Synaesthesia Essay

In the counseling world today understanding psychodynamic approaches is more crucial than ever in the assessment and treatment of any psychological issue. Psychodynamic approaches such as Individual therapy, analytical therapy and psychoanalysis are similar in many ways but also differ based on the individuals own perception and circumstances. I will discuss the similarities as well difference’s and why these forms of therapy are critical in the assessment and treatment of clients.

In Buddhism, perception is believed to be based on twelve gateways, including the five senses, the mind or “inner sense” and the object of these six senses. The inner sense possesses the capability to mirror on the objects of the five senses. The amalgamation of each of the five senses and its objects result

The next time someone says, “I feel your pain”, they might be speaking in literal terms. But, suppose you ask a co-worker what day it is and they reply, “Yellow”. People such as these likely have synesthesia, a condition where they taste sounds, see words in color and/or feel other people’s feelings.

I started my education in Erie, Pennslyviana.I attend McDowell High. I would say that we were one of the richer schools were I live. I am going to talk about my first assignment Brainology. I thought it was very interesting and it thought me a lot about how some people have different mindsets.

As an ordinary person, being at the symphony is to escape the visuals and to solely focus on the harmonically-rich and perfect dance of classical music. On the other hand, for someone with audio-color synesthesia, they experience music in the company of colorful flashes of light. This phenomenon is called synesthesia, the simulation, and connection of one sensory or part of the body to another. Synesthesia affects the way synesthetes view and live their lives by giving a new perspective to learning, connecting, thinking, and doing. Not all synesthetes experience synesthesia in the same way and research has shown that there are over 60 variations of synesthesia.

A distinction between the two can be done sensation and perception can be distinguished according to the bare sensory material that is actually present in a situation, and the host of other items which we have become associated since

Synesthesia is a disorder found in about 2% of the world's population. This is a hereditary condition, often linked with genes passing from parent to offspring. People with synesthesia are able to combine multiple senses and can often visualize words as colors or taste sounds. Scientists are still unable to understand why evolution has kept synesthesia around for so long and whether or not it has hidden benefits that may be needed in the future.

How many of us know what synesthesia is? What do we eat it with? How is it used or what is it used with. Well let me just tell you that synesthesia is a condition in which people have difficulty distinguishing between various sensory inputs.

The most common type of synesthesia is known as grapheme-color synesthesia, in which people report seeing certain letters and numbers as certain colors (Dutton, 2015). People acquire this variation of the condition after mastering the basics of reading (Ruiz & Hupé, 2015). Some can even trace their letter-color associations back

Various types of synesthesia exist and I happen to have both grapheme-color synesthesia and chromesthesia; my brain is cross-wired to associate multiple senses with one stimuli. In the same mental space as when you imagine a box in your head - you do not see a box in the space in front of you, but in the space in your head - I consistently see numbers and letters in their own specific colors. With my chromesthesia, I naturally see three-dimensional landscapes composed of morphing shapes and colors when I listen to music.

Every day we encounter various experiences and take them for granted. Perception is something we experience constantly such as tasting food, listening to a symphony playing or looking at a painting in a museum (Goldstein & Brockmole, Ch.1). To fully appreciate the beauty of perceiving we also must focus on the activity that takes place in our nervous system. Seeing, feeling, hearing, tasting or smelling occur from the activity that takes place in the nervous system. These senses are essential when it comes to life experiences, therefore we should not take them for granted. Something as simple as perceiving a car, realizing attractiveness among one another, and driving a vehicle is built off our experiences in life.

This chapter contains more meditation than anecdote. In June, the narrator ponders the smallest things—red blood cells in a goldfish’s tail, blooming plankton, the horsehair worm, molecules, and atoms. In the intricacy of the universe, she finds confirmation of God’s presence and plan: ‘‘Beauty itself is the fruit of the creator’s exuberance that grew such a tangle.’’

In order to understand the relationship between music and cognitive processes, it is important to understand how music is perceived and processed in the brain. Musical perception and cognition are both actively constructed by the listener, as opposed to being passively transferred from the performer to the listener (Iyer, 159). There are three levels of musical perception: the raw psychophysical perception of tones, the perception of abstract qualities of tones apart from their source, and the apprehension of environmental objects that give rise to the sound events (Handel, 181). According to Stephen Handel, the first level of perception is when the listener first hears and perceives a musical stimulus such as melody, harmony, tonality, rhythm, meter, and form. The second level of musical perception is when the listener perceives abstract qualities of the musical stimuli. The final level of musical

This is a theory that falls under dualism as it explains perception as something that is not physical. According to this theory perception is something that is within us, both physical and nonphysical elements exist within

William Blake, a poet that strongly believed in the power of mind, once wrote, "if we see with imagination, we see all things in the infinite." The Romantic poets use their imagination when gazing at nature, and therefore see and feel the infinite through their poetry. William Wordsworth expresses the serene beauty that nature possesses and its calming effects on the mind. Samuel Taylor Coleridge, one of the poetic geniuses of the age, uses nature and his imagination to create surreal atmospheres. Another Romantic poet, by the name of Percy Bysshe Shelley, shows great longing for the freedom that nature possesses and the freeing effect it has on him. These poets of the Romantic period look at nature from a higher consciousness