Essay on T.s. Eliot And Society

By looking through a critical lens at T Stearns Eliot’s poetry in light of his 20th century, modernist context, much is revealed about his personal and the rapidly evolving societal beliefs of that era. Through his repeating motif of time and fragmentation throughout his poems, Eliot reveals the prevalent feelings of isolation while in society along with the need to hide one’s feelings and emotions in this degrading society. His exploration of the use of ambiguity and stream of consciousness by Eliot, which is a characteristic of modernist artists, allows his work to resound over decades while being interpreted and differently understood by every audience that encounters them.

The urban-rural culture wars of the 1920’s was due to myriad changes occurring in society, and partly in cause of a new generation, angered by the events of World War I, wanting to take a stand. Exposure to different types of culture in the 1920s varied on where one lived. In urban places, like bustling cities, one could find modernists. Modernists were more open-minded and liberal in their thoughts. In other words, they obtained a “new-school” way of thinking. Those in rural places who were not exposed to the always-changing city life, were more likely to be traditionalists and focused on practices, values and views from the past. Furthermore, modernists, from the city, and traditionalists, from the countryside, did not see eye to eye. This issue resurfaced several times in major events of the 1920s.

After World War I had ended, Americans found themselves living in an exciting time, often called the “Roaring Twenties”. This Features such as the prevalence of Automobiles, women finally receiving suffrage, and the rise in the variety of entertainment, all had a positive impact on America at the time. There were also social problems such as high levels of racism, constant infringement of the eighteenth amendment, and nativism. The “Roaring Twenties” were, in fact, the transitioning years to the twentieth century. The Twenties, as people had said, was a great time to be alive, because of all the positive aspects of it.

The 1920s is often stereotyped as the “Golden Twenties”, “Jazz Age”, and the “Roaring Twenties”. This was because the 1920s glorified and fantasized this era as being a wonderful time of excitement. During this time, there was also dramaturgic divide between the America’s pastime, and future. The nineteenth century, before World War I remained rooted culturally, without alteration. With the rise of the next generation, America seemed to disconnect its current attachment to the past, and guide into a more modern age. The divide between innovation and tradition created extreme contradictions as it switched over to urbanism and modernism (Zeitz). The 1920s also showed the economic boom from post World War I, the great migration of African American’s from the South to search for opportunity, and racial violence with the rise of the KKK.

Modernism believed in letting go of the past and stated restrictions on science was holding back the improvement, and traditionalism was the belief that holding onto the old American culture and religion was healthier. Modernism had its peak during the 20s with the theory of evolution first being taught in schools and science beginning to evolve. But during the 30s traditionalists placed the blame of the now failing economy on the fact America had become too open as a nation, this hate created the thick stench of racism among Americans, but as religion took over and prohibition came into view, America continued growing under the cracks unnoticed. The ongoing battle might of figuratively stopped due to the government supporting tradition, but modernists continued

Who was Eliot Ness? Nearly anyone knows Ness’ accomplishments in Cleveland when he went up against Al Capone. Most also know Capone eventually went to jail for tax evasion, but what happened to Ness and his Untouchables? Did they merely fade away into quiet life? The fate of Ness was quite the opposite, he continued doing what he fell in love with. Taking down corruption on any level. He carried on his war on the mob for an entire decade after Capone, staging daring raids on bootleggers, illegal gambling clubs and generally putting organized crime on the run. Ness’ exploits in Chicago were chronicled in his book The Untouchables, but if he had carried on against the mob, why wouldn’t he publicize such

The years following the first World War were years of change for the United States. Not all the change was good – the decade began with a brief depression and was plagued with issues regarding civil rights, income inequality and unemployment. The latter two issues were underlying signs of the impending doom that would mark the end of the “roaring twenties”. But until then, the twenties did roar. The economy flourished and industry reshaped the way Americans lived, worked and thought. New art forms came into popularity and culture shifted away from many traditional values. Society changed in major ways, and gave birth to some of the ideas, beliefs and trends that still rule the country to this day.

T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the poet’s fear of the fragmentation of modern society. In the poem, Eliot creates the persona of his speaker, J. Alfred Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency at the beginning of the Twentieth Century. His views are modernistic, which idolize the classical forms while incorporating new ideas about psychology and the subconscious. Eliot illustrates his contempt for the faithlessness of modern society by illustrating its fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot illustrates his view of a great tradition that he is witnessing as it falls apart.

Modernism is the term of deviating from the norm. In the early 1900s, modernism influenced women’s role in society by providing more opportunities, jobs, and role models for girls today, in society.

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

The period of the twentieth century, specifically the nineteen-twenties, was a historically significant event in history due to the dramatic changes politically and socially. In this time period there was many altercations between two specific groups who had completely different outlooks on change. Modernists, or people who tended to be in favor of new ideas, styles and social trends, embraced the idea of change during this time period whereas traditionalist, or people who are opposed to change, had deep respect for long held cultural and religious values that they believed should not be broken under any circumstances. The disputes between the traditionalist and modernist over religious beliefs made way into the woman’s lives leaving pop culture to rise rapidly.

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

In this discussion of Eliot’s poem I will examine the content through the optic of eco-poetics. Eco- poetics is a literary theory which favours the rhizomatic over the arborescent approach to critical analysis. The characteristics of the rhizome will provide the overarching structure for this essay. Firstly rhizomes can map in any direction from any starting point. This will guide the study of significant motifs in ‘The Waste Land.’ Secondly they grow and spread, via experimentation within a context. This will be reflected in the study of the voice and the language with which the poem opens. Thirdly rhizomes grow and spread regardless of breakage. This will allow for an

The Modernist Period was first a reaction against the previous Victorian culture. Intellectuals and artists of the 20th century believed that the previous era’s way of doing things was a cultural dead end and they wanted to break away from traditions.

This epigraph may serve as a way to connect with a certain group of scholars, as not many people speak the language it is written in, however, when it is read in its original context it may mean that Eliot does not foresee a very bright future, which would be in tune with the rest of the poem, furthermore this reference strongly hints at the use of tarot cards and the notion of randomness in the rest of the poem. The fact that this epigraph is in a foreign language greatly contributes to the theme of the poem and is therefore discussed in the next section of this paper. Followed by the epigraph is a quotation from the Anglican burial service, which serves as the subtitle of the first part of the poem: “1. The Burial of the Dead”. This leads us to additional intertextuality,