Symbolism In Sophocles Oedipus The King

A kingdom cursed by the gods, doomed to die by famine and plague, in Sophocles’ play Oedipus the King, the people of Thebes and their king desperately cry out to the divine and beg for mercy and a way to end their agony. Finally, a glimmer of hope, a riddle that a prophet can solve, and the damned nation call to him for help. A directed scene of what plays out in Oedipus’ confrontation of the truth of his fate with Tiresias is covered in this document. The scene is set in its traditional form of ancient Greece but contains the contemporary English language of Robert Fagles’ translation so that modern audiences can more thoroughly understand and enjoy the content of the play while preserving the cultural charms of the time period. The background

The author of Oedipus, Sophocles, introduces a worthy rival to the main character Oedipus.Tiresias, who considers himself to be an equal to the Great King. Tiresias admits, “You are a king. But where the argument’s concerned // I am your man, as much as a king as you.// I am not your servant, but Apollo’s.”(Sophocles) While simultaneously trying to defend his honour and bring justice to Thebes, Oedipus argues about the integrity of Creon’s source. Tiresias retorts Oedipus’ impulsive accusations, in a studious, and King like manner.Tiresias’ diligent retaliation is dramatically significant because it develops Oedipus’ character; Oedipus is humanized and revered less as a God because of his flaws. The power dynamic shift causes the audience to become more judgemental of Oedipus since someone is holding him accountable for his behaviour. Additionally, the passage adds to the mystery of the plot and creates suspense, through Sophocles’ use of paradox, and imagery which cause the mood to change and creates a compelling story. Both of these elements cause the audience to pay attention to the drastic changes in character, and mood, to highlight the major theme of pride, power, and fate. Ultimately, the passage is intended to show the ignorance of Oedipus, and the awareness of Tiresias, who are symbols for the pervasiveness of fate.

Another aspect of the theme that was observed through references of blindness and sight is guilt and disgrace. From the beginning of the play, Sophocles establishes the theme of guilt which can be seen throughout the play, as Oedipus tries to find the person who was guilty for the murder of King Laius. His search to find the guilty individual leads him to the truth which is that he murdered King Laius, who was his father, and that he married his mother Jocaste. After finding this out, he enters an epiphany of guilt and shame as he recognizes this morbid fact. He says after blinding himself “If I had eyes, I do not know how I could bear the sight of my father, when I came to the house of Death,

A dramatic conflict occurs when Oedipus gets into a fight with a group of men where three roads meet; one of those men is his father King Laius. He kills all the men except for one who flees from the scene and then notifies the Thebians of the tragic news. Oblivious to Oedipus, the first half of his fate (that he was trying so hard to avoid) is fulfilled. Usually crossroads signify a decision point. If Oedipus made the choice of being civil toward the strangers and not letting his temper get the best of him, he could have avoided his fate. Oedipus ends up in Thebes were he is granted the honor of being the King--he solves the Sphinx's riddle which results in the city being free from captivity. In addition, Oedipus marries his predecessor's wife, Queen Jocasta--the women who gave birth to him. Once again Oedipus has crossed paths with his fate and is still blind to it.

In the trilogy of Oedipus, Sophocles constructed an enthralling family dynamic that induces central themes throughout the play. In numerous works of literature, family relationships engage in the central message of a piece of work. In Sophocles three plays, specifically interconnection between siblings and parent relationships create, refines, and complicates themes of power, love family, pride, and extreme fate.

Sophocles uses foreshadowing to offer hints about Oedipus’s destiny in the play that allow audience to make reasonable predictions about what would eventually happen in the story. When Oedipus insults Tiresias because he hears that he is the curse and problem in Thebes, and he refuses to the prophecy and gets angry at the prophet, calling him a liar. However, Oedipus never realizes that Tiresias is the very one who foreshadows Oedipus’ tragic fate when he says “in thine eyes now light, but then Darkness” (line 417). The quote foreshadows that Oedipus will end up being blind although his eyes are full of light now, he will lose the light in the end. Tiresias’ words are eventually proved to be true when in the end Oedipus stabs out his eyes, being aware of his identity and his tragic destiny. It is very ironic that Tiresias, who tells the truth, is a blind man. Sophocles also uses words from Jocasta, Oedipus’ mother and wife, to foreshadow Oedipus’ upcoming tragedy. She says “and casts him to die. Through both his feet a blade of iron they drove” (Lines 720-21). The idea in this quote is that Jocasta is providing hints to the audience that Oedipus has hit part of the prophecy because he still hobbles and cannot walk like a healthy man due to his injury. Oedipus should have notice the similarities between his feet and the prophet, or maybe his hubris blinds him from seeing the truth. Throughout the play, Sophocles foreshadows in many events and gives the audience hints about

In the play, “Oedipus Rex”, many ironies took place, as well as fate playing a huge part in the story. “Oedipus Rex” is a story about a man that tries to overcome adversity but cannot escape his prophecy. His parents took him to a hillside as an infant, sliced his Achilles tendons and left him there. A shepherd soon came to his rescue. “King and Queen of Thebes, gave their infant to a shepherd in with orders that he be left on the side of the mountainside to die” (Johnson 1205). As he grew older and much wiser, he went to see the Oracle of Delphi. The Oracle informed him that his destiny was to kill his father and marry his mother. The main ironies in the play are the killing of Oedipus’s biological father, the odd relationship with his mother, and the inability of Oedipus to avoid his fate.

Throughout the play we find that Oedipus, the protagonist of this Greek tragedy, is tested by life in a number of ways. To those in Athens who watched the performance of Oedipus the King, Oedipus appeared to be the embodiment of a perfect Athenian. He is self-confident, intelligent, and strong-willed. Ironically, these are the very traits which bring about his tragic discovery. He is portrayed as a character of

Eyes, crossroads, and Oedipus’ ankles are symbols revealed to the reader throughout the story. Eyes are a very important symbol in the story, they indicate knowledge. In the story the character Tiresias is a wise, blind prophet that can ‘see’ the truth, while Oedipus can visually see but is ‘blind’ to the truth. Tiresias says to Oedipus, “So, you mock my blindness? Let me tell you this, with your precious eyes, you’re blind to the corruption of your life...”(468-471). The crossroads (which is the place Oedipus killed his father, King Laius) symbolizes Oedipus’ choices and paths he can take. The choices he makes seals his fate, “Making my way toward this triple crossroad… a man just as you described him… and the old man himself were about to thrust me off the road...the driver, I strike him in anger...with one blow of the staff… I knock him out… I killed them all-every mother’s son!”(884-894). Oedipus hot temperedness causes him to go down a painful, mortifying path, which caused his terrible fate to occur. The name Oedipus means swollen ankles, which was given to him because of his childhood ankle injury. It became a symbol of Oedipus' ignorance and a scar of his destined fate.

In Grene’s play Oedipus the King Sophocles the symbol that stood out to me the most

     The heart of the story unravels when Oedipus apparently begins to suffer a reversal of fortunes. At the beginning of the play, Oedipus is referred to by the priest as the “king of the land, [the city of Thebes’] greatest power” (16). Through all of Thebes he is thought of as a hero, a man who saved the city from the Sphinx and in his bravery has promised to find the killer of King Laius in order to save the city from doom and death. However, at the climax of the story Oedipus learns that he has been “cursed in [his] birth, cursed in marriage / and cursed in

Over the extensive history of the theatre arts, most of the many plays and productions fall into unique categories in regards to structure. The two most simplest of the structural categories are climactic and episodic. A climactic structure, or alternatively known as an intensive structure, contains a play in which all components are restricted as the main conflict in the story commences late into the play and only a little time passes until the story occurs. Everything is restricted to a few components. There are not as many characters, scenery change and very limited amounts of action. climactic structures focuses heavily on the climax in contrast to other structures. One notable example of a climactic performance is Oedipus Rex by Sophocles. The story of Oedipus is that of tragedy and despair as Oedipus and his family are unable to escape the fate that Oedipus has had since birth. The exposition and starting action (in this case, the events that led up to him to being king of Thebes) occur before the play and is only ever talked about. The play only takes place in the castle and has only four primary characters. Ultimately, Oedipus Rex only takes place within a day and primarily focuses on the realization and aftermath of the story of Oedipus and his sins, or the climax. All these components that define a climactic structure of production are found in the aforementioned play by Sophocles, strengthening what a climactic structure is and the vast potential a climactic play

Sophocles was born a hundred years before Aristotle and perhaps was not aware that he wrote a near-perfect representation of the tragic form. Almost certainly, however, he was conscious of the dramatic irony he carefully intertwined throughout the plot. Dramatic irony was a tool for Sophocles to advance the notion of the tragic one step beyond the simple fate of the main character. Dramatic irony is a literary technique allowing the audience to know of the character's fate well before such fate occurs. The difference between the audience's knowledge of the tragic circumstances and that of the ignorant characters heightens the depth of the tragedy. The more significant the ultimate sacrifice which the innocent hero makes, the more powerful the message sent to those in

The famed tragedian Sophocles is known for his unique ideas and intellect. Sophocles carefully utilizes of all of his intelligence and creative ability in order to make use of illuminating moments throughout the play which allow his audience to draw conclusions about free will, fate, knowledge, and power throughout perhaps his most iconic play, Oedipus Rex. the main character Oedipus experiences an illuminating moment when he gouges his eyes out at the discovery of the truth about his actions. This illumination is expressed in order to express Sophocles’ idea that fate overpowers free will.

Reading through three related stories, we discover different motifs denoting author’s thought in different time.Without any doubt, the tragic essence goes through the Three Theban Plays. As Sophocles meditates the philosophy of the tragedy all along his life, the tragic essence expands from individuals in a society. The conflict in each play becomes increasingly complicated. In Antigone, we can clearly distinguish the conflict between Antigone and Creon, family and politics. However, in Oedipus at Colonus, the play merges all the conflicts happened to former plays and enhances the theme of the story. The later part of this trilogy, especially the ending of Oedipus the King and Oedipus at Colonus, reveals a darker and deeper phenomenon of Thebes and projects it to Oedipus. The prophet plays important role of forming the story line and tragic image of Oedipus, but the root causing the series of tragedy of the characters is not gods’ command. It is degeneration of people, which is pathetic to humanity. Finally, after suffering from family complex and exile, Oedipus is not only a victim of the society, but also the reflection of the twisted humanity of Thebes.