Definition of Islamic Architecture
Islamic architecture is defined as building traditions of Muslim populations of the Middle East and any countries where Islam had been dominated from the 7th century.
History of Islamic Architecture
In 630C.E the city of Mecca was re-conquered by Muhammad’s army from the Banu Quraish tribe. Before Muhammad’s death they began rebuilding the holy ka’ba and rededicated it to Islam in 632C.E by a shipwrecked Abyssinian carpenter in his native style. Then in the 7th century the number of people joining Islam increased tremendously, so they needed a place to worship God in, they needed a mosque. The simple layout provided to them was the same layout as the prophet’s house. Actually till now mosques are built in the same way. The first Islamic buildings were built by Greek architects who were living in the area when Arabs conquered it and that’s why the building look a lot a like the Romans Empire buildings. Early Islamic religious architecture, exemplified by Dome of the Rock (ad 691) in Jerusalem. It was highlighted by a large dome center stage and decorated with vivid patterns along the walls. Another example would be the great mosque in Damascus which had influences from both the hypostyle design which contains several rows of columns that hold together a flat base beneath a swirly minaret.. These two premium examples of Islamic architecture are both highly valued for their rich history and resemblance to the time of their existence.
Types
One well-known aniconic piece of Islamic architecture is titled Dome of the Rock, located on Mount Moriah in Jerusalem (p. 29). Mount Moriah is a site that is considered to have an intense religious background, thus making aniconism necessary for any artwork, including architecture. Dome of the Rock
Christianity and Islam are religions are two of world’s most widespread religions. Both religions when founded were not accepted by the people of that time and they have faced great resistance. Early Islamic art and early Christian art both are historically important as both are similar in some ways. The most earliest architecture and first such structure from the Muslims is the Dome of the Rock located in Jerusalem. When the Muslims conquered the city of Jerusalem in they needed a place (Mosque) to worship and offer their prayers in congregation. At the same time they also wanted to build a monument that would show the success of Muslims and their religion Islam. Similarly, Christians used to build their
Two buildings, the Hagia Sophia and the Great Mosque of Cordoba, can show us two separate peoples and their approach to constructing architecture that was devoted to their religions. However, while religion played a huge role, there are similarities as well between the two that show that the rulers who commissioned these buildings were interested in mimicking beauty and showing the world that their building was the most beautiful and perhaps the most elite of its time as well as proving their divinity as a ruler of a great nation.
The most beautiful building among these is the Mosque. The Mosque was built in early 1990's and is American built, almost entirely by local architects and local artists. There is a fountain in front of the Mosque and a second fountain inside the vestibule. These fountains have come from as far away as Egypt, Syria and Saudi Arabia and are merely for decoration though in older times fountains were used for washing before prayer.
The mosque can be identified by its elaborate squinch-supported domes. The Great Mosque of Cordoba is one of the finest surviving examples of Umayyad architecture in Spain. The mosque has marble capitals and columns in the hypostyle prayer hall. A person enters the hall through an open courtyard called a sahn. Its famous horseshoe arches have an alternated pattern of pale stone and red brick voussoirs
In addition to the structure's architectural composition, elaborate Quranic inscriptions further elaborate this message of religious superiority. Carole Hillenbrand alludes to such:
The Islamic civilization spread to encompass such an extensive empire by using their resources and becoming a peaceful civilization with peaceful people.
It is said that the Islamic culture mirrors that of the Roman Empire in terms of expansion and longevity. The now widely practiced faith began in an area called Arabia, which neither Rome nor Persia dared conquer. From its creation, it contributed several important things to Medieval Europe and the World as a whole. It conquered a large region and gained thousands of followers.
HVIII. ARCHITECTURE: Mosques in the old days were decorated beautifully with calligraphy and tile. They also had their own kind of domes that they used on the most important buildings. Used minarets. The specific geometric forms decorating the walls (known as Arabesque) represent the infinite.
Islamic art and architecture, works of art and architecture created in countries where Islam has been dominant and embodying Muslim precepts in its themes. They are explored with calligraphy, which considered one of the important parts of Islamic arts. Almost all Islamic buildings have some type
The Pantheon is an iconic part of architecture, particularly in the mediterranean. Constructed in Imperial Rome, the Pantheon was an incredible piece that forever influenced the basics of architecture. A similar piece, contemporary to the Pantheon, would be the Dome of the Rock. Found in Jerusalem, the Umayyad caliph built the shrine in the seventh century to serve a function as an Islamic shrine. Being the oldest extant Islamic monument known to man, the Dome of the Rock is sacred to both the Muslim and jewish religions.While being in completely different cultures, the Pantheon and the Dome of the Rock share numerous similarities varying from their functionality to the characteristic style of the domes.
Architecture comes with many significant meanings, including religious significance. The Pantheon, built from 118 to 125 CE in Rome, Italy, was a temple made to worship the Roman gods and goddesses. This temple is one of the most important buildings both in history and architecture, influencing many other monuments with its form, such as The Dome of the Rock. The Dome of the Rock, built from 687 to 692 CE, was the first great Islamic building. Located in Jerusalem, it is a shrine still very significant to many religions, such as Judaism and Christianity, today. Though not resembling each other in appearance, these buildings are extremely similar, in terms of religious meaning. The Pantheon and the Dome of the Rock, through their own distinctive form and similar location backgrounds, illuminate religion as the most important factor in each society, as these monuments symbolize a sense of unification throughout the city.
Iraqi society is quite proud of its different types of architecture and design. Their buildings have evolved and taken different shapes over Iraq’s history. In the time of the Babylonian civilization, the City of Babylon was famous for not just its decadence, but also the manner in which the houses and other buildings were constructed. During the era of the Abbasid Dynasty the Caliphs built many sites that are still standing until this moment. Buildings such as Al-Mustansariya (Fig: ) university and several mosques like Al-Malwiyah ( Fig: ) in Samarra, were built by the Abbasids.
The Hagia Sophia church and the Suleymaniye mosque are separated by a thousand years but are tied together eternally. One representing the achievement of the Christian-Byzantine empire and the other representing the ability of the Islamic-Ottoman empire and its architect Sinan. Two empires that had very little in common other than their architecture and region. In earlier history the Dome of the Rock represented the Islamic empire's attempt to rival the newly defeated Byzantine empire and its architectural achievements such as the Holy Sepulchre. As history often repeats itself, with similar political motives the Suleymaniye mosque became the Ottoman's answer to the
Mughal design is the unmistakable Indo-Islamic building style that created in northern and focal India under the support of Mughal sovereigns from the sixteenth to the eighteenth century. It is a strikingly symmetrical and enriching amalgam of Persian, Turkish, and Indian engineering. The Mughals were additionally prestigious for making choice gardens in the Persian format, in which the quadrilateral greenery enclosures were separated by walkways or streaming water into four littler parts.