Symbolism In Tillie Olsen's I Stand Here Ironing

Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal

The short story “I Stand Here Ironing” (1961) by Tillie Olsen is a touching narration of a mother trying to understand and at the same time justifying her daughter’s conduct. Frye interprets the story as a “meditation of a mother reconstructing her daughter’s past in an attempt to express present behavior” (Frye 287). An unnamed person has brought attention and concern to her mother expressing, “‘She’s a youngster who needs help and whom I’m deeply interested in helping’” (Olsen 290). Emily is a nineteen-year-old complex girl who is atypical, both physically and in personality.

This was the only way she felt she could do both. Harder still was that Emily would cry and beg her mother not to that nursery school. As these separations press on Emily and her mother, the mother feels guilt and her child is torn by a separation made even worse as she's placed in several undesirable locations.

While James Baldwin’s short story “Sonny’s Blues” depicts the connection between two brothers, Tillie Olsen’s short story “I Stand Here Ironing” represents the bond between a mother and her daughter. Both Baldwin and Olsen focus on family relationships and how emotional support vs neglect have an effect on family members. Also, each author conveys a message of finding self-identity even amidst adversity, while including the symbolism of everyday objects. Furthermore, Baldwin compares light and darkness throughout his story, and Olsen has the mother scrutinize her actions in an interior monologue.

The line between being an acceptable and unacceptable parent is often blurry and is seen on different perspectives when it comes to class, culture, and generation differences. Based on the two stories of Amy Tan’s, “Two Kinds” and Tillie Olsen’s, “I Stand here Ironing” we see these two perspectives that derive from different maternal upbringings of the children in the stories. What is found between them is the conflict of being too little or heavily involved in a child’s life has had more negative outcomes during their childhood than positive.

Emily's father suppressed all of her inner desires. He kept her down to the point that she was not allowed to grow and change with the things around her. When “garages and cotton gins had encroached and obliterated…only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps” (Rose 217). Even when he died, she was still unable to get accustom to the changes around her. The traditions that her and her father continued to participate in even when others stopped, were also a way that her father kept her under his thumb. The people of the town helped in

Likewise, due to Emily only having interactions with only her father, I feel that this may have affected her mentally. Emily was not able to accept changes accordingly in her life. Emily was so stuck in her father ways that she didn’t want to change anything from their lifestyle after his death. She wanted to keep everything the way it was, which was comfortable for her. Like the narrator tells us, she didn’t want to use the city new mailing system and wanted to stick with the mailing system she was accustom to , “When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. She would not listen to them” (Faulkner, 1931, 86-87). Also, evidence that Emily couldn’t adapt to change was introduced when she met a man named Homer to take the vacant place of her loneliness. Homer was a relief for Emily; she would not have to be alone any longer. Although Homer provided Emily with someone to be with, everyone knew that their relationship wasn’t going to last. It was known that Homer liked men, “Homer himself had remarked – he liked men, and it was known that he drank with the younger men in the Elks’ Club – that he was not a marrying man” (Faulkner, 1931,

“Only help her to know-help make it so there is cause for her to know that she is more than this dress on the ironing board, helpless before the iron” (Tillie Olsen). The last sentence of a story might not mean a lot to some readers however, for most reading this story, the last sentence makes one rethink the whole perspective of Emily’s mother. Is she really this awful mother who only took care of her daughter, Emily, half of the time? Did she actually care for her daughter and didn’t know how to show it until it was too late? In “I Stand Here Ironing” Tillie Olsen uses symbolism, flashbacks, and theme to develop the narrator as an unsympathetic mother who is unable to treat her daughter, Emily, with the attention and care that she needed to blossom into adulthood.

Almost every parent dreams of giving their children what they never had growing up. However, unavoidable situations cannot be changed and we are forced to make do with what life gives us. Life’s twists and turns are not always predicted, we get caught up with other things and lose sight of the important ones. In the story, “I Stand Here Ironing,” Tillie Olsen portrays the life and regret of a young single mother struggling to raise her daughter Emily. Olsen points out through uncontrollable circumstances in society, Emily’s mother is forced to become a working-class mother who

“I Stand Here Ironing” by Tillie Olsen is a depiction of a mother-daughter relationship that lacks involvement and warmth. The whole story composed of the mother’s memory of her relationship with her daughter, Emily. The memory was a painful one comprised mostly of the way the mother was much less able to care for Emily. The forsaken of Emily demonstrates the importance of physical and emotional support.

Emily Grierson had a rather normal childhood. She was a young, southern girl whose family was made out to be a lot more extravagant than reality actually represented. Pride was something which she stressed was quite important in her family. She felt the pressure to keep the family pride going. From her description, her town seemed to be one where women were brought up to be quite narrow minded and controlled. Emily herself was controlled by her father, a man who pushed others away who tried to please Emily. None of the men that would present themselves to Emily were seen as acceptable by her father. She seemed

Miss Emily’s father is over protective that thought no one was good enough for his daughter. He keeps her secluded from the town, “we remembered all the young man her father had driven away” (36). Emily had learned to live that away and became worse within time. She was always protected and sheltered by her father that she lived life away from any social interaction. Her father made her into the woman she became, she did not know how to let go and accept any change.

Emily is very vulnerable mostly because of her appearance. "She tormented herself enough about not looking like the others, there was enough of the unsureness, the having to be conscious of works before you speak, the constant caring-what are they thinking of me? Without having it all magnified by the merciless physical drivers" (Olson 603). Emily is a skinny, fragile, and sick child, and in the outer world, other kids without values would point her out. Emily is always insecure about what she says, or does in front of others. The insecurity of not being able to be her own person is always on her mind.

Finally, the author highlights the sufferance that fetters the mother's consciousness. Emily’s mother becomes aware that she was too preoccupied with providing for her daughter and she forgot to provide her with what matter the most, her presence. She is mindful of the fact that that she continuously removed Emily from her life. Moreover, she put a mark on Emily’s behavior and personality. She regrets her conduct, but she is also aware that it is too late to change anything. The mother states, “There were years she did not want me to touch her. She kept too much in herself, her life was such she had to

Being a single woman with a family to support in the 1930’s was not an easy job. Especially when society had so many chips stacked against them. Tillie Olsen’s “I stand Here Ironing” is a short story that addresses feminine social disorders and inequalities as well as economic disadvantages that people of lower circumstances have to overcome to survive. In the short story it is basically an autobiography of Tillie Olsen’s life told by the narrator (Emily’s mother). Throughout the story the narrator is reflecting the way she brought up her daughter during a depression and feminist era. She feels very regretful reflecting 19 years late because of the decisions she was forced to make because of the absence of Emily’s father. This story can be seen in a feminist perspective as well as a Marxist perspective; even though they are very different from one another both perspectives help interpret Tillie Olsen’s short story. The Marxist perspective helps illuminate Tillie Olsen’s “I stand Here Ironing” when the narrator explains how the capital system negatively affected Emily and her Family. In a feminist perspective the narrator describes her different encounters with men that abandoned her; causing her to have to take on a male dominated role. Because of the societal characteristic she had to take on it caused her to turn away from her daughter in order to survive.