Symbolism In Whale Rider

When describing working with killer whales, one of the former SeaWorld trainers uses personification to illustrate the bond human and whale shared and how it started to seem as if the whale had become like one of his children. By giving the animal the likeness of a human, the trainer was hoping that the viewer could relate the bond he shared with his animal to the bond a viewer might have between a parent and their child. The former SeaWorld trainer also successfully uses pathos in this scene. He appeals to the viewers emotions, especially to parents, by bringing in the special bond of a parent and child. The bond between a parent and their child is one of the strongest bonds one will experience in a lifetime and it is also one of the bonds that we have all experienced. Not everyone may have felt the bonds of friendship and love, but everyone is either a parent or a child. As a result, the viewer is able understand the feeling of the trainers, who have been around and worked with the killer whales for so long, that if feels as if the whales have become their children.

Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

Similarly, William in page three explains that Campbell clarifies cosmological capacities as "stories enable the person to decide his/her place in the universe." The stellar capacity applies for the Whale Rider because of the principle character growing up being recounted of their legend of how the Maori tribe traveled to the territory they are acclimated to now. Pai characterizes herself alongside her family history; she expresses “a long time ago, my ancestor Paikea came to this place on the back of a whale. Since then, in every generation of my family, the firstborn son has carried his name and become the leader of our tribe... until now,” (Whale). She continually alludes back to the legend of her predecessor, Paikea, as a path for her to get the idea she is fit to do likewise. Like her predecessor, Paikea could spare the way of life which is the thing that Pai is

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

There is no doubt that humans have always been intrigued with the majestic beauty of the large giants found in all of the world’s oceans. Whales and people have had a long history together, marked by many turns of events.

The beginning of the documentary shows a whale attacking the trainer which makes the audience feel whales are dangerous and invites us to be terrified of them. The body of the documentary then goes into depth about the whales which explains SeaWorld’s mistreatment of them, whale psychology and their behaviour. The end of the documentary, a footage of a whale swimming with the community, which represent hope for the whales. By constructing a sequence like this, it makes us feel aware, anger and compassion which is basically playing with our emotions and also that is what the producer do to make a quality, memorable and poignant

The meaning of sexism in the oxford dictionary is ‘Prejudice, stereotyping or discrimination on the basis of sex’ (Oxford Dictionaries). Being a teenager from a liberal society, I think of sexism as when either of the sex is being considered inferior to the other and is not given equal opportunities to earn a place in society. A few decades ago such discrimination was experienced by women when they had no rights to pursue their passions or create their own identity in society. In India, parts of East Asia as well as in New Zealand women were even not allowed to decide on own marriage, which was a monumental event in their lives. In my view, their lives at that time had no difference from the lives of a servant. When they came to their husband’s

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

There are many different messages in the novel. “Whale Talk,” I think the most important and relatable in this book is bullying, harassment, and racism. There are many real-life situations of bullying and racism throughout the whole book.

The main topic of Whale Talk is violence/ abuse. Chris Crutcher shows this through his imagery, symbols, and theme. He shows this theme vividly throughout the book. Chris also uses many real life references such as people from his life. He also provides some accuracies to his own life.

Throughout “Whale Rider” Paikea is expected to listen to what her grandpa tells her to do and say. Personally, Paikea feels conflicted and under pressure to stick to her grandpas rules, as she wants to go her own way. Her grandpa finds it hard to see Paikea as her own person and can’t accept modernity, which he is not used to. He also stops her from learning the ways of a Maori chief, which is something she still tries to do in secret with the help of the rest of her family. Koro sometimes fails to see what Paikea can do, as he feels very strongly about old traditions, but other times he sees what she can do and fails to appreciate it. Paikea just wants to be loved and accepted by her grandfather and her strong sense of leadership and determination to get that from him leaves her as a role model to others to be brave and to never stop until they get what they want.

Rawiri plays an important role in the novel which helped unfolding the events, ranging from minor to significant ones. He relates the events in the ‘Whale Rider’ as the role of the narrator, allowing the readers to form judgements and learn about things such as the Maori way of life and the characters through his eyes. He also give us his insights as he highlights themes and issues mentioned, like racial discrimination. Besides that, he is the one who sees the many signs of Kahu’s destiny as the leader of the tribe, piecing up a complete picture of her eventual rise as the leader. Additionally, he is her guardian, always protecting and looking out for her. With his carefree personality, he often provides comic relief especially in times of

Undoubtedly, Stephen Crane’s Open Boat’ is regarded as one of the finest and most intriguing short story written by an author with a naturalistic point of view or perspective. Stephen sets up the story based on his real life experience thereby bringing out the intrinsic reality to his audience using symbolism, poetry, and imagery. Perhaps the most intriguing naturalistic approach of ‘the Open Boat’ is the way Stephen expresses the themes in the short story with an ironic twist regarding the vastness of the universe and the insignificance of man. As such, Stephen Crane’s short story, The Open Boat, is a true depiction of the tag of war between the unpredictable cosmic universe and man exposing the themes of determination for survival, mortality, friendship, with an exquisite touch of other devices such as poetry, symbolism or imagery, and tone. This paper aims at dissecting this subject matter through a detailed analysis of the plot created throughout the novel.