Tamara Kamenszain's Poetry Of The Neobaroque

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

In Anzia Yezierska's short story "The lost beautifulness," the protagonist Hanneh Hayyeh scrimps and saves to be able to paint her apartment white to make it look respectable for her son Ady when he comes home from fighting World War I. Hayyeh wants some kind of hope to cling to in her desperate immigrant's life. Although the dialect of the characters is Russian-Jewish and the setting is in an early 20th century urban environment, the idea of immigrant aspirations and the conflict between rich and poor is a common theme in American literature.

The context of the plot found in “The School” presents the readers with the timeless question of the meaning of life. However, this question does not seem to present itself immediately to the reader. In order to appreciate Barthelme’s work in this piece, it is crucial that one utilizes the New Criticism’s approach to reading. New Criticism was first developed in the 20th century and it makes reading and interpreting literature a systematic activity. New Criticism as an analytical tool helps the readers to understand and gain insight into all forms of the written works through sheer understanding and by reading closely. This means that our focus

Post-modernism was “a reaction to the assumed certainty of scientific, or objective, efforts to explain reality” (Public Broadcasting Service, n.d.). It can be suggested that reality is something that we each create and possess individually. Morimura took a work from the late 1500’s and changed it to fit his personal intentions and interpretations. It embodies post-modernist devices, such as stereotyping, the crossing of genre, and contemporary culture (Felluga, n.d.). By using these devices, Morimura transforms a work that could only seem applicable to the venerable and religious, to a work that is easily recognized and applied by the general public. He transforms the work from Bruegel’s reality to his own, in endeavour to resolve it. It is thought that appropriation is unoriginal, or possess aspects of plagiarism and negligence. However, the use of appropriation to give old works new meaning is justified in the sense that it allows the build-up and corroboration of ideas, supporting the growth and change of value systems as times and realities

In Czeslaw Milosz poem, “Ars Poetica?”, he reveals to the reader his opinion on the art of poetry. However, instead of praising the art form or the beauty of constructing an overall poem, he critical evaluates his dislike for its limited and depressing state. However, although the writer does not approve of all the aspects of poetry, he does have a belief towards its overall use. Throughout “Ars Poetica” the tone of the writer, his use of figurative language, and word choice in poem all contribute to his overall message.

-Concrete subjects are used to convey abstract feelings. The bounded feet with “marks and callouses” and the “asymmetrical cropped hair” are representatives of two different cultures. This literature device makes the essay more vivid and encourages readers to think.

Moreover, writing about memory which is the groundwork of the traditional autobiographical genre is a problematic endeavor, since it is a project of conflating memory, imagination, and sometimes a conscious misrepresentation of the past. Likewise, it is a way to inscribe the discursive selves that they envision as “true” representations of their selfhoods.

The reader sympathizes with Enrique as he is making his seventh attempt to reach his mother. It is this small glimmer of hope that propels him through his treacherous journey all though he, yet again, fails. The author uses “pathos,” the emotional appeal, heavily throughout this chapter in order to grab the audience’s attention. She wants the reader to empathize with Enrique, an archetypal martyr with heroic behavior. The narrator describes the cruelty and suffering of the gangsters, bandits, “la migra” and others. “Enrique thinks of his mother…she will never know what happened.”(Nazario) Nazario uses stream-of-consciousness reflections such as this to cause the reader to subsequently reflect on their own families, and how one would react to this circumstance. Although Nazario uses pathetic writing, she does not make a fully-pathos driven argument such as that of Leslie Marmon Silko’s “The Border Patrol State.” In fact, Enrique’s Journey is written in exposition mode with anecdotes within narratives, which purports as journalistic rather than objective, or biased, writing. It is through this writing style that Nazario builds her credibility, or “ethos.” The exposition mode lays out the effects throughout Enrique’s path as well as brings extent of the hazards to fruition for the

The Other is configured in the two writers’ works as victims of power play, their unjust mistreatment subsequently exposing underlying social inequalities. Through adopting the Gothic medium characteristic of Romanticism, the texts induce within the reader emotions of terror and pity towards the marginalised, leaving a profound effect which impactfully conveys the intended social criticism.

In this expressive writing, Rodriquez displays self-definitions throughout the essay. In the beginning of the story he questions to why we read, and says that “lines” in the books cause “dizzying” to the “eyes”. As the story continues, he points out that if reading will make him become “educated” it will help him “overcome” his “fear of silence.” This proves how important he wants to be successful in academics. Rodriquez also informs the reader of his emotional responses of resentment and enjoyment for reading. Rodriquez exposes his emotions of “loneliness” and “fear” from silent reading. While reading became a habit, he emerge as a “confident speaker and writer of English.” This shows how reading became an enjoyment for Rodriquez. However, in this writing values was also expressed. As he brought a “volume” of books back to the “library” he felt “pleased” by the “weight” of the books he has

“His work is a unique phenomenon, important as the voice of a “silent generation” in revolt against a “phony world” and in search of mystical escapes from a deteriorating society rather than “causes” promising political revolution or reform”(French 4).

In this essay I am going to discuss whether or not we can consider Lazarillo de Tormes as a subversive text and the reasons behind why or why not we may believe it to be so. To accomplish this, I will explore the background behind Lazarillo, the different methods and literary devices used to convey dual meaning and give the text an undertone of subversion.

In Modernist literature, the artist is the most important occupation that a person can pursue. The artist is the person who is responsible for holding a mirror to the culture of the community. It is thus their responsibility to show that community exactly what the community was truly about, especially if that truth were particularly harsh or ugly. Paris, France is famous for being a location wherein one could indulge in every kind of sin, the more lascivious the better. This aspect of the city is often depicted in literature, but never as an exploration of that lifestyle, but instead as a comment on the true hollowness of such an existence. In the earliest half of the twentieth century, a growing number of people became dissatisfied with the world they had been living in following the First World War. These people became dissatisfied with the government, with their lives, and with the status quo. In the United States, women were abandoning their roles as wives and mothers in attempts to find an individual identity as a single human being. Men and women were finding themselves attracted to members of the same sex and, for the first time in American history, were unashamed to act on their feelings, although they would often have to keep their orientation a secret from the public world for fear of ostracism or violence. This new concept of sexuality and the belief of the artist as modernist critics are all interrelated. This is evident in the books Tropic of

There was a frequent reference to “a poet” whose work was widely respected in this novel. The Count de Satigny (who was Esteban Trueba’s ‘suitable’ choice of a husband for Blanca) referred to the work of the poet as “the best poetry ever written, and nothing could compare to it”. When Jaime and Nicholas became adults, the poet became more widely accepted as Clara had formerly predicted the first time she heard him recite in his ‘telluric voice’ in one of her literary soireés. It was evident that the poet lived and wrote about the right of the citizens to live their lives the way they wanted to, making their own decisions and expressing their own opinions without being controlled. For this reason, the funeral of such a poet became “the symbolic burial of freedom”.

Since New Historicists view an aesthetic work as a social production, a text's meaning resides for them in the cultural system, composed of the Demon Lover from New Historicist point of view, three area of concern should be investigated: (1) Elizabeth Bowen's life; (2) the social rules and dictates within the text; and (3) the reflection of this work's historical