Tales of a Strange Love in Dr. Strangelove Essay

The film was originally intended to be a very serious war drama, but as the production progress, the cast and crew found the piece so funny, Kubrick decided to reorient his approach to the film and make it a comedy. He did not intend for the film to be silly or fantastic; on the contrary, all of the situations in the film are gravely important. The main plot of Dr. Strangelove illustrates two of Belton's four qualifications for war films: the primacy of collective goals over individual motivations and the suspension of civilian morality in times of war. (Chapter 9, 2012) The film is

Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb, which I will be referring to as Strangelove, is a political satire directed by Stanley Kubrick that was released in 1964. The Film displays the absurdity of the Balance of Terror during the cold war and the ease of which a nuclear holocaust could occur, whilst also critiquing the absolute power of politicians whom have the means to enact one. Strangelove communicates these themes with its use of satire utilising comedic characters and situations to highlight the ridiculousness of cold war politics. However the implications of using comedy to translate sensitive themes of war and human extinction are polarising, raising the question- is there anything you can’t joke about? Assessing how other texts deal with the same subject matter and analysing people’s emotional response to satire, we will investigate the effectiveness of Strangelove’s ability to communicate an anti-war message.

In this essay I will analyze two Cold War American Films, War Games and Dr.Strangelove. Both of these films portray the cold war era, where it was uncertain when and if nuclear fallout would happen. I will start off by giving a brief summary of both films. Then talk about some cold war culture such as posters, TV shows, and historical events discussed in class, as well as some aspects of plot in the films, such as the leaders in power in each film and finally compare both films to the culture shown and argue that they both accurately portrayed it.

The issue of the nuclear arms race between the Soviets and the Americans proved to be a dangerous time for the people of that era. Americans feared for their lives because the thought of human extinction seemed possible with the threat of a nuclear war. Dr. Strangelove mocks the people’s fears by using dark humor throughout the film. The movie depicts impending doom as a result of the Cold War but because it is a satire, it makes the audience want to laugh at the

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) is a dark comedy film by Stanley Kubrick. The film deals with nuclear war which was a hot topic during the 50 's and 60 's. Americans were very paranoid about communists and nuclear war at this time. This film shows how ridiculous the paranoia about nuclear war through a sexual relationship allegory. The allegory deals with the masculine and the feminine. The masculine is an important part of the nuclear war efforts while the feminine takes a backseat. The feminine is displayed in men as a negative. The sexual allegory becomes funny through

Dr. Strangelove and Brazil both portray the future, while also adding humor to the plot. These movies are futuristic, but more like dystopia movies in my opinion. These movies use dark humor to get their point across. Dark humor is a delicate balancing act expertly courting elements of comedy and woe (Robinson).

Dr. Strangelove or: How I learned to Stop Worrying and Love the bomb was a satirical film which was published in 1964. The movie was about the fears of the cold war and detonation of a nuclear weapon between the United States and the Soviet Union. The film was produced, directed, and co written by Stanley Kubrick, Terry Southern, and Peter George. Kubrick won director of the year award because of this movie as its’ idea and way it was played was cleverly executed.

Ebert wrote in 1999 that “Kubrick made what is arguably the best political satire of the century, a film that pulled the rug out from under the Cold War”. Rothkopf wrote in 2014 that “By a whopping margin, this is Kubrick’s most radical film and greatest dramatic gamble.” As nuclear weapons are still being developed, the threat of nuclear weapons is being taken

The film personifies the fear consuming the American society at this time yet one cannot help but laugh at something they know is wrong. Additionally, Dr. Strangelove showcases the destructiveness and senselessness of war with the aid of the Doomsday Machine and a “mutually assured annihilation.” Since both sides ESTABLISHED a mutually assured destruction the war is unwinnable and utilizing the Doomsday device would ultimately result in killing all of the life on earth. This only emphasizes how senseless war truly is. Dr. Strangelove is a satirical master piece that allows us to realize that war is a destructive and senseless

The film Dangerous Liaison, directed by Stephen Frears remains just about faithful to the epistolary novel, Dangerous Liaisons, by Choderlos de Laclos. Stephen Frears does "betray" the novel towards the end of the film but, it makes the ending that much more better and enticing. The film represents what the epistolary novel only hints at us readers. The novel is composed of letters where we only get a sense of the characters thoughts and emotions. The film tries to put those words into action but only showing one version of each scene. It is different in which the writer of the novel is using words while the film maker is using pictures to describe what's happening.

When somebody watches a movie especially in these times, a person typically looks for the realness in the scenes; whether sci-fi or action (among others) many people walk away saying “That was so fake,” or “Wow I was really apart of those scenes (or movie).” It is no different for the the film Dr. Strangelove. Although this movie was from quite a bit ago, I'm sure people had the same ideas of fake versus real in the actual movie. Coming into this movie with or without modern ideas of cinema, it is still easy to point out what is real and fake. Many scenes and scenarios may seem far fetched and escaped from reality where others may have a more real feeling to them. Comparing the two, it is easy to see why some may see the movie as something

Luv smiled. Rick wanted nothing more than to make her happy, at least in bed. In her heart, she knew she wasn’t ready for another serious relationship and he wasn’t either. Why did she have to pigeonhole it, name and analyze it? She told herself he cared for her. He'd said as much. It was kind of sexy thinking of herself as his mistress or lover. Once you give yourself a label like girlfriend or fiancee' there's list of expectations and responsibilities that come with it. She’d often told women to feed their partner’s fantasies if they were within reason. This was within reason. Lover was much sexier than the other labels. No baggage either. The only expectation was that of pleasure. Before now she hadn't considered herself a live in the moment

Two stand in the center, one yearns for the power to not be a burden, the other wishes for the power to lift any hardship, yet both walk together, the strings of many emotions tying them together. As they stand together in me, they stood together outside of me. Mayhaps they, together, might stay here intertwined for a lifetime. Even now, though, a force pushes against my walls like the swelling tide of a raging sea, fully intent on shattering my fortifications, but I shall not let it. I will not let him steal my family.

Dr. Strangelove is is an ex-Nazi scientist. He serves as President Muffley 's scientific adviser in the War Room. He accidentally addresses the president as Mein Führer. The character is an amalgamation of multiple famous Cold War figures such Wernher von Braun, Edward Teller, John von Neumann and Herman Kahn. He is bound to a wheelchair and is meant to be an intimidating character, who 's ability to intimidate is not affected by his handicap. The look of Dr. Strangelove is meant to immediately make the audience think mad scientist as it was based on the appearance of mad scientists from the past. An example of this kind of mad scientist could be found in the film Metropolis. Dr. Strangelove, much like Dr. Rotwang had

Stop staring Cassidy. Don’t even look. Ignore his muscular arms and the way he pumps up his team. Ignore the roaring crowd cheering for him. Ignore the wind blowing through his hair, forcing him to comb his fingers through it. Ignore the girl holding up a sign in his honor.