Sympathy : Sympathy And Mutual Identification

The relationships between parents and their sons in the Iliad are not relationships we expect to see in today’s society. The Iliad portrays the relationships between fathers and sons as something more than just physical and emotional. It is based on pride and respect for one another. The expectations of their son are more so to pass on their fathers reputable name and to follow in their father’s footsteps of being noble warriors. These relationships are the driving forces in the Iliad, making each son in the Iliad identifiable first by their father’s name. An outcome of the father–son relationships is ancestral loyalty among the characters which play a prominent role in war. Therefore, not only does the Iliad share a major war story, but

This was the rational motive why Zeus' acquired Thetis to marry a mortal, named Peleus. On the other hand, it doesn’t signify that Achilles cannot die; he is still fated to die as he is more mortal than an immortal. Furthermore, if you look at one of the god named, Apollo, he is supplementary, without any questions, inclined toward Trojans and is persistently engaged to help them. Apollo assisted Trojans on numerous occasions in war. For instance, he dispatched a pestilence to Achaean soldiers by responding to the priest’s pray, ‘[1:40-60]’. Apollo also aided Hector in book 15 where Zeus dispatched Apollo to help Hector and blow new air into his lungs so he can fight again, ‘[15:300-310]’. Also in Book 16, Apollo heard Glaucus’ pray and healed his wound to get him to fight again against Achaeans, ‘[16:600-640]’. Apollo’s twin sister, Artemis, also helped Trojans in the battle alongside Apollo. She helped Trojans just because Apollo is engaged against Achaeans. On the other hand, Athena and Hera are inclined towards Achaeans and assist them in the battle in every accomplishable manner. These deities, Hera and Athena, want the Achaeans to triumph the war and pulverize the Troy. Moreover, Thetis cannot see her mortal son Achilles suffering and resources him as much she can. And, Zeus the king of all gods, however, is not on any side and he attempts to stay impersonal during the conflict but somewhere in his intuitions he does not want

In death’s atrocity, Achilles and the Athenians turn towards their self-interests in hopes to regain control and dignity. Achilles withdraws from the army in hopes they will recognize his worth, thus restoring honor to him. The Greeks “were stricken with unendurable grief” yet his “proud spirit” kept him from letting go of his anger. (Il. 9.4, 259). His inability to understand his mortality and resulting lack of philotēs “pitched countless souls of heroes into Hades’ dark” (Il. 1.3-4). Falling into fits of self-pity, Achilles is unable to recognize others’ sufferings, even of his own people. He complains to his mother that Agamemnon “has taken away [his] prize and dishonored” him and playing a lyre by the shore, away from the war displaying death’s reality (Il. 1.370). In his isolating mēnis, Achilles hardens into an apathetic death-like figure. Similarly, the Athenians begin to lack pity as their city turned towards “unprecedented lawlessness,… acts of self-indulgence,” and immorality during the plague (HPW 2.53). The Athenians even abandon their own people in fear of falling ill as well. Their civilization reveals it shallow-nature as they result to only considering present desires as honorable. In the face

The notion of honor is prevalent throughout the Iliad and Antigone. Both texts demonstrate that honor is essential to Greek heroes because honor is the foundation of the society and family. Homer and Sophocles clearly show that honor guides people’s actions and responses and decides the fate of themselves and others. Both authors also place emphasis on the importance of proper burial because it is a strong indication of honor to the deceased and the deceased’s family. As can be seen in the Iliad and Antigone, the aim of every Greek hero is to gain everlasting honor because it ensures his place in the social memory of his society resounding even after death.

Unlike Achilles, Hector bravely stays in the battle and calls upon Achilles. As Achilles rejoins the battle, Hector cowardly runs from Achilles thus also showing an un-hero like response from Hector. As the epic poem climax’s into the battle between Achilles and Hector, both characters are in angst to whom the God’s will side with.”I know you well- I see my fate before me./Never a chance that I could win you over.../Iron inside your chest, that heart of yours./But now beware, or my curse will draw God’s wrath/upon your head, that day when Paris and lord Apollo-/for all your fighting heart-destroy you at the Scaen Gates!” (Homer 22:420-424) In this quote Hector realizes that the Gods have sided with Achilles and death is near to Hector. As Achilles pursues to kill Hector, Hector pleads for a proper burial. This is because in Ancient Greek times, it was often believed if you did not have a proper burial, you were destined to suffer between worlds until your rites of passage into the underworld were completed. The Greeks saw immortality as areté, which means excellence and virtue. This is achieved through victory in battle which Hector was not able to obtain. “But this Achilles - first he slaughters Hector,/ He rips away the noble prince's life/ then lashes him to his chariot, drags him round/ his beloved comrade's tomb. But why, I ask you?/ What good will it do him?What honor will he gain?/Let that man

Every character in a story is motivated by a feeling or action. In Homer’s Iliad, the themes of aidos (shame) and kleos (honor) are used to propel the story forward and to keep the reader’s attention. The actions of the characters are heavily influenced by shame and honor. Homer does a stupendous job of portraying the feelings of shame and honor to develop specific characters in the story.

Killing seems associated with being similar to a god. Hector is referred to as "godlike" only when he is triumphing over the corpse of a fallen Greek soldier. I found it interesting that the gods assist both Achilles and Hector in their respective battles. I would think that the gods would help Hector more, because he was a just man, but Hector is handed victory by Zeus only for a short time, while Achilles always appears to have divine intervention. This seems unfair, as Hector is the more "godfearing" of the two. He has more respect for the gods/goddesses, as we

Fate bound the gods in Book 22 lines 190-209. As Achilles was face to face with Hector, Zeus showed pity for Hector. In this scene, Zeus knew that Hector was destined to die. Zeus wanted to save Hector, but was persuaded by Athena that it was Hector’s time. Athena argued with him that if he would step in and save Hector that many other gods would be upset with his actions. Not only would the gods be angry, but death was Hector’s fate, and the gods were bound to it. This is an example of how fate outweighed what the gods wanted to happen. Zeus was wrestling with the thought of saving Hector or allowing Hector to meet his fate.

    Homer's Iliad enthralls readers with its’ valiant heroes who fight for the glory of Greece. The Iliad, however, is not just a story of war; it is also a story of individuals. Through the characters' words and actions, Homer paints portraits of petulant Achilles and vain Agamemnon, doomed Paris and Helen, loyal Patroclus, tragic Priam, versatile Odysseus, and the whole cast of Gods. Ironically, the most complete character in the epic is Hector, enemy hero, and Prince of Troy. Hector is in many ways the ideal Homeric man: he is a man of compassion and piety, a man of integrity and bravery, a man who loves his family, and above all, a man who understands and fulfills his social

Suffering seems to be one of the under toning themes of the Iliad. Everyone undergoes the effects of war and battle. The women stand and watch helplessly as their loved ones fight, and live knowing they may never come back. The role of what a ‘man’ or ‘women’ is or should be also causes suffering because of the decisions they must take on. The warriors understand that whichever decision they make to continue in battle or desert, their honor and integrity is at stake and that dilemma causes suffering Although, each person I mention seems to somewhat understand what fate lies ahead of them or of their loved ones, they realize the suffering they will have to eventually go through.

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins

The gods in the Iliad are manifested not just to have a direct hand in the lives of mortals, but moreover to be picky about whom they would like to help. Greek religion held powers and fears of all kinds so therefore the reasons behind their motivation and resolutions is not like the modern Christian notion where they think that whoever deserves to have the honor will be it. From what I have read to see, its gods were within the world, one that they did not create. Power such as gods, spirits and nymphs did not die but yet were born. The Greek gods were immortal and had a long life with all

Athena shows sympathy for the agony mortals suffer through in life. Athena exposes the reader to this idea by confessing her concerns to Zeus in the beginning of the story, “but my own heart is broken for Odysseus” (book 1 line 67). We learn from this line that the gods are more than beings of vengeance,

The Greek gods are highly partisan beings in the Iliad. The Greek gods side with different armies there is no side that is more 'moral' or favored by the gods than the other. The Trojan War itself was largely begun because of a rivalry between Athena, Aphrodite, and Hera. The gods also favor certain mortals Athena prefers Odysseus, for example, while Aphrodite adores Paris. This favoring is not based upon the moral behavior of these particular humans but is instead based in the gods' own prejudices. The gods do not act as moral guides in a Judeo-Christian sense. They are anthropomorphically rendered, jealous, unpredictable, and at times vengeful. They have more power than humans and demand humans' respect, but that respect is commanded by their greater power, not their greater morality. The gods also deliberately insert themselves into human affairs, egging on the Trojan War when it seems to be flagging, or favoring one side over another. "Make all haste, and invent/Some mean by which the men of Troy, against the truce agreed, /May stir the glorious Greeks to arms, with some inglorious deed" (59). However, even the gods have limits Achilles mother Thetis, although a goddess, cannot prevent her son's death, which she knows is inevitable. Q2.In Book 1, with whom is Achilles angry? Why? What does Achilles vow to do in response?

Indeed, in their submission to base appetites and shallow grudges, the gods of The Iliad often seem more prone to human folly than the human characters themselves. This can also be seen when Zeus promises to help the Trojans, not out of any profound moral consideration but rather because he owes Thetis a favor.