Taking a Look at Saint Patrick's Cathedral

The Cathedral and Everyday use were both enlightening and intriguing stories. Written by two renowned authors and differs in numerous ways, set out to explain and disseminate its readers to dissimilar characters and themes. Whether fiction, non-fiction, there were meaningful lessons learned from reading both stories. The Cathedral is a story about two friends, a blind man Robert and his female friend who reunited after ten years, even though they communicated by sending tapes and poems. While Everyday use was a story about a woman who had two daughters, Maggie and Dee, with two different personalities. Maggie, who lives at home with her mom was shy and scar by burns she had sustained from a house fire, while her eldest sister

As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.

St Patricks Cathedral is the mother church of the Catholic Archdiocese of Melbourne. It was named after St Patrick, the patron saint of Ireland. The church was officially opened in 1997, however the first mass took place in February 1858.

From the very first moment when entering the cathedral one is likely to be struck by the silence dominating the massive interior. In spite of the somewhat annoying number of curious tourists (others probably saw my curiosity just as annoying as the noise), the church manages to maintain its quiet and peaceful nature. This is truly remarkable, taking into account that it is constantly filled with tourists through visiting hours.

The narrator in “The Cathedral” begins the story with the issue of hesitation in seeing the light. The light in this story just like the light in Plato’s “Myth of the Cave” represents reality. The narrator expresses the fear of expressing reality when he said “ I wasn’t

The edifice in itself was rather imposing. It was a large construction similar to European cathedrals. From the point of view of the religious feeling, I considered it to be more appropriate than catholic churches that resemble more to museums and are extraordinary in their art. Usually in catholic churches the edifice is impressive in its shape and construction and the first thought is to associate it to a pierce of art rather than a place of prayer. By comparison, this Orthodox Church was not that lavishing in details or artistic nature and the outside paintings set a religious feeling as I entered. A cemetery or a place for holy burials such as the former priests that served at the Church surrounded this church. This is not mandatory to happen but most of the times, Orthodox churches have in the vicinity the cemetery.

Valuable features like these create the elegance of these buildings. Some of the most elaborate church buildings now are worth over ten billion dollars. Raleigh’s newly built Cathedral

Cathedral but contains much work from the 15th century or later. The College, the name

The interior is decorated with mosaics and marble pillars and coverings of great artistic value. Justinian oversaw the completion of the greatest cathedral ever built of its time. It has a complex interior structure; the nave is covered by a central dome which is about 182 ft. 5in. from floor level and rests on an arcade of 40 arched windows. The dome had some repairs made to it which made its diameter vary from 101 feet to 103 feet. There are arched openings extended by half domes of same diameter to the central dome carried on smaller semi-domed exedras. Also the interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry, and gold mosaics. The exterior, clad in stucco, was tinted yellow and red during restorations in the 19th century at the direction of the Fossati

A powerful symbol of the Middle Ages was the glorious cathedrals. Between 1000-1540 A.D. hundreds of cathedrals were built across Europe. Completion of these grand structures required hundreds of workers who labored more than a hundred years. These large structures contained millions of pounds of carefully carved stone; making them larger and more glorious than castles of the time. Murals, sculptures, tapestries, paintings and ornate windows embellished the cathedrals. Public life centered around cathedrals. Advancement of art and architecture was made although it was the Dark Ages. Cathedrals remain an influential image of the Middle Ages.

To this I respond with would you not want the house of God to be what draws in our followers, to give them hope to what may lie in heaven. With these renovations we also devoute ourselves to the saint Denis for which we build this church. We make the name of God one for people to remember so their devotion grows. Is that not what you want St. Bernard, to have more people join God’s will so he may take care of them. I am just a patron, who under God’s will

Have you ever heard of the Canterbury Cathedral? It was built in 1070 and founded by St. Augustine. It got damaged several times, but one of the things that caused the damaging was a fire. In this essay I will talk about the history of the cathedral, a biography of the founder, and modern day use of the cathedral.

I also thought it was interesting to learn that the abbey church of Saint Dennis was the first introduction of Gothic architecture. Another interesting thing that I wanted to point out was, that many of the churches, including the abbey church of Saint Dennis and the Chartres Cathedral, "had lengthy construction histories" (Kleiner 379). But, one church, in particular, had a fairly quick construction time frame. The Laon Cathedral, pictured below, is an example of a church that began construction around 1160 and the construction was quickly completed, by 1200. Besides, Gothic architectural features, the Laon Cathedral also demonstrates some Romanesque features, including, "nave bays with large sexpartite rib vaults" (Kleiner 379). The textbook

The Cathedral of Notre-Dame in Reims, northeast of Paris near Champagne was the coronation church of the kings of France and was an educational and cultural center. Also built of limestone, the architecture of the Reims Cathedral features Gothic style. It symbolizes an Early Gothic, Radiant Gothic and Flamboyant Gothic. The Reims Cathedral depicts a classic harmonic facade containing four levels. Its interior is defined by its towering heights and narrow proportions, and elaborate sculptural works. Because of the high quality of workmanship and materials used, Reims Cathedral features some of the most beautiful gothic art in existence. Five different cathedrals have been on the site on which Reims cathedral now sits since 401 CE. The current cathedral was built in 1211, after the previous cathedral had burned down. The new building was almost entirely finished by the end of the thirteenth century. 88 gargoyles were counted on the Reims Cathedral and are mainly used to drain off rainwater and are exceptional pieces of work, but do show the slight difference between Gothic and Romanesque styles. The stained glass windows are a beautiful part of Reims despite being damaged or ruined several times in the 18th century; the cathedral still has many 13th century stained glass windows, in the upper parts of the nave, choir and transept. On the opposite side of the great western portal, the Great Rose Window, dating from the end of the 13th century, represents “the Crowning

The clerestory had only small windows to let a decent amount of light in. The exteriors of the cathedrals were plain, had very little decoration, and were extremely solid-looking. Cathedral plans were often regular and symmetrical, making the Romanesque cathedral form known for its simplicity. They were often built in the general shape of a cross, relying on the basilica as a design base. As for the sculptural decoration, Romanesque architects utilized thin, elongated, and abstract figures.