Symbology In William Golding's 'Lord Of The Flies'

A recurring theme among leaders in many societies today is that “absolute power corrupts absolutely” (John Acton, a 1700’s English Catholic historian, politician, and writer). In William Golding’s Lord of the Flies, this idea of leadership, power, and corruption is put in the spotlight. Jack, one of the boys on the island, forces his way into the leadership position without actually earning it. It is clear that Jack has become corrupt as he turns into a person who is intimidating, egotistical, and selfish. Ralph, on the other hand, is a quality leader under most conditions as he appeals to the boys’ sophisticated side and has a

confide in the conch and when the conch is held up, it is a sign of

William Golding effectively creates a vivid picture in the mind of the reader in this excerpt from Lord of the Flies. Golding uses calming and descriptive words to carefully shape the image of the scene, which in turn draws the audience in. He effectively describes particular sections of the setting, enhancing the overall picture in the reader’s mind. In the last section of the excerpt, Golding describes the sunset and writes: “Darkness poured out, submerging the ways between the trees till they were dim and strange as the bottom of the sea.” He choses to talk about particular aspects of the island by carefully paying attention to specific details and describing them vividly. Additionally, the very carefully selected words help create

wrote this after publishing Lord of the Flies. It is our world, in the form of a story. The two leaders in the story are Ralph and Jack. Ralph starts off a comfortable leader of the boys, but by the end of the book, Ralph and his companion Piggy are alone facing Jack and the rest of the boys. As the novel progresses and the society on the island starts to change, so does Ralph. He begins thinking he has all the answers, but comes to realize that without Piggy he would have never gotten this far. By the end of the book, Ralph and Jack are complete opposites. Jack is about savagery and fun while Ralph is holding on to society, rules, and civilization. Appearing to be a weak leader due to defection of his followers, Ralph is actually dedicated and insightful, only loosing his followers because he could not compete with one category that attracts nearly everyone in the world: fun.

Golding used personification to make Piggy’s death an important part of the novel. An example of this device is “the sea breathed again, in a long slow sigh” this quote makes the reader imagine how the sea is moving and gives an inanimate object emotions. The way the sea is describes reminds me of when a mother watches her child be naughty and she breaths a long sigh like she is tired of the child’s behaviour. The personification of the sea makes the sea sound like it is an adult who has watched the boy’s behaviour since they got stranded on the island.

It may have taken millions of years for humans to evolve enough to create the sprawling civilizations known today, but it only takes a few months for a group of civil, educated boys to regress back into savagery. In his novel Lord of the Flies, author William Golding depicts a group of young British boys getting stranded on a deserted island sans adults. The boys must look out for themselves, forming a basic governing system and trying to survive. But the challenge soon proves too much to handle, and order deteriorates. William Golding conveys the universal theme of civilization vs. savagery in his novel Lord of the Flies using the literary elements of plot, setting, and characterization.

Red, brown, green, blue, colors that surround us everyday, yet somehow the human fascination of applying them to their face makes them seem all the more fun, and interesting. This newfound interest could even leak through to the mind beneath, giving way to a whole new person. In his 1954 novel, Lord of the Flies, William Golding illustrated this idea in a way that captured the hearts of many and led the story to fame, concocting a reality that had since resided only in the nightmares of children. Inventing a world in which masks of paint were not a fun thing you got at a fair, but a living horror and uncontrollable enemy. Masks are common in our world. They are worn on holidays and to parties. Nearly everyone can recognize at least on

Throughout the novel, the face paint that Jack and his crew used simultaneously masks their faces as well as their civility. The first mention of the facepaint is made when Jack is strategizing a way to sneak up on a pig and he decides to camouflage himself. Jack says that his “half-concealed face” is “for hunting. Like in the war” (63). The incomplete coverage of the paint indicates that Jack is not fully immersed into his savagery. However, his interest in aggressive acts, hunting and war, insinuates that he does have a tendency towards aggressiveness as well. Perhaps the most blatant reference to the fact that face paint induces savagery within the boys, specifically the hunters, is when Golding states that “the mask compelled them” (64)

The next thing that shows up in the story that has very importance as a symbol is the conch. Piggy and Ralph were walking around the island looking for others, when they see a pink shell shimmering in the water. Piggy recalled the shell as one he had seen used as an instrument. Upon seeing this, he picked it up, handed it to Ralph, the leader figure, and told him to blow. As he did this a noise was produced so that it carried itself across the island, drawing all the other boys to it's sound. This use of the conch is the first to demonstrate it's symbolism as authority.

"His head opened and stuff came out and turned red. Piggy's arms and legs twitched a bit like a pig after it has been killed" (217). This is what can happen to someone when all signs of civilization, order and power disappear and have no more meaning to members of a group or society. In the writing of William Golding's Lord of the Flies (1954), the symbol of power and civilization is the conch. Once that is lost, all bets are off. When the novel begins, two boys are talking about what has happened and why they are on this island. While walking on the beach, the main character Ralph then proceeds to find a shell which the two boys call the conch. Blowing on this shell Ralph calls a

In the novel Lord of the Flies by William Golding, the British boys are deserted on an island and get in touch with many features that form symbols of different concepts. Using symbolism through the pig’s head, Piggy’s glasses, the rock, and the beast, William Golding exemplifies that human beings, when set free from communal regulations and prohibitions, enable their natural volume for immorality to control their existence.

Symbols and characters play major roles in representing power in works of literature. Therefore, an author uses these ‘symbols of power’ to control the characters and the overall course of the work. In Lord of the Flies symbols are both used by the characters and stand on their own. Fire on the island is a dual blade and Lord of the Flies impedes on progression. While these two symbols stand on their own, the characters use and are used by them. Ralph leads the boys to advancement while Jack stands as his opposition, both using other symbols of power to assist them.

In the novel Lord of the Flies by William Golding, many different aspects of symbolism are presented well into the novel. From themes of democracy to the evil of mankind, almost every moral issue of society is compacted within the novel. The novel starts out as a group of little boys are stranded on an island without any adult survivors. When the boys first arrive on the island they are a very civilized lot,"The creature was a party of boys, dressed in strange eccentric clothing. Shorts, shirts, and different garments they carried in their hands; but each boy wore a square black cap with a silver badge on it.

When the boys first set foot on the island, we are given the impression that it is a paradise-like location because they are carefree and happy that there are no adults. Filled with a contrast between the virtuous and the corrupt, Golding uses extensive imagery to describe the setting of his novel. The first few chapters lead us to believe the island has more good than bad because this is true about the physical appearance of the island. As the novel develops, we discover that there are few wholesome things on the island and that it may be a hell-like location.

In the novel Lord of the Flies by William Golding the stranded boys come into contact with some particular elements that represent an idea which are called symbols. These symbols include the beast which represents the fear of the unknown and the darkness of mankind. The second symbol is the signal fire which represents hope. The third symbol is the conch shell which represents order. Golding indicates that when man is taken out of civilization, they have a natural instinct is to become evil, darkness and barbaric and these symbols help to support his opinion.