What Does Prospero Symbolize In The Masque Of The Red Death

inevitability of death and the futility of trying to escape death. The prince's name, Prospero,

“The Masque of the Red Death,” a short story by Edgar Allan Poe, tells the story of Prince Prospero and his futile attempts to prevent death. During his masquerade party, the prince notices an unusual figure, dressed as the Red Death, and, enraged at the sight of it, Prospero tries to kill it. Poe uses the seventh room, the ebony clock, and the Red Death itself as symbols of death throughout his story.

Everyone fears their own death, thus why some people will do anything to escape it. In Edgar Allan Poe's short story, “The Masque of the Red Death”, this fear is experienced by all. In the story, a prince named Prospero and his people try to elude the Red Death through seclusion and isolation in the prince's abbey. However, no walls can stop death since it is unavoidable and inescapable. Throughout the story, Poe uses symbols such as the rooms, the masked figure, and the clock to convey the theme that no one can escape death.

In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect

Edgar Allen Poe’s chilling short story Mask of the Red Death begins with people dropping like flies, as the king of the land decides to take his close friends with him to live in one of his palaces. leaving his subjects to survive on their own. A puzzling creature known as the Red Death has been terrorizing and killing off people one by one, and no one has a way to stop it. Through characterization of both Prospero and the Red Death, Poe foreshadows Prospero’s eventual death in the end of the story.

Michael Ruiz once said, “Everyone dies. There’s no point in fighting it.” In Masque of the Red Death by Edgar Allan Poe, there is a disease that kills almost everyone in a country so the king brings all survivors into a castle to prevent it from killing anyone else, although it still ends up getting in from a ghost, and wipes everyone else out. In Masque of the Red Death by Edgar Allan Poe, Poe uses gothic elements such as a gloom setting, supernatural beings, curses, and air of mystery and suspense.

Poe uses ample amounts of symbolism, to relate The Masque of The Red Death back to people's lives and choices. Poe starts off the story with examples that allude to the theme that death is inevitable. Poe states, “But the Prince Prospero was happy and dauntless and sagacious” (Poe 446). That quote gives us the characteristics of the Prince, and some symbolism. His name is supposed to sound like the word “prosper.” His name fits him well, because Prince Prospero thrives at the expense of the people in his kingdom suffering. Prince Prospero chooses to hide himself in his abbey, while his subjects get wiped out by the red death. After five to six months the Prince decides to host a masked ball to entertain his guests, since all of them feel they are superior to death. The rooms in which the masquerade is held are very peculiar. Poe illustrates to us, “These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of

the Red Death shows the futile attempts by a prince and his guests of a party,

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

The Masque of the Red Death, by Edgar Allen Poe, is a story of death and how it is impossible to escape. Though the book and the 1964 movie were very different, they did portray the same message. In both, story and movie, Prince Prospero throws a masquerade ball for all of his high class friends, to let all the others die out, and wait out the Red Death. Though it always ends the same way, death.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince 's luxurious abbey with all the amenities and

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.