Symbolism In 'Sweet Potato Pie'

Foster’s insights about seasons and weather in literature change the story’s interpretation by clarifying their purposes. Foster’s main idea in the chapter It’s More Than Just Rain or Snow is weather always has a purpose; for example, rain, which has an “association with Spring,” can allow a “character to be cleansed symbolically” and “can bring the world back to life.” This insight is clear in the short story as outside Mrs.Mallard’s room the “trees were all aquiver with the new spring life” and “the delicious breath of rain was in the air.” The rain and spring weather may be dismissed as merely setting, but Foster’s insights allow the deeper meaning behind the inclusion of rain and spring to be clarified. The rain and spring show how Mrs.Mallard was cleansed

thin by seasons of winds, the grime and dirt blanketing it in an anonymous shroud” (192). But at the

The settings are important in a story because they tell where and when the story takes place. A reader should always focus on the setting, so he will not get lost in the story. In Doris Lessing’s “Through the Tunnel,” the story focuses on a boy named Jerry trying to accomplish something very difficult while his mother wants him to stay safe. He sees some boys swimming through a challenging tunnel and he tries to go through the tunnel to impress them in order to become friends with them. The setting in “Through the Tunnel” has an impact on the characters, the plot, and the symbols.

She became accustomed to the perception of a desert being portrayed as dull and lifeless (Being raised in Kentucky) until this trip. Throughout this scene, she expresses her fascination for nature, and uses a tone of awe and allurement while describing the attributes about the land with metaphors. This narration occurred following the first rainfall, when Mattie and Taylor decided to go to the desert. This passage which is distinctive of Kingsolver’s portrayal of the natural landscape shows her sudden awareness diverse atmospheres. By linking to the scenery to “the palm of a human hand”, the author uses the literary device of personification with the mountains and the town. Her phrase “resting in its cradle of mountains” associates the basin to a child, and the phrases “city like a palm”and“life lines and heart lines hints a grown-up. The terrain exemplifies a life from the beginning to end. Taylor describes the land my linking each attribute with lots of metaphors, which then confirms that the tone is “wonder and allurement” because it demonstrates that she is emotionally connected to the

With the very first words, Jackson begins to establish the environment for her plot. To begin, she tells the reader that the story takes place on an early summer morning. This helps in providing a focus of the typicality of this small town, a normal rural

1. What descriptive details does the author use to make it clear that the setting of the story is a small town?

The text is very descriptive and loaded with symbols. The author takes the opportunity to relate elements of setting with symbols with meanings beyond the first reading’s impressions. The house that the characters rent for the summer as well as the surrounding scenery are introduced right from the beginning. It is an isolated house, situated "quite three miles from the village"(947); this location suggests an isolated environment. Because of its "colonial mansion"(946) look, and its age and state of degradation, of the house, a supernatural hypothesis is implied: the place is haunted by ghosts. This description also suggests stability, strength, power and control. It symbolizes the patriarchal oriented society of the author’s time. The image of a haunted house is curiously superimposed with light color elements of setting: a "delicious garden"(947), "velvet meadows"(950), "old-fashioned flowers, and bushes and gnarly trees"(948) suggest bright green. The room has "air and sunshine galore"(947), the garden is "large and shady"(947) and has "deep-shaded arbors"(948). The unclean yellow of the wallpaper is

Though the viewers focus first on the centered figures, it is easier to first analyze the surrounding settings to understand them. The stone wall foreground and the open fields of the background each embodies one of the girl’s thoughts. The back landscape is filled with warm, airy colors of blue and orange, as if it were under a bright sun. On the other hand, the foreground’s stone walls and concrete floor has dark, cold, shadowy, earthy colors that seem to appear as if under a stormy cloud. The sunny land suggests free, pure, spacious land previous to the industrialization. Yet, the darkened foreground due to the overcasting shadows resemble the currently dirty,

The black community is represented by the thin" soil, as it shows how small a minority they were at the time. The water represents the blooming white community, showing the ratio of blacks to whites. The water is seen to be eroding the soil, this represents how the black communities were treated, just as the water erodes the soil the whites drive away the blacks from many areas. I think that this view is well supported in the text and is appropriate for the time the piece was written and who it is written by.

The farmhouses looked terrible - the dust was deposited clear up to the window sills in these farmhouses, clear up to the window sills. And even about half of the front door was blocked by this sand. And if people inside wanted to get out, they had to climb out through the window to get out with a shovel to shovel out the front door. And, ah, there was no longer any yard at all there, not a green sprig, not a living thing of any kind, not even a field mouse. Nothing (qtd. in Press 32).

Throughout the beginning of the passage, the author uses an array of different rhetorical devices to give us a glimpse about Douglas Spaulding's feelings towards the beginning of summer.Ray Bradbury utilizes personification in sentences 1 through 5. For example "The town covered over with darkness...the wind had the proper touch, the breathing of the world was long and warm and slow." The author drives a clear picture of a mysterious atmosphere by the use of the word "Darkness". By adding "The wind had the proper touch."

Obviously the author has lived through the depression and was black because one could not write something so accurate in accordance to that time period and have one feel the deep emotional impact of her writings without experiencing it personally.  In the first sentence she writes “…all I seem to remember is dust—the brown, crumbly dust of late summer—arid, sterile dust that gets in to the eyes and makes them water, gets into the throat and between the toes of the bare brown feet.”  In this phrase the words give a harsh, cruel feeling of how the depression was, which could then explain how she remembers the depression and that it was a hard time for her.  Most likely it was a significantly hopeless moment in her life.  In the next paragraph she writes “When the memory of those marigolds flashes across my mind, a strange nostalgia comes with it and remains long after the picture has faded.”  Knowing the marigolds symbolize hope the word “nostalgia” gives a feeling of longing, since the denotative meaning is yearning.  When stating the marigolds give a “strange nostalgia” the author could be thinking how she, sometime in her life, longed to have hope.  She needed to have something to look forward to or just something to look at to give her hope.  Later, towards the end of the story she explains “…Innocence involves an unseeing acceptance of things at face value, an ignorance of the area below the surface.”  The words she uses give a sense of wisdom

In order to convey the trait of poverty, Erdrich employs the use of imagery, even the setting reflects their impoverished state. In the beginning of the novel, the road leading towards the reservation is described as having “ruts” and “holes” (11). The surrounding land “was a dull tan – the dry ditches, the dying crops” (11). Erdrich’s visual imagery gives the reader a mental image of a desolate environment. In addition, Erdrich references dust twice on page eleven, giving the impression of the prairies during the dustbowl, which occurred during the 1930’s when the world was going through the Great Depression, allowing the reader to subconsciously connect the environment of the reservation as poor, neglected and bleak. The grim environment creates sympathy for the female characters, many of whom live on the reservation. In addition, there is the alliteration of the letter “d”. This emphasises the poverty in which these characters live in by bringing attention to the “dull”, “dry” and “dying” environment of the reservations. Despite the despondent surroundings, Erdrich’s poetic style pushes the reader to consider this environment as a home, rather than merely a disgusting

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

Again the description is bleak, (‘the sun beats .......the dead tree gives no shelter, the cricket no relief.’ ) Life-giving water is again absent, (‘the dry stone no sound of water.’ ) And moving transversally forward to section 5 brings the reader into the desertscape where there is an intensification of the oppressiveness . The absence of water is emphasised through repetition: