Symbolism and Theme in Everyday Use

In the story, a dispute comes about, which was who should receive the grandma’s quilts even though they were already promised to Maggie. Dee argued her sister wouldn’t appreciate the quilts; she would put them to everyday use rather than hang them. Mama explained that was the purpose of the quilts to be used; it held no sentimental value because it was a materialistic thing. At this part of the story, Mama conformed to Maggie’s needs by giving her the quilts instead of obeying Dee’s (Wangero’s) demands as usual.

Dee does not truly value the heritage, and her interest in the quilts seem to reflect a cultural trend. This cultural trend becomes evident when the mother says, “I had offered Dee a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(Walker 96). We learned early in the story that Dee acquired a style at a young age, and she allowed the world around her to alter and manipulate that style.

Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.

Here the tone shifted from prideful to authoritative. Dee demanded to own the two quilts. Mama said the quilts had been made by her ancestors and she “hung up on them on the quilt frames on the front porch and made them (762).” The quilt frames symbolize the object which helps organize and keep the family's generations alive, and the front porch symbolizes the connection of the family with the world. Mama knew the quilts were what kept the generations together, regardless of what the people around thought or did.The quilts needed to be used in order to keep the family traditions alive. Soon after, the protagonist came up with an excuse and said the “lavender [pieces], [came] from old clothes” which had been “handed down (762).” The lavender symbolizes love and devotion. The old clothes symbolize the legacy of the family's heritage. Although Dee only wanted to the quilts, Mama felt her past family's love and devotion through the quilts. Dee wanted the quilts because to preserve them, not because of an emotional connection to them. In addition, the young woman continued to offend her mother to the point where Mama told her the quilts were for Maggie, the youngest sister, and Dee exclaimed how her sister could never “appreciate the quilts.” She continued and said “She'd probably be backward enough to put them to everyday use (762).” Everyday use represents the “everyday use” of customs and true purpose of the quilts. Although Dee thinks her sister will destroy the blankets through sex and daily use, Mama wanted her to understand how everything she wanted had a special purpose in their

As the two sisters have different appearance and personalities, they have different perspectives on heritage that contrast each other. Walker uses quilts to symbolize the heritage and describes the two girls' view on quilts to show their perspectives on heritage. Maggie thinks of heritage as an attachment to her ancestors. She believes the everyday use of the inherited materials, how much ever value they may retain, will keep her connected to her ancestors. She values the attachment to the ancestors more than the inherited material itself. When she gives up the quilts to Dee, she states, "I can 'member Grandma Dee with the quilts." Dee, on the other hand, thinks of heritage as something that has an extrinsic value, for example its aesthetic value as an antique. She believes that the proper way to accept and preserve her heritage is to not put it into her everyday use but to cherish it only as an accessory. Such an idea is revealed when Dee says, "Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use." When the mother asks Dee what she would do with the quilts, she says, "Hang them" (1177), which shows that Dee thinks of the quilts only as tangible antiques.

Alice Walkers “Everyday Use”, is a story about a family of African Americans that are faced with moral issues involving what true inheritance is and who deserves it. Two sisters and two hand stitched quilts become the center of focus for this short story. Walker paints for us the most vivid representation through a third person perspective of family values and how people from the same environment and upbringing can become different types of people.

Mama decided to keep her word and give the quilts to Maggie because she understood what these quilts meant, “ You will not understand. The point is these quilts, these quilts!” The representation of the quilts is the symbol of the family and Dee couldn’t understand it, even with her education. Mama had more life experience and understanding of her culture then Dee would ever learn in a

Different types of symbolism are used to add significance to point out uniqueness in connotations that a writer uses when writing literature. An author’s literary works may include multiple symbols to give perception to his or her readers. When a writer uses a symbol, it is intended to heighten the sense a reader’s communication of literary works. The three key symbols in the short story in “Everyday Use” is that of quilts stored away in a trunk, the house, and hands. The quilts represented the African American’s women talent of creativity from those that were made from by other individuals from other people. It is noted that the quilts depicted that a guiding principle during the time of slavery for which they were used to send a form of communication to other slaves (Kirszner and Mandell, 2012). As stated by Kirszner and Mandell (2012), “One design, the Log Cabin, was hung outside to mark a house of refuge for fugitive slaves. Other quilts mapped escape routes out of a plantation or county, often by marking the stars that would act as a guide to freedom for those escaping at night” (page. 345). When slavery came to an end, the quilts created during this period of time were remembered for their significance of ethnicity and legendary importance by the African Americans. Dee was the daughter of the momma who thought it would be better to change her name to Wangero Leewanika Kemanjo as she did not want to carry the heritage name as it seem to trouble her. Dee looks around for items that she can back home with rather than spend valuable time with her mama and Maggie. Suddenly takes notice a truck that is sitting at the end of her mama’s bed, and she pulls out two quilts that were made by her very own ancestors. Dee requests to take the quilts home with her; however, the mama informs her that she had plans to give them to Maggie upon her marriage. Dee was selfish as she wanted them for herself only to display them on a wall, and requested the ones that were completely sewn by hand. The mother suddenly reminisces how the different pieces had a story behind them about herself and her heritage. Why, the quilts were made to be put on a bed. Dee had an opportunity to take a quilt with her when she went off to college

Heritage has an influential role in every individual’s life. “Everyday Use” by Alice Walker is a short story that portrays two sisters’ from a poor African American home and their conflicting views on the value and meaning of heritage. Maggie, the younger sister, is uneducated but truly appreciates where she comes from. Dee, the oldest sister, is an educated college student but her she has a warped idea of heritage. Alice Walker uses the characters, point of view and symbolism to develop the main theme of heritage.

In her short story “Everyday Use,” Alice Walker summarizes the representation of the beauty, the conflicts and struggles within African-American culture. “Everyday Use” focuses mainly between members of the Johnson family, consisting of a mother and her two daughters. One of the daughters Maggie, who was injured in a house fire and has living a shy life clinging to her mother for security. Her older sister is Dee, who grew up with a grace and natural beauty. “Dee is lighter than Maggie, with nicer hair and a fuller figure… (716) She also grew up determined to have a better life than her mother and sister. This takes place when Dee (the only family member to receive a formal education) returns to visit Dee’s mother and younger sister Maggie. Again this portrays a slight issue between two different views of the African-American culture. Alice uses symbolism to empathize the difference between these interpretations, showing that culture and heritage are parts of daily life. The title of the story, Everyday Use, symbolizes the living heritage of the Johnson family, a heritage that is still in “everyday use”.

In “everyday Use,” Alice Walker tells a narrative of a mother’s frustrating relationship together with her two daughters. At this facet, “,Everyday Use”, tells that how a mom little by little refuses the cursory values of her older, successful daughter at the aspect of the useful values of her younger, much less lucky daughter. On a deeper outlook, Alice Walker takes on the theme of heritage and its norms as it applies to African-Americans.

When analyzing Alice Walker’s short story “Everyday Use,” tells a story about a mother’s internal conflict with her two daughters, which later depicts the struggle of accepting one’s true ancestries and heritage. The setting of this short story is set in the 1970s when African Americans were struggling to find their personal identities and establish themselves a culture. As Mama, the

Now all of a sudden she has Black Muslim family and wants to impress them so she returns to grab things that are part of her family’s heritage. That are only interested in what they stand for and not for whom they stand for.  Then as soon as she pays a visit to her home, she picks up and walks out again.  It is obvious, to her heritage is for show not for living. The situational irony is present as well. Selfish Dee expects to be able to just walk into Mama’s house and take what she wants. Instead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage. Mama actually understands what Dee is becoming and decides to give the quilts to Maggie.

Mama realizes that Dee doesn’t deserve the quilts when Dee explodes on her family and looks at her mother with hatred. Dee doesn’t see the people behind the quilts just like how she doesn’t see the people behind her name. Maggie was a part of the quilt. She could continue the art of quilting. That is a part of her family’s inheritance and heritage. The things Maggie learned from her family created who she was as a woman. Mama takes the quilts from her and

When the climactic scene occurs and Dee asks “Can I have these quilts?” (145), Maggie’s first implied reaction is one of surprise and anger; “I heard something fall in the kitchen, and a minute later the kitchen door slammed” (145). But as someone “never used to winning anything, or having anything reserved for her” (146), Maggie succumbs and offers to let Dee have them. Although “Maggie knows how to quilt” (146), she is able to comprehend the deeper personal value of the quilts, and states that she “can ‘member Grandma Dee without the quilts”(146). Despite their value as an item of everyday use, the quilts are meaningful to Maggie, much in the way they are to her mother who remembers having quilted them with Big Dee. The scraps, the bits and pieces and “one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War.” (145) hold deep significance to Maggie.