Symbolism In We Wear The Mask

African American literature from the Colonial era through Reconstruction shows how African Americans were always treated differently and many of them had to either ignore the awful things the white people said to them, or they had to hide behind a mask of someone everyone tells them to be. One of these incidences of having to just ignore society was in the folktale “’Member Youse a Nigger” when John spend his days keeping quiet and doing only the things that would set him free. While the story “The Wife of His Youth” by Charles Chestnutt and the poem “We Wear the Mask” by Paul Laurence Dunbar were about the effects that society has on ‘colored’ people. Both stories showing how people feel it is okay to pretend to be someone that they aren’t

In the poem, “We Wear the Mask’, the narrator, Paul Lawrence Dunbar, expresses the pain African American experienced during the slave trade and how the slaves learned to suppress their emotions. The poem shows a contrast between African American’s social faces and their “bleeding hearts”. The tone of the poem is not a corrective tone, but rather an explanatory one. In considering the time period, it would make sense that the narrator would be careful about insulting the white community. In the first stanza the tone starts as explanatory in just speaking of the masquerade and state of oppression. Then the last two stanzas are very matter of fact. When the narrator sarcastically states, “Why should the world be otherwise”. Showing

Masks have held countless uses and meanings throughout history. Masks have been used in plays, like those of Shakespeare, traditional dances, social gatherings, even as a form of casual or corporal punishment. Although masks have several different uses in different cultural situations, the meaning of the masks is generally the same. Masks are used to conceal an appearance and assume the identity of another. Metaphorically, masks can be used to hide feelings, to protect oneself, and to block out the outside world. Many of these examples are shown in Art Speigelman 's Maus.

Paul Laurence Dunbar, dispatches the cold troubles of African Americans in the lyrical poem, "We Wear the Mask." In this poem, Dunbar links imagery, rhythm, rhyme, and word choice to in order to institute a connection to the reader. From reading the poem, one can infer that Mr. Dunbar is speaking in general, of the misery that many people keep concealed under a grin that they wear very well. But if one were to go further and take the time to research Mr. Dunbar’s selection of this piece and the era of which this poem was written, one would come to understand that this poem focuses entirely on Paul Laurence Dunbar’s viewpoints on racial prejudice and the struggle for equality for the African-American’s of his time period. Though this

Poetry has always been a mirror to see unseen emotions and to hear unheard thoughts. Magical words used in an artistic way allows the reader to feel what the poet is feeling, to listen what the poet is listening and to share what the poet is going through. The two poems “I’m Nobody! Who are You?” by Emily Dickinson, and “We Wear the Mask” by Paul Laurence Dunbar are two classical works of poetry. While Dunbar shares agonizing experience of an entire community, Dickinson shares her thoughts about individual characteristic and personality; in fact, she cleverly wins the case of an introvert. Both these poems are independent of each other in terms of thought as well as from literary perspective.

We try to hide our flaws, so we wear a mask to conceal our imperfections. We are hurt and unable to fully recover, so we put on a mask. We are a monster, so we wear a mask to hide our vile and devilish ways. We want to appear to okay, even though inside we are dying a little bit each day, so we put on a mask. Wearing a mask is a lot like being a wife and a mother. A wife and mother is many other things, such as a cook, a nurse, a taxi driver, a cheerleader, a lover, a daughter, a worker, and maybe even a student amongst other things. We juggle our self between all these different persona’s. In O’Connor’s, “Good Country People” many of her characters wore mask to conceal the things they didn’t want seen. Hulga pretended to be a rude, uncaring brat to hide her hurt she felt from losing her leg at an early age. Manley Pointer disguised himself as a Bible salesman to take advantage of people, when he was nothing more than a wolf in sheep’s clothing. While the matriarch of the family, Mrs. Hopewell insisted that everything was fine. Everyone has their own way of getting through tough situations and circumstances and these country people proved they were no different from the rest. “In one of her essays, “The Regional Writer” Flannery O’Connor spoke of, “the particular crossroads where time and place and eternity somehow meet.” (Driskell and Brittain, The Eternal Crossroads). These such characters in this

This proves Gergen’s thesis, “I doubt that people normally develop a coherent sense of identity, and believe that to the extent that they do, they may experience serve emotional distress” (172). By having several masks or selves, is how we are able to adapt to changing society. With these multiple masks we are able to achieve acceptance and know who we are as individuals. Throughout life we must adopt masks when facing different circumstances; it is through these masks that we see how we change as individuals. If we spend our lives trying to stick to one mask, we can find ourselves to feel lost, depressed, or invisible. Change is good; however we must still stay true to ourselves when using masks. They are a part of us as individuals but they are not us.

In reality the veil represents the secrets everyone is hiding within themselves. The unifying theme is the conflict between the dark, hidden side of man and the standards imposed by his puritanical heritage. Hawthorne brings evil and unauthorized desire into the way of puritan life, and in so doing suggests a insightful truth that is disturbing in its implication, that is to say that we can never hope to know each other's true selves. The themes in the story are suggested by the veil-symbol, the tension between the minister and the community. Every person has something to hide from the world. The veil is symbolic for the cover up of peoples secrets. Although most people would not wear a veil, the minister is proving a point. By wearing a simple black veil Mr. Hooper is making all the villagers evaluate their everyday actions in life. The symbolic value of the black veil lies in the physical and mental dilemma that it creates between the minister and his environment, and the guilt it conveys. Many people believe that the face provides information about a person's primary characteristics, therefore, predicting a persons possible behavior. As a result, by

I chose the topic of this mask, based off the boys improper and confused relationship with Piggy. The theme of this mask, is discrimination. It stood out to me how unfair the boys treat Piggy, they view Piggy as powerless and having no sense of command. It also felt like the boys are confused with Piggy, because of his superego personality. He was raised by adults, and acts like one. This makes Piggy hard to relate with the boys and often leaves them frustated and confused. I feel like everyone once had a time in their life where they felt mistreated, and not having a opportunity to express their point of view. Therefore, we feel meaningless along with neglected, and are overpowered by a group of people which we simply can not overcome.

“Like circus performers, we smear on makeup to become someone else. Far beyond applying a little lip gloss or hair dye, our mask attempts to cover up who we really are. Our mask attempts to cover up who we really are […] what we’ve been through, what we know to be important, and what we are afraid to share with others”. (O’Leary, 36) John O’Leary focuses heavily on the concept of taking off our masks in his inspirational book, On Fire: The 7 Choices to Ignite a Radically Inspired Life. What O’Leary means by this analogy is that we should all break the barriers which we have erected to protect ourselves from the world, walls that were built after being hurt, experiencing something traumatic, or perhaps after being betrayed. However, such walls oftentimes do not benefit ourselves in the way that we may wish. Instead, more often than not, our masks do the opposite, and they isolate us from what we as humans need most: friendship, companionship, and love.

When given the thought, one makes the comparison that masks are used to describe our

We Wear The Mask was written in 1886 with post slavery America being the significant historical backdrop. In this poem, Dunbar explores the duality of experience of African American's at this time. The outward experience presented to the world at large - “We wear the mask that grins and lies” - versus the inward truth of suffering and turmoil - “With torn and bleeding hearts we smile”.

In We Wear the Mask, the author’s purpose is to push the reader to feel something about the way things were in his perspective.

The poem describes that people wear masks to achieve tricks and lies. People are hiding

Contrary to his belief, the narrator does not have a mask on. Although the narrator believes in a misconception that he is ‘playing the role of a boy,' when in fact, what he considers to be a mask is simply his body and his male appearance. The narrator is never in a real need to ‘play a role' because nobody really actively tries to find out who he really is. His peers, based on his appearance, all assume that he shares the same sexual orientation as they do.