Szymborsk Human Consciousness

Spiegelman has presented his father’s memoirs in a creative way by portraying racial groups as animals and by making the story into a graphic novel. By presenting it in comic form, Art Spiegelman is able to better capture the emotions of those in the graphic novel. Not a dedication in the conventional sense, the book eternalizes the memoirs of Vladek and those around him.

Incontrovertibly, one of the first things one may notice upon reading the work, is the use of highly explicit imagery connecting her thoughts and ideologies. With these techniques, her whole impression of the essay establishes an adversary relationship between the natural world and the human world. In summary, the author imposes that with weasels, much more freedom is

The idea of mestiza consciousness is an acknowledgement of both the genetic and cultural mixing that come from falling between the cracks of two cultures. Gloria Anzaldua uses the idea of mestiza consciousness to describe the constant shifting between two or more cultures that Chicana women experience. She describes the issues that arise within various communities due to an “us vs. them” mentality, and argues that mestiza consciousness can also act as a tool to heal these wounds, and to reshape one’s identity by merging various identities.

In Alexander Solzhenitysn’s story “Matryona’s Home”, Solzhenitsyn creates a relationship between an out of town visitor, Ignatch and an elderly woman, Matryona. Matryona reluctantly opens up her home to Ignatch, over the course of their housing together they begin to form some sort of a friendship. Ignatch begins to understand Matryona’s way of life that “she illustrates a spirituality that eschews greed and self-interest” (Paloni). Her willingness to help others without expecting anything in return is her main flaw and ends up becoming the death of her. Foreshadowing and irony are used throughout the story to show how society misuses Matryona.

In the wake of slavery, the black body is constantly under attack. The hold co-exists within the wake of slavery. According to Christina Sharpe, college professor, author of In the Wake on Blackness and Being, (2016) “The wake; a state of wakefulness and a state of consciousness” (pg. 5). Being in the wake of slavery means one still faces the negative effects it and is aware of the negative affects it has on the black community. The hold co-exists in the wake of slavery and the black body is inhibited by this hold. Sharpe defines the hold as, “A large space in the lower part of a aircraft in which cargo is stowed (of a ship or aircraft); keep or detain (someone)” (p. 68). In the hold, the black body has been introduced, taught, ingrained and continues this idea of the language of violence. Through the actual hold of the ship during the Middle Passage, to the perception of blacks which also holds the black body, and to the engrained idea of the “masculine black body” which keeps queer black bodies in their own hold. In this paper, I will examine the intersectionality of blackness and queerness which is being held in the wake of slavery.

One of the ways an individual can understand cultural diversity is by creating a meaningful and genuine relationships with people who are from different cultures. Cultural diversity is an important phenomenal for teachers in training to become familiar with and I believe it is for this reason that the Education Department at Medgar Evers College has as one of its eight-unit standard Personal and Global Consciousness. The department under this standard expects teachers in training to examine, deconstruct, and reconstruct their own and others beliefs, values and perspective, to understand their own cultures, and to develop empathy and acceptance towards others culture. Teachers wishing to work in New York City

In Nagel’s What Is It Like To Be a Bat, issues regarding consciousness are raised. One such issue is the mind-body problem which, as noted by Nagel, does not seem to fit with reductionist theories. That is, reductionist theories aim to explain things (e.g. persons and/or animal experiences) in relation to physical processes (i.e. organisms are just the sum of their physical parts). However, consciousness does not easily cooperate with such theories because it must be given a physical account. In addition, the nature of consciousness is that it is unique to a specific viewpoint (e.g. we can imagine what it would be for us to be a bat, but we cannot experience the mindset of said organism).

The depiction of the characters is a vital aspect of Szymborska’s works. This is notable in the poems ‘Lot’s Wife’ and ‘The Terrorist, He's Watching’ (see Appendix 1). This depiction of the characters is influenced by many literary techniques, one being narrative voice. Narrative voice can be defined as the ‘eyes’ the reader sees a story through. This is separated into three distinct types: first, second and third person. First person is typically told from the perspective of the main character, second person addresses the main character as ‘you’ and third person refers to the characters as he or she. Third person can either be omniscient; knowing an unlimited amount of information about all characters, events and conflicts in the story, or

In conclusion, Franz Kafka’s story was about a man who turns into a cockroach for the remainder of his life and is very mistreated by his family. Like a cockroach, the common worker is one in a million, which drives us further into degrading our self-worth and assuming the worst of others. This is the modern view that readers can visualize while reading this story.

Through the metaphor claiming the right of way, Szymborska expresses that humans need to be more attentive and consider smaller things as well. After having discovered the beetle lying on her path, she meditates on what she believes is right. “Important matters are reserved for us, for our life, and our death, a death that always claims the right of way.” (19-21) This person clearly believes that the importance of humans is at a higher stage than that of an animal. The beetle is given one glance before it has becomes irrelevant history from the past. As this person is walking through the field, without any further thought after

The endless altering matters of society remain controversial among its many spectators; nevertheless, Wislawa Szymborska views these matters as vacuous dictations. Szymborska confronts her perspective of society through her recurrent theme of mockery and wit, in which cultivates a comical aspect of her poetry. The comical aspects throughout some of Szymborska’s poetry exploits the changing standards of society, the dictation that society places on an individual, the false sense of comfort that is provided by society, and the true state of oblivion that society resides in. This scrutinization of society remains within an underlying tone of ridicule and aversion, which is conveyed through Szymborska’s a vast amount of devices, such as juxtaposition,

The statements “I have a guilty conscious” and “My conscious eating me alive” are phrases that have been giving physical meaning by everyday people. What has not been given merit is the imaginable state of consciousness or ones conscious. Are the statements true or just simply a saying with no meaning?

Szymborska’s poem, “Brueghel’s Two Monkeys,” starts in an odd way. The reader is thrust straight into the scene of an exam, which at first seems all too familiar. However, Szymborska surprises the reader when the voice says what she dreams about as she takes the final exam, “two monkeys, chained to the floor.” This is a very odd image and one that is not easily identifiable to the reader initially. The poem contains two meanings, first in the context of the 1956 workers' riots and student demonstrations that led to the crisis and compromise of October where Poland was taken over by Stalin. These events provide a context for the reading of the poem as a

She stimulates thought of our narrow and rooted perspective and our indifferent towards our surroundings. These ideas that Szymborska is trying to raise is especially relevant to the modern world we live in today where humans are too self-involved and avaricious to contemplate over unnecessities like our rudimentary perception of the world. Szymborska leaves subliminal messages for the reader to consider and elucidates presumptuous thinking for them to question. After reading the poem, we are awakened from the monotones and controlled cycle we live in and left with a million brooding questions. She invites us to broaden our perspective by revaluating our judgement of the importance of everything around us. This corresponds directly with the success in the poems agenda to present us with a firmer and deeper appreciation of the things we deem so

We are accustomed to long sentences from the beginning, successful tool for the author to elongate and deepen the imagery of the passage. In addition, they simulate movement and provide the reader with the idea of Tereza’s eyes moving along her skin, examining every detail of it. After this description, Kundera follows to a set of questions that arise in Tereza’s mind. This change in punctuation clearly introduces the reader into a new environment, a more philosophical one where Tereza deliberates upon the relationship between soul and body. Kundera’s choice of separating each of these thoughts into different, short paragraphs gives the sensation of thoughts flashing up in the character’s mind. Simultaneously, it pauses the reader in order to be able to answer those doubts from their own perspective. Nonetheless, Kundera grants Tereza an