T.S Eliot’s The Wasteland, whilst being laden with rich cultural references and allusions, is a confronting representation of re-establishment and rejuvenation across the entirety of a European post-war society. Eliot addresses the cyclical nature of life and death, encompassed by carefully crafted language and structure designed to disorientate the reader. The reader is offered an interpretation of human behaviour which is akin to all beings across the cohort of society, regardless of ethnicity or social class.
There is realism to Eliot’s poetry that is confronting and unflinching, perhaps disturbing at times. While his poems are often filled with harsh imagery – imagery of death, despair and degredation –they are often indicative of
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Languages such as German, French and Latin are implemented alongside abrupt and unannounced changes of speaker, location and time, in order to convey the idea that there are no exemptions to Eliot’s interpretation of common human qualities and experiences. Conversely, social class is also explored – in part II of The Waste Land, “A Game of Chess”, Eliot juxtaposes a lower-class bar conversation with satire of the opulent, while endorsing – via the comparison of the two – the idea that sexual fulfilment is a critical element in feeling valuable and secure in the society depicted. Indeed, it was Eliot’s opinion at the time that too much emphasis was placed on the importance of fertility, aesthetic appeal and marital security – an idea which is also explored in Portrait of a Lady through the satirical portrayal of a fussing woman, who is described as sitting in “an atmosphere of Juliet’s tomb”.
It could perhaps be considered that Eliot’s prime objective during the early years of his poetry was to paint a picture of the uncertainty and social decay that resulted from the aftermath of WW1 and perhaps even the from the end of the Edwardian era. Consequently, readers must look upon his unpoetic diction and lexicon and remember that he is attempting to create a new type of poetry which reflects the complexity of modern living. Often the sincerity and detailed imagery in Eliot’s work results from a lot of his speakers being vessels through which he
Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.
In T.S. Eliot’s most famous poem The Wasteland, a bleak picture of post-war London civilization is illuminated. The inhabitants of Eliot’s wasteland are living in a morally bankrupt and spiritually lost society. Through fragmented narration, Eliot recalls tales of lost love, misplaced lust, forgone spirituality, fruitless pilgrimages, and the “living dead”- those who shuffle through life without a care. These tales are the personal attempts of each person to fulfill the desires which plague them, though none ever stop to consider that what they want may not be what they need, nor do they consider why it is they feel they must do these things. Through studies in Sigmund Freud’s psychoanalytic perspective
The Waste Land, written by T.S. Eliot, is poem portraying the lack and/or the corruption of culture in England during the post WWI period. Eliot uses a form of symbolism, in which he uses small pieces from popular literary works, to deliver his message. He begins by saying that culture during the post WWI period is a “barren wasteland.” Eliot goes on to support this claim by saying that people in England are in a sort of shock from the violence of World War I. Eliot believes that the lack of culture open doors for immorality to grow among the populace.
American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.
By looking through a critical lens at T Stearns Eliot’s poetry in light of his 20th century, modernist context, much is revealed about his personal and the rapidly evolving societal beliefs of that era. Through his repeating motif of time and fragmentation throughout his poems, Eliot reveals the prevalent feelings of isolation while in society along with the need to hide one’s feelings and emotions in this degrading society. His exploration of the use of ambiguity and stream of consciousness by Eliot, which is a characteristic of modernist artists, allows his work to resound over decades while being interpreted and differently understood by every audience that encounters them.
Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock
In this discussion of Eliot’s poem I will examine the content through the optic of eco-poetics. Eco- poetics is a literary theory which favours the rhizomatic over the arborescent approach to critical analysis. The characteristics of the rhizome will provide the overarching structure for this essay. Firstly rhizomes can map in any direction from any starting point. This will guide the study of significant motifs in ‘The Waste Land.’ Secondly they grow and spread, via experimentation within a context. This will be reflected in the study of the voice and the language with which the poem opens. Thirdly rhizomes grow and spread regardless of breakage. This will allow for an
T.S. Eliot in the twentieth-century wrote what is today widely-regarded as one of the most important text of modernist poems, “The Waste Land.” This poem evaluates many aspects of ancient and contemporary culture and customs, and how the contemporary culture has degraded into a wasteland. In “The Waste Land,” Eliot conjures, through allusions to multiple religions and works of literature in five separate sections, a fragmented and seemingly disjointed poem. Eliot repeatedly alludes to western and eastern cultural foundation blocks to illustrate the cultural degradation prevalent in the modern era of England. One specific eastern example is brought up in the third section of the poem, which T.S. Eliot names “Fire Sermon,” an allusion to
Q5 "Much of what Eliot writes about is harsh and bleak, but he writes about it in a way that is often beautiful". Comment fully on both parts of this assertion.
T.S Eliot explores the struggle of individuals through reconciliation of their perspectives on the world and their place within it by displaying the thoughts and emotions of the personas in which embody him in the poems, ‘The Love Song of J. Alfred Prufrock’ and ‘The Hollow Men.’ The existentialistic view on things coupled with the experiences and discoveries which the personas have already made identifies the internal struggle and disillusionment with society that an individual has whilst undertaking the journey of self realization in fear of being rejected or unable to live a meaningful existence. In ‘The Love Song,’ Prufrocks’ inability to live a meaningful existence in the modern world stems from his humanity (or lack thereof) as his existentialism
The "Waste Land" talks about the crisis equipped by modern culture especially after the First World War that had wreak havoc on Europe. The lines
This time Eliot does not quote another piece of text, however, he does consciously foregrounds that he uses the opening to Chaucer’s The Canterbury Tales (Bennett and Royle 5). This profusion of intertextuality, even before “The Waste Land” is well and truly on
In the Modernized and materialistic societies that lack hope and a sense of significance, various aspects of life have lost their meaning and have been reduced to trivial and superficial thing. One aspect during the modern epoch is represented in T.S.Eliot’s The Waste Land 1922 ‘The unproductive relationships “in the modern society that are dry, lifeless and sterile .This theme is one of the recurring subjects that T.S.Eliot tried
The poem with enduring value. The fragmented structure and irregular rhyme scheme describes the fractured reality of metropolitan life. The opening images, personification of ‘winter evening settl[ing] down’ presents an impersonal city, as the melancholic connotation of ‘winter’ reveal the alienation and vacancy of its residents. This is reinforced through the use of enjambment ‘gusty showers/grimy craps/lonely cab-horse,’ illustrating the confused and tangled city that the persona inhabits. The ‘newspapers from vacant lots’ symbolically reflect upon the vacancy of the society to which Critic Jon Hanrahan adds Eliot’s protagnists struggle with spiritual insufficiency and a failure to make authentic connections with others’ An absence of affection and love bonds between humans is shown through the use of heavy sexual imagery and connoatations of a courtesan awating her clents as she laid upon her back and waited,’ reflecting on the ‘thosand sordid imges/of which her sol is constituted,’ the hyperbole reducing her soul into n entity of lust, sybollicallt manifesting her loneliness. As the pem concludes the revolving warth is compared to ‘ancient women’ metaphorically’ gathering fuel in cacant lots’, the paradoxical statement conveying the persuit for human warmth. Therefore my personal perception and
I think this style of writing is also a reflection of Eliot's feelings about the time. Eliot was more of a Modernist than Victorian poet and as such held to beliefs like: there is no higher power in the universe, man is alone on this planet to govern his own affairs, everyone is truly alone, there is no unity, no support, for we live in a godless heartless world (Stacey Donohue). The floating, confusing, jumbled mix of emotions and directions in this poem mirrors the modernist image of society.