Symbolism in Kiss of the Spiderwoman and No One Writes to the Colonel

The title of Gabriel García Márquez’s short story “A Very Old Man with Enormous Wings” says it all about the character who will turn the life of Pelayo, a simple villager, upside down when he discovers the mystery man in his backyard. The story demonstrates the coexistence of cruelty and compassion within humans and the way they react towards what’s considered as different.

Julia Alvarez’s main message being conveyed in her novel “In the Time of the Butterflies” written in 1995, is that freedom comes at the price of bravery and sacrifice. Throughout the novel, The Mirabal Sisters are at a constant fight for the freedom of themselves, their family, and even their country. They learn to use courage and make sacrifices for the sake of their family and the revolution they are involved in. The acts of courage and sacrifice that exude through this novel illustrate Julia Alvarez’s message that freedom is something that must be fought for.

Of the many literary devices used by writers to make their work more powerful and layered, symbolism is one of the most effective, and Gabriel Garcia Marquez’s Chronicle of a Death Foretold is a text that relies heavily on its use to develop its narrative. The novella recounts, in the form of a pseudo-journalistic reconstruction, the murder of Santiago Nasar in a small Colombian town in the mid 1900’s. Through the course of the novel, Marquez employs various symbols to reinforce key ideas, themes and techniques. This helps the novella break the monotony of a linear storyline and unfolds the plot in a unique way that compounds both effect and meaning.

Values are a vital part of any community. They shape the identity of a culture and help to form the identity of each individual in that society. Sometimes these embedded values have more power over a person than anyone would like to admit. Gabriel García Márquez shows the power of the value of honor in his book, Chronicle of a Death Foretold. In García Márquez’s writing, the theme of honor shows to have control over most of the characters. Through the many characters in García Márquez’s book, we can see that the heavy burden of one’s honor is portrayed as the reason for Santiago Nasar’s unfortunate homicide.

“A Very Old Man with Enormous Wings” is a short story written by Gabriel Garcia Marquez about an “angel” who appears in a town and catalogs the reactions of the townsfolk to his presence. The capacity of humans to do evil through no fault but their own is also something explored in their story[worded strangely & needs revision]. Through this short story, Marquez demonstrates a theme of irony, which is shown through not only the angel, but the townsfolk and their beliefs and ideals.

Perry was one of four children, and his family traveled with a rodeo, being in some of the acts. His father was abusive, and eventually his mother took Perry and his siblings to live in San Francisco. His mother died when he was twelve, and Perry was sent to live in an orphanage. The humanity of Perry is seen when he talks about being abused in the orphanage. “It was after one of these beatings, one he could never forget [..] a bird taller than Jesus, yellow like a sunflower [..] winged him away to paradise.” (Capote 93) The reader can feel bad for Perry, seeing as he was abused all throughout his childhood. The use of the bird is an extended metaphor, with Capote mentioning the bird several times throughout the novel, in times that Perry seems to be at an all time low. The bird is a symbol of a savior, someone coming and taking Perry away from an environment that is abusive physically and emotionally. Dick uses the information he has about Perry’s background, and uses it to his advantage, manipulating Perry into thinking that Dick is on his side, when in reality, Dick is on no one's side but his own. The reader feels sympathetic toward Perry, and while not dismissing the crime itself, they feel as if they are lead to believe that Perry was blackmailed into committing the crime and that he had nothing to do with it. Capote makes the choice to portray Perry as someone who seems weak,

Death is a word associated with loss, grief and sadness, but in the novel In the Time of the Butterflies we see death in a whole new perspective; martyrdom. Strong, independent, caring, honest, and having firm beliefs are all characteristics we see in a martyr especially in Patria. In the novel we explore the wonders of Julia Alvarez’s writing and get to witness Patria as a martyr and an individual who fought for the right of women against a dictator: Trujillo.

In Gabriel Garcia Marquez's "A Very Old Man with Enormous Wings" an angel symbolizes the unfamiliar. The angel is not just a celestial body, but a foreign body-someone who stands out as being different from the rest of society. Consequently, the angel draws attention to civilized society's reaction, ergo the community's reaction within the story when it confronts him. Using the angel as a symbol, Marquez shows how ignorance reveals the vulnerability of human nature often leading to uncivilized behaviour.

Characters are made to present certain ideas that the author believes in. In Gabriel García Márquez’s Chronicle of a Death Foretold there are many characters included that range from bold, boisterous characters to minuscule, quiet characters but one thing they all have in common is that they all represent ideas. Characters in the novel convey aspects of Marquez’s Colombian culture.

Through the use of magical realism, Marquez shows us the absurdidity of people’s actions. The large man with enormous wings converys people’s misunderstanding of the unknown. Although the large man is thought to be an angel, because of his grotesque looks and awkward nature the townspeople treat him poorly. They shame the creature in various ways. This shows

Location also tells us that it is economically and socially underdeveloped, and is reinforced with the image of isolation given to us when Garcia Marquez writes of Father Gonzaga having to write and send a letter to the bishop. The time period of the story is established as modern day when it is written “…in determining the difference between a hawk and an airplane…(Garcia Marquez 442).” The town’s people are portrayed as simple, primitive and crude as demonstrated when Garcia Marquez writes  “…they did not have the heart to club him to death.” and then instead Pelayo “…dragged him out of the mud and locked him up with the hens in the wire chicken coop (441).” After the child’s fever breaks Pelayo and Elisenda “felt magnanimous and decided to put the angel on a raft with fresh water and provisions for three days and leave him to his fate on the high seas (441).”

Throughout the play there are three main symbols; the bird, the bird cage and the jar of preserves. The bird symbolized Mrs. Wright and how she loved to sing because the bird was always singing. As the play progresses Mr. Wright grows annoyed with the bird and kills it. The canary’s death represented how Mrs. Wright is dead inside from her neglectful marriage. The bird’s cage symbolized the cage of a marriage Mrs. Wright was in. She felt trapped by her husband’s emotional abuse. When the bird cage broke, it represented the death of Mr. Wright and the freedom that Mrs. Wright felt after breaking free from her long, painful marriage. The last jar of cherry preserves symbolized how Mrs. Wright was still standing. After a failed marriage and losing her bird, which was the one thing she cared most about, Mrs. Wright managed

Manuel Puig uses many recurring themes and motifs to convey his views and opinions on many highly political, and also controversial, matters, from his attitude towards Marxism, and his belief that people should be free to express themselves as well as being tolerant of others’ views, to his homosexuality being reflected in one of the two main characters.

The critical nature of Santiago’s relationship with Victoria Guzmán allows Márquez to satirize the servant-master and patriarchal complexes present in his portrayed culture. The sexual relationship between Ibrahim Nasar and Victoria Guzmán, parallels that of the relationship between Santiago Nasar and Divina Flor and highlights the social constructs and environment, which reduced Victoria Guzmán into servitude through the juxtaposition of the aforementioned combative personalities of Victoria Guzmán and Santiago. Márquez is successful in the sense that he can create a social commentary on the portrayed Arabic and Columbian cultures while still maintaining false objectivity by inserting variation into separate accounts. Márquez’s uses periphrasis, syntax, and chronological divisions between chapters to subdue overt comparison between the portrayed values of Columbian culture and its societal norms with the conflicting relationship of Victoria Guzmán and Santiago Nasar, effectively shrouding his commentary.

The mood of “Caged Bird” changes drastically from stanza to stanza. Angelou’s specific diction choices help to reflect the change from being positive to negative with some elements of hope involved. The parts of the poem involving the free bird provide the reader with a feeling of self government.In contrast, the mood associated with the caged bird is confinment. Despite the negative mood tied to the caged bird there are still elements of hope woven into these stanzas.