Symbolism In Silver Waters

According to Gilbert and Gubar she is “mad” only by society’s standards, and, more importantly, that she is, in fact, moving into “the open spaces of her own authority” (91). This interpretation seems to just touch on the many social issues the narrator experiences. Keeping the narrator anonymous is one of the key themes to show the reader who the woman really is, because of the assumption at the beginning of her status in society and in her marriage to a prominent doctor. Her husband John does not even acknowledge his wife may have any mental problems and all attempts for the woman to tell him fail. For as she in desperation states “John laughs at me about this wallpaper” (Gilman 803). Thus, if the woman can expect to get laughed at in her marriage, it would be impossible for her to actually talk to her husband, much less convince him to change his diagnosis of her, especially because he is “so wise” and a physician (Gilman 806). Indeed, male-dominant opinion becomes even more prevalent when it seems that all three different men in the story are all close to her and all prescribe the same “rest cure” for her. However, she seems to “disagree with their ideas”, for as she lucidly states, “Personally, I believe that congenial work, with excitement and change would do me good” (Gilman 801).

In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.

Laurell K. Hamilton spoke in great words that, “there are wounds that never show on the body that are deeper and more hurtful than anything that bleeds.” Hamilton embodied a central state of mind of a person who is mentally ill. The wounds mentioned are those caused, and worsened, by traumatic events and public perception of a person with a mental illness. The women in the short stories that have been read embody an internal injury caused by an outward force. In “Story of an Hour”, “Rose for Emily”, and “Yellow Wallpaper” it is impactfully shown how traumatic life experiences can lead to and worsen mental illnesses.

Allie Brosh’s Hyperbole and a Half (2013) is a compilation of short personal occurrences that Brosh experienced in her life. This book takes on a unique format in that rather than just text, it is composed of short sentences and paragraphs combined with little drawings of the scenes described. Her frank language and juvenile drawing style allows all different types of readers access to the genuine heart that is portrayed during each snippet of time. While an enjoyable read solely for the depictions and sometimes-comic storytelling, the book also addresses very serious subjects such as depression and identity. Having been published in 2013, this book appeals to contemporary readers and it is necessary to analyze it in its historical context in order to understand its true significance. For many people, it is difficult to address serious concerns regarding mental health and this book makes it available in a form that is both casual and real. As opposed to medical journals or psychologists who will provide a scientific explanation, this publication provides people with a relatable experience that promotes comprehension rather than correct terminology. Ultimately, Hyperbole and a Half tells the story of a woman trying to cope with the difficulties and conundrums of everyday life, but its real significance cannot be understood without insight into the twenty-first century person struggling to understand and confront their own or another’s mental illness.

In Carrianne K.Y. Leung’s The Wondrous Woo a large majority of the characters are affected by psychological problems and encounter mental breakdowns. Certain mental health issues are portrayed more openly than others, while others are hinted at, but never entirely developed. Leung’s protagonist Miramar is challenged by eating disorders and her mental health in general, Sophia lies compulsively to make her life seem more appealing to others, while their mother suffers from attacks of paranoia and depression, for which she is hospitalized. Miramar’s love interest in the novel, Mouse, also struggles with his mental health and complex family dynamics. There are various complex factors that can be attributed to the development of mental health

The short documentary Crooked Beauty, directed by Ken Paul Rosenthal, narrates Jacks Ashley McNamara’s experience in a psychiatric ward and how her time in the facility shapes her new appreciation for her mental illness. One controversial issue has been trying to identify the true cause of mental illness. On the one hand, most people may think mental illness is simply a biological disorder that can be cured with a combination of medication and doctors demanding appropriate behavior until it sticks in the patient’s mind. On the other, McNamara contends that mental illness is a misconception with a patient’s oversensitivity, where it is harder for the patient to ignore certain events than “normal” people, and their doctor’s textbook knowledge. In McNamara’s mental institution, the psychiatrists simply trap her in a padded room and prescribe many different pills to suppress her mental illness instead of embracing her differences or showing her how to use those differences to her advantage. In attempt to prevent those who are mentally ill from feeling the same anger and frustration she felt, she demands a change in the line psychiatric treatment when she says:

Everyone has a different way to deal with overwhelming situations. It can be more difficult for people with mental illness to cope with the hardships of life. For instance, in “Horses of the Night,” the character of Chris has dissociative symptoms that can be linked to his depression. Margaret Laurence’s short story tells the story of Chris, a young teenager who moves to from a small farm to the town of Manawaka in order to go to high school. The story is told by his younger cousin, Vanessa. As she grows up, she learns that Chris is depressed. The author uses the theme of fantasy to show that he does not cope well with reality. The horses, Shallow Creek, and the children are symbols that show us the fantasy that Chris lives in.

In Bly’s time, mental illnesses were not taken seriously. Bly described the asylum she was admitted to as overcrowded, cold, and dirty (ch. 7). It defeated the purpose of trying to give extra attention to those in need. It was easy to get admitted into an institution, but nearly impossible to make it out because the treatment was not treatment.

The doctor’s anecdote of his wife taking phosphates, tonics, journeys and air along with exercise was above reproach. If women had more of a voice, would approaches to treatment for mental illness have been more effective? Feeling powerless, the wife was relieved of her duties and cared for by her husband, the housekeeping was done by Jennie, her sister-in-law, and Mary cared for the baby.

Although mental health is a worldwide concern, it occurs frequently as a common theme within American literature. This is shown in works such as The Crucible, The Great Gatsby, and The Yellow Wallpaper, as well as in pop culture. Not only does it give the characters a negative and harmful connotation, but it can be a central conflict in many stories. Usually, the conflict revolves around how the illness is being taken advantage of, or being misunderstood.

Daphne Scholinski documents her experiences through multiple psychiatric institutions in her gripping and light-hearted memoir titled, “The Last Time I Wore A Dress”. Published in 1997, her memoir establishes a strong connection with readers, thereby allowing them to be present within her plot; watching her story unfold from above. By analyzing the plot, characters, themes, and setting of “The Last Time I Wore A Dress”, I seek to draw a connection between Scholinski’s memoir and the mental model of madness. In doing so, this paper aims to shed light upon the hardships faced by Scholinski and her survival through it all.

exaggerating symptoms and stereotyping individuals with a mental disorder. For example, Alfred Hitchcock’s classic film Psycho, in which man with schizophrenia murders guests in a hotel, influences viewers to believe that all individuals suffering from schizophrenia are dangerous. However, that is rarely the case (Polatis, 2014). Therefore, it is refreshing to find a movie that accurately portrays the true personality of and individual living with a mental illness. The movie Silver Linings Playbook chronicles the experiences of Pat Solitano, a man suffering from undiagnosed bipolar disorder who was recently released from a psychiatric facility. Although this paper focuses on Pat’s experiences, it is important to note that the film not only takes on the task of portraying bipolar disorder, but also mental illness in general with other major characters suffering from a mixture of psychological or personality disorders. The film opens with Pat at Karel Psychiatric Facility in Baltimore, Maryland. We later learn that Pat was institutionalized for nearly beating to death the man with whom he caught his wife Nikki cheating on him. The rest of the film details

A comparative literary study of the effect of mental illness on the central characters is the semi-autobiographical novels The Bell Jar by Sylvia Plath and Girl, Interrupted by Susanna Kaysen. Comparing two women trying to deal with mental illness and are trying to cope with the mental pressures they put on themselves and by other people. Although the differences between these two novels are The Bell Jar shows Esther’s life before she descends into mental illness whereas Susanna’s story is about her time in a mental institution and experiencing other patients who are in similar situations.

Charlotte Perkins Gilman and Silas Weir Mitchell were part of two worlds, one having to live and be treated for a nervous condition and the other having to study the conditions of nerves. Yet, in this particular moment in the late-19th century United States, one can detect a dialogue between doctor and patient in each of their short stories. That is exactly what is detected between Charlotte Perkins Gilman and S. Weir Mitchell. While both The Case of Dedlow and the Yellow Wallpaper use fiction to express themselves more thoroughly about mental health and science, The Case of Dedlow is more concerned with the aspect of scientific case study while the Yellow Wallpaper focuses on indicting science. This paper will compare and contrast the narratives of the aforementioned short stories and discuss the significance of their reception and how their audience understood them.

Understanding mental illness for the average person can be challenge or even unattainable. Unknown aspects from each individual illness grasps differing urges that are unrelated to the majority of people. The film industry, however, is used as a productive machine of creating empathetic relationships between its audience and the people being portray in the film. A combination of the film industry and the implementation of characters struggling with mental illness delivers a provoking message to an audience of people willing to learn the situations of all people. The movie A Beautiful Mind manages to fulfill the dramatic effects of a film and the realities within an individual suffering through mental illness.