Symbolism in A Streetcar Named Desire by Tennessee Williams Essay

Blanche lives in a fantasy world where truth and logic are replaced by a fake humanity. At one point she says,

Blanche has a devastating and scarring past in which her tragic flaw originates from. The elements of love, sex, and death haunt her until she is unable to handle it any longer and loses what is left of her sanity and sparks her unstable mind. To expatiate, Blanche was once married to the love of her life, Allen Grey, until she found

It is clear from the beginning that Blanche is not a very honest character. She lives in a fantasy world of her own design. One of the very first things she does when she enters Stella’s

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

     This play takes place in New Orleans Louisiana. New Orleans is a very lively town that is known as a party town and for it being a rough town. New Orleans is a town in which inhibition is suppressed and people try to have fun all the time, while not worrying about the little things in life. This is especially true for the French quarter of New Orleans, which is the setting for this play. New Orleans is know for Mardi Gras and illusion, but it is also a city of reality. Blanche does not

One of the roles of this excerpt is to provide the background towards understanding Blanche, and the justifications for her mental state and actions. It is evident that in the past she belonged to a higher class where extravagance was common. But when her family in

Blanche repeatedly lied to make herself look pure to others. It only served as a masquerade to hide her dirty, sinful reality. She lied about her age, alcoholism, promiscuity, and why she had to leave Laurel. When Stanley asked her if she wanted a shot, she replied, “No, I—rarely touch it” (Scene 1, page 1548). She could not confront her reality, so she retreated to her world of illusion. This was Blanche’s most prominent flaw. If she could have accepted things for what they are, she could have salvaged her sanity. If, from the beginning, she had been truthful to Stanley’s friend Mitch, he could have forgiven her. Dismally, Mitch would not trust her after finding out everything she said was fabricated. “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it” (Scene 9, page 1590). Blanche feared lights which symbolized her fear of reality. She claimed that with Alan’s death, all light had gone out of her life. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that’s stronger than this—kitchen candle.”

Blanche’s fear of becoming undesirable has caused her to create an illusion in an attempt to revive her youth. Throughout the entirety of the play, Blanche is constantly worried about her appearance and looks for compliments from others. When she is first introduced, “her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district”

Blanches’ emotional state of mind is also conspicuous at the start of the play as she circumvents direct light, fearful of showing her fading looks and the light would make her vulnerable to the truth. Blanche is unable to withstand harsh light, calling the light a ‘merciless glare’(S1:pg.120*) because with Allan’s death, the light had gone out of her life and the effect this had is that she wanted dim lights hiding the reality of her painful memories. This links to the theme of dream and reality as Blanche, a delicate character, refused ‘to accept the reality of her life and attempts to live under illusion’ (*2), living on the borders of life similar to a moth which creates the image of Blanches’ fragility.

In the opening of the play Blanche says, “They told [her] to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at—at Elysian Fields!”(1.1). This sentence sets the theme for the entire play. The streetcar “Desire” brought her to Stella’s home, but symbolically it shows that Blanche’s

The next major theme of the book is the relationship between sexuality and death. Blanche’s fear of death manifests itself in her fears of aging and of lost beauty. She refuses to tell anyone her true age or to appear in harsh light that will reveal her faded looks. She seems to believe that by continually asserting her sexuality, especially toward men younger than herself, she will be able to avoid death and return to the world of teenage bliss she experienced before her husband’s suicide. Blanche’s lifelong pursuit of her sexual desires has led to her eviction from Belle Reve, her ostracism from Laurel, and, at the end of the play, her expulsion from society at large. Sex leads to death for others Blanche knows as well. Throughout the play, Blanche is haunted by the deaths of her ancestors, which she attributes to their “epic fornications.” Her husband’s suicide results from her disapproval of his homosexuality.

The symbolism of the lantern is still in question up until Blanche learns of the rumors that are being spread about her. Blanche uses the lantern as a means to characterize herself:

Blanche deals with many issues the loss of loved ones, the loss of the family estate, the inability to deal with reality, rejection from others, and the rape by Stanley. Blanche has also become independent and assertive which is not the typical norm of a southern woman. She has been forced into a world she is not prepared for. Because of this Blanche begins to live in her own world, her own little fantasy. She also uses alcohol and sexual promiscuity to escape from the loneliness she has endured since her husband’s death. Williams shows us through the way Blanche speaks to the paper boy;

            Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may

Tennessee Williams has also made use of symbols - and his consistency in using them is very helpful to the audience to grasp the ideas he is putting across. The very names of the characters and places are symbolic. The famous streetcar that brings Blanche to her sister’s house is called ‘Desire’ - desire being one of the main themes in the play. Interestingly, it is the superintendent of the school in Laurel - Mr. Graves - who is one of the main causes for Blanche having to make this journey, from a streetcar named ‘Desire’ to one called ‘Cemeteries’ and finally to her sister’s house, situated in Elysian Fields - the Elysian Fields being the dwelling place of virtuous people after death (in Greek mythology). Blanche DuBois itself means ‘white woods’ as she tells Mitch - which implies something virginal and unsullied - both of which she is not. Stella means star: “Stella, oh Stella, Stella! Stella for Star!” as Blanche cries wildly, yet Stella burns not with the intensity of Blanche. Her passions are different, and she is extremely unlike her namesake. Even the home of the DuBois - Belle Reve - means ‘beautiful dream’, symbolic of the past that has gone forever, and Blanche’s inability to rouse herself from her dreamworld of illusions and magic. This use of irony is