Symbols and Symbolism in Conrad's Heart of Darkness Essay

Joseph Conrad's short novel Heart of Darkness (first published in 1902) is undoubtedly critically acclaimed, moreover, it is considered to be one of the greatest English novels. Conrad, who is of Polish ancestry, is as well considered to be an outstanding storyteller and a great stylist of modern fiction (Achebe 2). Even though this novel was written more than hundred years ago, it still draws many people's attention. The plot of the novel revolves around the main character, Marlow, and his journey to the heart of Africa (the Congo River). Marlow accepts to work as a steamship captain for a Belgian ivory-trade company and seeks to meet Kurtz, another important character in the novel whom many people admired, including, to a point, Marlow. On

Heart of Darkness written by Joseph Conrad is dramatic tale of an arduous trek into the darkest part of Africa at the turn of the twentieth century. The story follows the protagonist Marlow, an English marine merchant, as he travels through the African jungle up the Congo river in search for a mysterious man named Kurtz. Through Marlow's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. Through his use of irony, characters, and symbolism in the novel, Conrad aims to unveil the underlying horrors of colonialism. By shedding light on the brutality of colonialism in Heart of Darkness, Conrad shows that European values have been irrevocably eclipsed by darkness.

Joseph Conrad uses charazation in the novella Heart of Darkness to show how appalling imperialism truly is. Characters such as Kurtz, the accountant, and the pilgrims plays bigger role than just existing for Marlow’s story. The biggest character in the novella other than Marlow is Kurtz. Kurtz represents a wide variety of different things. He is the perfect example of the insanity imperialism can breed in people. He displays what horrors of imperialism can turn people into. From the second Marlow gets to the Congo everyone admires and

Both Kingsolver and Conrad use similar story construction and point of view in these texts. The truly pivotal characters in each text, rather than the narrators, are the mostly unspoken antagonists of the story. In Heart of Darkness, the story is centered on Kurtz and his actions involving the Congo. The true focus of the novella lies not with Marlow, but rather Conrad uses Marlow as a medium in order to examine Kurtz. In the novella, Marlow is an outside observer. The story follows Marlow’s ever-changing perception of Kurtz in order to characterize the unseen character. When Marlow first learns of Kurtz, he is told that he is “a remarkable person…a prodigy” (Conrad 69), but as the story progresses, both Marlow and the reader delve into Kurtz’s true character and discover a tyrant of imperialism.

In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.

Kurtz was a centralized character in Conrad’s Heart of Darkness who began his expedition as a trading post commander and ivory collector. Before they met, Kurtz was described to Marlow as an idol by the Company’s chief accountant. “‘He is a very remarkable person.’ Further questions elicited from him that Mr. Kurtz was at present in charge of a trading post, a very important one, in the true ivory country, at ‘the very bottom of there. Sends in as much ivory as all the others put together…’” (Conrad 382). Kurtz is obviously very valued

In Heart Of Darkness, Conrad introduces the following characters, the manager, the brickman, and the foreman, with various distinctive characteristics. Additionally, Conrad applies each man to contribute towards accumulating information about Mr. Kurtz to Marlow. Correspondingly, while Marlow was accumulating information regarding Mr. Kurtz, Marlow encounters a painting created by Mr. Kurtz, which possesses a symbolic connotation to it. Furthermore, as a consequence of Marlow interest in Kurtz, it exceedingly represents Marlow’s characteristic.

When Marlow first describes Kurtz’s verbal eloquence, his contradictory statements demonstrate ambiguity surrounding his own view of Kurtz. In describing Kurtz’s innate ability with words, Marlow claims that “of all his gifts the one that stood out preeminently, that carried with it a sense of real presence, was his ability to talk, his words -- the gift of expression, the bewildering, the illuminating, the most exalted and the most contemptible, the pulsating stream of light, or the deceitful flow from the heart of an impenetrable darkness” (Conrad 58). Instead of revealing information about Kurtz through his actions, Marlow initially revels in Kurtz’s “gift of expression”, describing it as both “bewildering” and “illuminating”. Additionally, Marlow addresses the duality of Kurtz’s speech in how he can turn words into an “illuminating...

He is telling his story of his adventure to his job on the Congo, presenting the story inside of a story notion. In the reminiscent story he is telling, he talks about a man named Kurtz, the ivory manager at the company is going to work for in the Congo. He learned about the characteristics of Kurtz, which happened to be the opposite of his. At first, he is slight displeased and shows disgust towards the actions of the other workers’ at the company and Marlow; stopping in plot ever so often to regain his thoughts because it made him upset. However, as he continued deeper in the Congo, he starts to change into Kurtz making Kurtz and Marlow complex. The reader can not tell if they are different people or perhaps the same. Before this transformation, Marlow and Kurtz was already similar in a few ways. For example, Marlow and Kurtz both shared a certain amount of respect for the natives, Kurtz even had a mistress that was native. However, they may have a certain level of respect for them they both feel that they are savage like and they are not equal to the white men. This shows the white man’s burden, of the white man that feels the need to educate the natives. Marlow even ends up agreeing later on in the book that they should be

Similarly, Conrad’s Heart of Darkness explorers an actual Imperial narrative. This novel traverses morality in the inverse of the aforementioned allegorical reading of Dracula, as the protagonist goes from imperial England to the Congo. The protagonist of the novel, Marlow, goes up the Congo River in search of a highly reputable ivory trader named Kurtz. Prior to his spiral into insanity, Conrad describes Kurtz as a man of “promise”, “greatness”, a “generous mind”, and a “noble heart” (2008-9). Hearing of this reputable Victorian man, Marlow sets out to meet him, only to discover that these descriptors no longer fit the man he finds in the heart of the Congo, even if they ever truly fit him at all. As Marlow describes Kurtz at the start of

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

Effect Conrad provides with Marlow's arrival to “heart of darkness” and the usage of repetition of the words prehistoric portrays how Marlow perceptive of the Natives. He believes that himself and the crew are more civilized and superior towards them. Then, upon meeting them changes his response on seeing them without their “shackled form” which is his life changing experience seeing that they are human just as themselves. Clarifying with the repetition of “inhuman”. Depiction of the environment with black being the primary image

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

    Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to

It has been said that although Conrad may not have been 'the greatest novelist, he was certainly the greatest artist every to write a novel';. I feel that this is an apt description of Conrad's writing style in Heart of Darkness (1902), as he paints many verbal pictures by using expressive words and many figurative descriptions of places and people. An extensive use of words relating to colour, is evident throughout the novella. The idea of darkness (and light) is emphasized from the title of the novella, and continues to play an important role throughout in the story .