an author uses figurative language to build upon the story and to create a more meaningful message. The text,“A Private Talk with Holly” uses symbolism to express the main idea that

Charlotte, a teenager making her way through high school, undergoes a coming of age transformation through the teachings of her Mrs. Hancock and her mother in “The Metaphor” by Budge Wilson. As with most stories like these, Charlotte has a major conflict that determines how she will grow up. For the protagonist, the conflict is not so much between her teacher and mother, but more so the lessons they bestow upon Charlotte. Through her use of literary techniques, the author is able to craft this dynamic between the two schools of thought. The symbolism, diction, tone and metaphors that Wilson uses shows which discipline, flamboyant and exciting or controlling and passive-aggressive, she chooses to live by.

The use of symbolism in short stories enhances the meaning behind the literal meaning that the plot poses. It connects the reader towards visually connecting symbols to particular concepts in the story. In the story, “The Paring Knife” by Michael Oppenheimer, introduces us to two characters whom are lovers yet through the finding of a paring knife under their refrigerator, a past unfortunate event in their relationship begins to unfold. Symbolism is present all through the story, as even the title suggests at first that the paring knife will be symbolic to understand the meaning of the story. Symbolism is prevalent in “The Paring Knife”, to contribute to the overall significance of the short story.

Charlotte rejects her mother’s ideology from a young age, and has the perspective to see past the illusions of perfection her mother creates, and Miss. Hancock gives her the weapons to fight her mother. In seventh grade, Miss. Hancock teaches Charlotte about the metaphor, sparking the creativity within Charlotte her mother shunned. The metaphor becomes a symbol throughout the short story, but it also develops into something deeper. The metaphor becomes an allegory of Charlotte 's rebellion against her mother’s influence, and her future. Writing is an outlet, an opportunity for Charlotte to express and understand herself. The form of expression was a gift from Miss. Hancock, who arms her with the power of creativity. “‘My home,’ I said aloud, ‘is a box It is cool and quiet and empty and uninteresting. Nobody lives in the box,” Charlotte says in seventh grade. She has a complex understanding of herself, and is able to articulate her frustrations through metaphors. After graduating out of Miss. Hancock’s seventh grade class, the story picks up introducing the reader to Charlotte as a

Recently the class and I read a short story called Blue Against White, which focuses on the importance of memories during childhood and how it affects one's life. Jeannette C. Armstrong the author, uses writing techniques like symbolism through common motifs to aid the reader to have a better understanding of the the hidden morals within the story.  Literary elements that were applied in the story includes plot and character which also had immense connections towards the author itself. This can be shown through the word choice and the placement of the setting, which displayed a large significance in assisting the reader through imagery. The fact that Jeannette C. Armstrong developed such a self-discovery story helps bring attention

The necklace serves as a symbol for greed. When Mathilda Loisel loses the necklace that she believed was worth forty thousand francs, she desperately retraces her steps and gets her husband to help her find it as well. It ends up taking ten years to pay off the debt. The ten years were hard on Mathilda Loisel and her husband, and Maupassant told the reader that she “looked old now… with hair half combed, with skirts award, and reddened hands” (6). However, even after the long ten years of manual labor all because she lost the necklace, she “sat down near the window and though of that evening at the ball so long ago, when she has been so beautiful and so admired” (6). The necklace symbolizes that when greed controls emotions and decisions, it never leads to good results.

Figurative language is a main component in showcasing the emotions the characters reveal. An example being when the author writes “ The children huddled up to her and breathed like little calves waiting at the bars in the twilight.” This portrays the children's emotions with more emphasis and really shows how they watched everything Granny Weatherall did with precision. This type of writing really helps the reader understand what is going on within the characters and their actions. The author also displays figurative language in the way she describes how John would be in the situation of them still being together. She describes him as being more of a child, rather than taking a parent role.

“A Rose for Emily,” “A Worn Path,” and “The Lottery” by William Faulkner, Eudora Welty, and Shirley Jackson all have similar writing styles in their literature. In these three short stories the authors all use contrasting nature within their literature to predict the outcome and to learn for the upcoming events in the readings. The authors take subliminal phrases and subliminal symbolic text to have the reader become more attached and understand more of what the characters, setting and theme of the story has to offer. Using these three stories the reader of this essay will understand and grasp the symbolic meanings in text of each these short stories.

In the short story ‘a worn path’ by Eudora Welty she uses symbolism to describe many of the characters and objects that are given in the short story. Symbolism is to use symbols to represent ideas and qualities. In ‘a worn path’ Eudora does so she uses manifolds of characters and objects to express the way the story is being told in her own way. As doing so she helps the reader understand it more sufficiently and to show that what is going on is still happening today.

Short stories have fully developed themes but appear significantly shorter and less elaborate than novels. A similar theme found in short stories “Winter Dreams” written by Scott F. Fitzgerald and “A Rose for Emily” by William Faulkner included the social and environmental influences that encouraged and controlled the character’s life and decisions. In “Winter Dreams”, the main protagonist-- Dexter-- fell into a fixation over a young, whimsical blueblood, Judy Jones. His obsession led him to believe that Judy Jones reciprocated his feelings for her, leaving him bare and mortal-- despite prior beliefs. Following her father’s death, Miss Emily fell into a dark obscurity due to the pressure and compulsion of having to carry on the honorable family name. While using a unique point of view (first person peripheral), “A Rose for Emily” followed a mysterious and desirable woman named Miss Emily as her hometown tried to understand her peculiar ways and began to find her disgraceful. By comparing and contrasting these two literary pieces, a similar organization-- including the writers’ purpose and themes-- should become clear. By using literary devices-- such as point of view, dramatic irony, detail, and figurative language-- Scott F. Fitzgerald and William Faulkner conducted two short stories similar in aim and reasoning, probable for contrasting and comparing elements within the parallel writings.

In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.

The topic of discussion for this essay is a story written by Charlotte Perkins Gilman called "The Yellow wallpaper. Firstly, several pieces of evidence within the text prove that the genre of the story is irony, in accordance with Frye 's "theory of myths". This essay shows exactly how those instances exemplify the genre of irony. Additionally, from a deconstructive point of view, there is a central binary of constraint and freedom. The examples from the text show both evidence of constraints within the story as well as freedom. Thus, proving this to be the central binary of this piece of literature. Finally, these two aspects can be used to show the similarities between this text and the short story "How to Become a Writer" by Lorie Moore.